Director
A movie about the Serbian Orthodox Church in Zagreb, Croatia.
Writer
Monuments are silent witnesses to the times when they were built and the people who built them. Through monuments one can trace the history of human kind. Monuments teach us about different customs, religions, cultures, economies, wars and social norms. Had their monuments not been preserved many peoples would have perished without a trace. Thousands of monuments were built throughout the former Yugoslavia in the 1945-1990 period to commemorate the sites where World War II battles had been fought. These monuments were once favorite destinations for school trips and political gatherings, as well as a necessary part of all family photos. At the present time, the monuments and their symbolism have been abandoned, neglected and destroyed. The main focus of this film is the destiny of these monuments as secondary raw materials.
Director
Monuments are silent witnesses to the times when they were built and the people who built them. Through monuments one can trace the history of human kind. Monuments teach us about different customs, religions, cultures, economies, wars and social norms. Had their monuments not been preserved many peoples would have perished without a trace. Thousands of monuments were built throughout the former Yugoslavia in the 1945-1990 period to commemorate the sites where World War II battles had been fought. These monuments were once favorite destinations for school trips and political gatherings, as well as a necessary part of all family photos. At the present time, the monuments and their symbolism have been abandoned, neglected and destroyed. The main focus of this film is the destiny of these monuments as secondary raw materials.
Producer
Shocking, intimate and moving documentary "Sve je bio dobar san" ("It Was All Just a Good Dream: the Frenchman from Vukowar ") examines the events from the time of the war in Croatia and the arrival of the young French volunteer Jean-Michel Nicolier in Croatia.
Writer
The most popular children's magazine in Yugoslavia was called Modra lasta (Blue Swallow). In 1969, it created Lastan. For hundreds of thousands of children Lastan was a mythical hero who helped unhappy and confused little souls. Each child imagined him differently and felt confident to share with him what they could not confess to anyone else: Dear Lastan, I kissed him, am I pregnant?; Dear Lastan, I fell in love with a boy from my class... For decades Lastan was a legend and the best kept secret in journalism. This film, for the first time after almost five decades, reveals his true identity.
Director
The most popular children's magazine in Yugoslavia was called Modra lasta (Blue Swallow). In 1969, it created Lastan. For hundreds of thousands of children Lastan was a mythical hero who helped unhappy and confused little souls. Each child imagined him differently and felt confident to share with him what they could not confess to anyone else: Dear Lastan, I kissed him, am I pregnant?; Dear Lastan, I fell in love with a boy from my class... For decades Lastan was a legend and the best kept secret in journalism. This film, for the first time after almost five decades, reveals his true identity.
Writer
This movie embraces the world of imagination, reality and memory with emotion. People, things, scenes and images make love B- flat which happens before, now and always.
Director
This movie embraces the world of imagination, reality and memory with emotion. People, things, scenes and images make love B- flat which happens before, now and always.
Writer
Siete historias eróticas son los cimientos de una película basada en el principio de unidad de tiempo, espacio y acción de Aristóteles. Ninguna de las historias habla sobre el sexo, sino de las relaciones humanas que transmiten tensión erótica.
Director
Siete historias eróticas son los cimientos de una película basada en el principio de unidad de tiempo, espacio y acción de Aristóteles. Ninguna de las historias habla sobre el sexo, sino de las relaciones humanas que transmiten tensión erótica.
Writer
One shot. Two bodies. And an interrupted sex. Film in which faces and voices are outside the shot, and protagonist is Her and His naked flesh, on that March 9th, in a casual relationship and a casual deceit. Nervous croquis of body language.
Script
One shot. Two bodies. And an interrupted sex. Film in which faces and voices are outside the shot, and protagonist is Her and His naked flesh, on that March 9th, in a casual relationship and a casual deceit. Nervous croquis of body language.
Director
One shot. Two bodies. And an interrupted sex. Film in which faces and voices are outside the shot, and protagonist is Her and His naked flesh, on that March 9th, in a casual relationship and a casual deceit. Nervous croquis of body language.
