Dan Sallitt
Nacimiento : 1955-07-27, Pennsylvania, USA
Historia
Dan Sallitt is an American critic, screenwriter and film director known for his microbudget filmmaking and "cinephile" film criticism.
Born on 27 July 1955 in Pennsylvania, Sallitt moved to Los Angeles in 1976 where he became first-string film critic of the Los Angeles Reader from 1983 to 1985. He has written film criticism for many outlets, including Slate, the Chicago Reader, MUBI.com, Masters of Cinema, and the Toronto Film Festival. He maintains the film blog Thanks for the Use of the Hall.
Self (voice)
Explore the legend of Hollywood’s most celebrated cat, Orangey, in this adaptation of Dan Sallitt’s essay of the same name. The prolific feline actor’s 16-year filmography includes roles in Rhubarb (1951), The Incredible Shrinking Man (1957), The Diary of Anne Frank (1959), and Breakfast at Tiffany’s (1961)—or did it? The protege of star animal trainer Frank Inn, Orangey’s storied career leads Sallitt – who shares the screen here with another curious co-star – on the trail of a mystery.
Screenplay
Explore the legend of Hollywood’s most celebrated cat, Orangey, in this adaptation of Dan Sallitt’s essay of the same name. The prolific feline actor’s 16-year filmography includes roles in Rhubarb (1951), The Incredible Shrinking Man (1957), The Diary of Anne Frank (1959), and Breakfast at Tiffany’s (1961)—or did it? The protege of star animal trainer Frank Inn, Orangey’s storied career leads Sallitt – who shares the screen here with another curious co-star – on the trail of a mystery.
Editor
Caterina was born in South America but lives in New York. Her willingness to make close emotional connections to others is as much of a burden as it is a gift.
Writer
Caterina was born in South America but lives in New York. Her willingness to make close emotional connections to others is as much of a burden as it is a gift.
Director
Caterina was born in South America but lives in New York. Her willingness to make close emotional connections to others is as much of a burden as it is a gift.
Editor
Mara y Jo son mejores amigas. Mara es confiable y Jo está preocupada; se conocieron cuando tenían 14 años. Ninguna de sus vidas es estable, sus trabajos son precarios y sus citas no llegan a ningún lado, escribir es algo que se hace de forma paralela, como tantas veces en Brooklyn. En medio de los eventos cotidianos y la charla, la única constante es su amistad, o, más bien, su dinámica: sonará el teléfono de Mara y Jo necesitará su ayuda, Mara dejará todo por ella, pero los pensamientos de Jo ya estarán en otra parte. vez que ella llega. La trama salta hacia adelante con delicadeza y se apoya en otra manifestación del mismo patrón cada vez, aunque los canales de Jo se profundizan y el resentimiento de Mara crece. El tiempo pasa y hay nuevos trabajos, nuevos novios, drogas, lágrimas y nuevos comienzos, un embarazo y más tarde una pequeña niña, todo lo cual tira constantemente del vínculo de Jo y Mara.
Screenplay
Mara y Jo son mejores amigas. Mara es confiable y Jo está preocupada; se conocieron cuando tenían 14 años. Ninguna de sus vidas es estable, sus trabajos son precarios y sus citas no llegan a ningún lado, escribir es algo que se hace de forma paralela, como tantas veces en Brooklyn. En medio de los eventos cotidianos y la charla, la única constante es su amistad, o, más bien, su dinámica: sonará el teléfono de Mara y Jo necesitará su ayuda, Mara dejará todo por ella, pero los pensamientos de Jo ya estarán en otra parte. vez que ella llega. La trama salta hacia adelante con delicadeza y se apoya en otra manifestación del mismo patrón cada vez, aunque los canales de Jo se profundizan y el resentimiento de Mara crece. El tiempo pasa y hay nuevos trabajos, nuevos novios, drogas, lágrimas y nuevos comienzos, un embarazo y más tarde una pequeña niña, todo lo cual tira constantemente del vínculo de Jo y Mara.
Director
Mara y Jo son mejores amigas. Mara es confiable y Jo está preocupada; se conocieron cuando tenían 14 años. Ninguna de sus vidas es estable, sus trabajos son precarios y sus citas no llegan a ningún lado, escribir es algo que se hace de forma paralela, como tantas veces en Brooklyn. En medio de los eventos cotidianos y la charla, la única constante es su amistad, o, más bien, su dinámica: sonará el teléfono de Mara y Jo necesitará su ayuda, Mara dejará todo por ella, pero los pensamientos de Jo ya estarán en otra parte. vez que ella llega. La trama salta hacia adelante con delicadeza y se apoya en otra manifestación del mismo patrón cada vez, aunque los canales de Jo se profundizan y el resentimiento de Mara crece. El tiempo pasa y hay nuevos trabajos, nuevos novios, drogas, lágrimas y nuevos comienzos, un embarazo y más tarde una pequeña niña, todo lo cual tira constantemente del vínculo de Jo y Mara.
A young man disappears amid talk of violence and demagoguery, leaving behind an obscure cache of letters, postcards, and notebooks.
Horace
Camila, una joven directora de teatro, viaja de Buenos Aires a Nueva York gracias a una beca artística que le permite trabajar en su nuevo proyecto: la traducción al español de "Sueño de una noche de verano", de William Shakespeare. Pero al poco de su llegada, Camila ya se da cuenta que el trabajo quizá no es suficiente para compensar el hecho de haber dejado atrás a sus amigos y a su novio.
Creative Consultant
William Pierce (Nelson Franklin) is a practical, rational man who suddenly finds himself face to face with the paranormal when he starts receiving phone calls from the dead on the cell phone his recently-deceased fiancée (Melissa Ordway) left behind.
Dan Sallitt in conversation with Jaime N. Christley about Red River
Self
Interview with filmmaker and critic Dan Sallitt. Recorded July 2013.
Editor
Jackie Kimball es una adolescente como cualquier otra, salvo en un aspecto: se ha pasado toda su vida enamorada de su hermano Matthew, un año mayor que ella.
Screenplay
Jackie Kimball es una adolescente como cualquier otra, salvo en un aspecto: se ha pasado toda su vida enamorada de su hermano Matthew, un año mayor que ella.
Director
Jackie Kimball es una adolescente como cualquier otra, salvo en un aspecto: se ha pasado toda su vida enamorada de su hermano Matthew, un año mayor que ella.
Editor
Evelyn Bell, a Catholic professor of theology, and her younger sister Virginia are reunited after many years when Virginia returns home in a depression after being ejected from a religious cult. At a lakeside retreat in Northeastern Pennsylvania, the sisters try to reestablish their relationship, talking about their very different systems of belief, and about the oppressive childhood that still hangs over them.
Writer
Evelyn Bell, a Catholic professor of theology, and her younger sister Virginia are reunited after many years when Virginia returns home in a depression after being ejected from a religious cult. At a lakeside retreat in Northeastern Pennsylvania, the sisters try to reestablish their relationship, talking about their very different systems of belief, and about the oppressive childhood that still hangs over them.
Director
Evelyn Bell, a Catholic professor of theology, and her younger sister Virginia are reunited after many years when Virginia returns home in a depression after being ejected from a religious cult. At a lakeside retreat in Northeastern Pennsylvania, the sisters try to reestablish their relationship, talking about their very different systems of belief, and about the oppressive childhood that still hangs over them.
Mark
Mimi and Michael are close friends after a brief and unsuccessful dating interlude years before. Michael has remained in love with Mimi over the years, but Mimi, who has just broken up with her long-time boyfriend, seems willing to try romance with Michael a second time. The spark between them is kindled again, however, during a weekend picnic outing, Mimi, suddenly enthusiastic, proposes to Michael abruptly. The two marry and head off on a honeymoon to Pennsylvania without ever having slept with each other.
Writer
Mimi and Michael are close friends after a brief and unsuccessful dating interlude years before. Michael has remained in love with Mimi over the years, but Mimi, who has just broken up with her long-time boyfriend, seems willing to try romance with Michael a second time. The spark between them is kindled again, however, during a weekend picnic outing, Mimi, suddenly enthusiastic, proposes to Michael abruptly. The two marry and head off on a honeymoon to Pennsylvania without ever having slept with each other.
Director
Mimi and Michael are close friends after a brief and unsuccessful dating interlude years before. Michael has remained in love with Mimi over the years, but Mimi, who has just broken up with her long-time boyfriend, seems willing to try romance with Michael a second time. The spark between them is kindled again, however, during a weekend picnic outing, Mimi, suddenly enthusiastic, proposes to Michael abruptly. The two marry and head off on a honeymoon to Pennsylvania without ever having slept with each other.
Writer
Out of Nick Huxley's past comes Theresa, a social disease who sleeps with anything that moves and who has decided that she wants Nick back. Nick, a successful photographer with a stable relationship, is determined to banish Theresa and youthful folly from his life. But neither Nick's girlfriend Arliss, a modern spirit who believes in driving buried emotions out in the open, nor Theresa, who seems to have an unseen power on her side, are willing to let it go at that...
Director
Out of Nick Huxley's past comes Theresa, a social disease who sleeps with anything that moves and who has decided that she wants Nick back. Nick, a successful photographer with a stable relationship, is determined to banish Theresa and youthful folly from his life. But neither Nick's girlfriend Arliss, a modern spirit who believes in driving buried emotions out in the open, nor Theresa, who seems to have an unseen power on her side, are willing to let it go at that...