Director of Photography
A documentary featuring survivor stories of state-sponsored violence during the Martial Law years of the dictator, Philippine President Ferdinand Marcos Sr. Thousands were jailed, tortured, raped and killed while communities were massacred in the crossfire between state forces, Maoist rebels and Muslim separatists. In 2013, the Philippine government passed a landmark law which officially recognized these atrocities and mandated compensation for the victims, funded by the illegally-acquired wealth of Ferdinand & Imelda Marcos hidden in their Swiss Bank accounts. 11,103 victims were given compensation as a result of the law.
Director of Photography
A deaf couple learns that it is not their inability to speak or hear that tears them apart.
Cinematography
A couple's marriage gets tainted as the husband cheats. How can the wife take her husband's dying plea to be with her and his mistress at the remaining days of his life?
Director of Photography
After a tragic car crash, Gabby finds herself in a love triangle with the ghost of her fiancé and a friend seeking more than a platonic relationship.
Cinematography
Two college freshmen, Pol and Laya, accidentally meet during their last day of school in Baguio City. Laya is about to move back to Manila to escape from her failed romance, while Pol is about to spend a care-free night in a music festival. After witnessing Laya’s breakdown because of her recent heartbreak, Pol gets an idea to make her last night in Baguio fun and memorable.
Director of Photography
Best friends forever or worst friends ever? Many years after high school, Emerald, Ruby, Perla, and Goldie (considered the Bicol “It Girls” of their batch) are reunited for the latter’s upcoming wedding. Joining them is Jade, Goldie’s friend from America. Everyone is excited about this get-together, but somehow, Goldie’s friends are finding it hard to believe that she is going to be the first to fulfill their dream of getting married, considering that she is the least attractive among them.
Cinematography
At the twilight of her life, Mamang struggles against the senility and dementia of old age to be with her son Ferdie, who she suspects is set to teach and leave for another province. But as she grapples further, the more her condition worsens until she is haunted by the ghosts of her past. As she battles to drive them away, she starts reliving her bygone years, with visions that slowly turns into her reality. In the end, she is forced to decide between staying sane or letting her mind go in what has now become a labyrinth of memories.
Cinematography
A Palanca-winning comedy about gay best friends for life John and Mark whose friendship is put to the test when one of them has a terminal illness and asks the other to help him stage his fake death, wake, and funeral as his dying wish. The result is a laughfest of "deadly" proportions.
Cinematography
Eugene prepares for her comeback vehicle after a long sabbatical from movie making. Rainier proposes "The Itinerary," a heartbreaking anatomy of a crumbling marriage as told through a couple's trip to Baguio, their former honeymoon location.
Director of Photography
A young woman works as a secretary for a high class escort service, and is drawn into the intrigues of a client and the man who has fallen in love with her.
Director of Photography
Divided into three "short films", each one pokes fun to a particular genre. Episode 1: Bala Sa Bala, Kamao Sa Kamao, Satsat Sa Satsat. Episode 2: Shake, Shaker, Shakest. Episode 3: Asawa ni Marie.
Cinematography
A story set in a coastal Quezon town where the mundane lives of a grieving widow, her socially-handicapped son and a helpless grandfather interconnect to create bumps in their flatline lives.
Director of Photography
Magellan, the famous navigator, met his untimely death in the Philippines before he could circumnavigate the globe. Ironically, it was his slave and translator Enrique who most likely was the first to achieve the historic feat.
Cinematography
Three stories that focus on a precocious child who keeps getting into trouble, and the weary guardian who's along for the ride.
Cinematography
When Kana, a young T'boli woman, becomes a dreamweaver, she has the chance to weave together her village's warring clans. But, will she give up true love to do so?
Cinematography
Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.
Director of Photography
ABNKKBSNPLako?! The Movie follows the timeline of writer Bob Ong's school days, the main concept is to reminiscent the unforgettable memories of the old high school life.
Cinematography
Miri is trapped in her past and this time her whole past comes crashing back into her life: old dead secrets, her dead parents, and even the walking dead. Miris return to Manila only brings her back to more trouble the personal kind. Even as a young girl, Miri believed she is responsible for her parents death and the guilt kept her from building healthy relationships with those around her specially with her younger brother Mark. Miri Alvarez, is one of the best agents of an international group organized to protect scientists and inventors from a tech-grabbing group called The Agency. But Miri is hot headed and refuses to follow orders. In one rescue operation, Miris refusal to follow protocol gets her long-time partner killed. Miri is suspended and sent back to Manila.
Cinematography
A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.
Director
About a young painter who arrives at an island made of garbage. He uses the island and its denizens as his canvas and fights to protect the island from forces that threaten it.
Cinematography
A group of government workers: their happy-go-lucky circumstance, failed responsibilities, and reckless work ethic. It delves into the world of a government agency where non-stop discussion of intrigues and personal frailties is the order of the day.
Cinematography
The once illustrious Lopez-Aranda family has faded. Celia, once the darling of Philippine opera, and Gaspar, a distinguished ex-congressman, lacked the shrewdness to maintain their once elegant status. Saddled with a failed marriage, a vanishing career and mounting debt, Celia sold her share of their house to Gaspar, now bedridden. She managed to stay for free in exchange for being Gaspar’s caregiver. Gaspar loves listening to Celia’s arias. This idyllic arrangement is shattered when he slips into a coma. His daughter, Raquel, comes home from the US, determined to sell the house to salvage her own economic woes abroad. This signals Celia’s impending homelessness. With only a few heirlooms to sell, she is at her wits’ end. A fervent believer of the Sto. Nino, she hopes for a miracle. She dresses up her grandson, Antony, in Sto. Nino robes to prepare him for the coming fiesta.
Cinematography
Amigo se centra en Rafael Dacanay, cabeza del barrio de San Isidro, en una área arrocera de Luzón, Filipinas. Su hermano Simón, jefe de la guerrilla local, ha obligado a la Guardia Civil española a retirarse de su avanzada y encarga a Rafael que encarcele al Capitán de la guarnición y a un fraile español, el Padre Hidalgo, en nombre del gobierno revolucionario. Pero cuando el General Aguinaldo llegan, el oficial español y el Padre Hidalgo son liberados, una guarnición al mando del Teniente Ike Compton permanece para "proteger" el barrio. La política de ocupación estadounidense evoluciona de “corazones y mentes” a “concentración” (lo que se denominó “hamletting” durante la guerra de Vietnam) y Rafael tiene que responder tanto ante los americanos como ante los patriotas filipinos, con consecuencias mortales.
Executive Producer
Desperate for money, Lizette pursues the dark and thankless world of organ donation, hoping for a better life.
Self
Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.
Cinematography
GULONG is about friendship, love and life. The story is told from the point-of-view of Apao, a smart, kindhearted boy whose quest for an old bicycle reveals the stuff he is made of.
Cinematography
Jess Huson has a dream like many other struggling Filipinos, he dreams of a better life for himself and his family in America. After he is rejected, Jess embarks on a comical adventure filled with crazy schemes and ludicrous plans that end up in hilarious train wrecks that can only happen, where else, in the Philippines.
Cinematography
Three working-class Manila women — Stella, Ailing and Choleng — are hired as paid mourners at a traditional Chinese funeral.
Cinematography
The everyday struggles of people trying to bridge two cultures, as well as their attempt to find happiness in their new homeland. Tere (Cherrie Pie Picache), mid-forties and single, hosts a dinner for a friend visiting from Manila, Lorna. Invited are their New York City-based friends and former college classmates -- Mike (Christopher De Leon), a newspaper editor in his forties, Gerry (Ricky Davao), an advertising copywriter and closeted gay, and Marissa (Dina Bonnevie).
Director of Photography
Three siblings Danny, Art and Grace are now well settled with their respective families, in widely contrasting lifestyles. The one common thing that binds them loosely together is the love that their mother Dolores "Loleng" Rosales holds for all of them and her grandchildren, albeit expressed in varying ways and degrees, but always equally nurturing and self-giving. Much as they are held together by her, they are in turn separated by physical distance and the sad legacy left behind by their deceased, erstwhile strong-willed, patriarchal father.