Sivan Levy

Five short movies, linked by an animation, inspired by the life and work of Amos Guttman, the director from Transylvania who was a pioneer in Israeli gay cinema and died from AIDS in 1993. Produced by Tel Aviv Film Festival, it is a mixture of different styles and genres and is directed by six film-makers. In the last moving episode Kati Guttman celebrates his son, who passed away twenty years ago, and also recalls for the first time his own deportation to the Nazi death camps.

Five short movies, linked by an animation, inspired by the life and work of Amos Guttman, the director from Transylvania who was a pioneer in Israeli gay cinema and died from AIDS in 1993. Produced by Tel Aviv Film Festival, it is a mixture of different styles and genres and is directed by six film-makers. In the last moving episode Kati Guttman celebrates his son, who passed away twenty years ago, and also recalls for the first time his own deportation to the Nazi death camps.

Eight friends throw a goodbye party to welcome the end of the world.

Una reinterpretación en clave realista del cine de adolescentes, una profunda inmersión en la zona oscura del abuso sexual a través de la historia de Gili, una chica que para subir en la escala social empieza a citarse con los compañeros de su nuevo colegio. El primer largometraje de Jonathan Gurfinkel, un realizador en activo en el campo de la publicidad, el documental y la televisión desde 1994.

Dina is a young urban girl that shares her grandfathers' apartment with his Filipino caretaker, Noel. Together, they live in a world full of transparent people, where none cares to see, or show anything beyond a masquerade.

En un campo de refugiados palestino de Cisjordania, Chloé, una joven canadiense, cuida a mujeres embarazadas. Su relación con personas que se hallan a ambos lados de los muros y puntos de control del campo, hará cambiar sus creencias y convicciones.

This modern adaptation of S.Y. Agnon’s story takes place in a small city at the edge of the desert. In this barren landscape, Tirza, a young woman who lives alone with her father, becomes entranced by Akaviah Mazal, a lecturer at the college where she is studying. As she gets lost in the secrets of their entwined past, enchantment turns to obsession and Tirza does everything in her power to get Mazal’s attention and win his heart. Despite the warnings and fears of those closest to her, Tirza pursues her dangerous quest for love. Will she succeed in righting the injustices of the past and break the tragic cycle of fate, or will she simply perpetuate it?

Una comedia negra sobre dos chicas que se enamoran de su país y una de la otra en el camino de Tel Aviv a Sderot (el objetivo permanente de los ataques con cohetes Qassam).

Two women meet by chance and discover they were both raped by rapist. Individually and together they must confront the past and finally integrate the long repressed trauma into their lives.

As in previous editions, lesbian filmmakers were asked to visualize their conceptions and observations of gay eroticism and sexuality, just as, conversely, gay filmmakers were asked to explore lesbian love in the Israeli capital.

As in previous editions, lesbian filmmakers were asked to visualize their conceptions and observations of gay eroticism and sexuality, just as, conversely, gay filmmakers were asked to explore lesbian love in the Israeli capital.

When Mooky is fifteen, his beloved father dies a sudden death, and his place is taken by Yanek - an impulsive, rough, yet generous man who is regarded as a controversial figure due to his doings in the Holocaust in the Zonder Commando. He brutally invades Mooky's life and turns it upside-down. During Mookys teenage years, which are affected by his seductive mother Tinka, he deals with unfulfilled love for one girl and a dominated relationship with another. One day Mooky returns to his mother's home, deranged, and does something from which there is no turning back. Twenty years later, Mooky must decide whether to attend his mother's funeral and re-open his wounds of the past.