Daniel Goddard

The Black River of Herself brings to life a fictional Irish Bog Body – an ancient corpse naturally preserved over thousands of years in Ireland’s peat bog lands. Invariably discovered through the process of industrial peat extraction, these bodies become an evocative lens through which to explore our current era of human-induced planetary change. With a script by novelist Daisy Hildyard, the film traverses 300 million years of history across its three sequences, during which the revenant figure of The Bog Body returns to the surface of a world on the brink of ecological collapse. Brought to life through an innovative mix of practical puppetry effects and animatronics, The Bog Body urges its human discoverer to open their eyes; to learn from the many worlds that have gone before or face inevitable extinction.

In a moment of national reflection and anxiety, artists Jane and Louise Wilson contemplate the island mentality of contemporary Britain and its history as a colonial empire. Eerily empty shots of the Palace of Westminster and Parliament presented across two screens show a Britain with an uncertain, ghostly future.

This documentary interweaves fantastical re-imaginings of buried secrets with the Deathless Woman’s ghostly narration and testimony from survivors and witnesses of historic and contemporary crimes against the Roma in Poland and Hungary.

Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.

On an island an old man wracked with dementia dreams he was once a king. Together with his two daughters they exist in the wake of a bizarre malady of mysterious origin on a land devoid of animal life.

Filmed over a 22 year period, No Ifs or Buts delivers a portrait of Soho barbershop, Cuts, an iconic London hub for street fashion and pop innovators. Guided by freewheeling founders James Lebon and Steve Brooks, who met when one was a rockabilly and the other a New Romantic, the salon moved from early ’80s postpunk roots to become a hip-hop club and communal hub for DJs, photographers and style icons. But the film "is not just about the haircut", delivering an intimate portrait of Steve struggling with a traumatic past that threatens to derail the Cuts universe. The film traces profound and often tragic change in the hairdressers' lives within the wider context of the UK's political and cultural landscape- an anthem to the promise of youth and the friendships that endure over a lifetime.

Filmed over a 22 year period, No Ifs or Buts delivers a portrait of Soho barbershop, Cuts, an iconic London hub for street fashion and pop innovators. Guided by freewheeling founders James Lebon and Steve Brooks, who met when one was a rockabilly and the other a New Romantic, the salon moved from early ’80s postpunk roots to become a hip-hop club and communal hub for DJs, photographers and style icons. But the film "is not just about the haircut", delivering an intimate portrait of Steve struggling with a traumatic past that threatens to derail the Cuts universe. The film traces profound and often tragic change in the hairdressers' lives within the wider context of the UK's political and cultural landscape- an anthem to the promise of youth and the friendships that endure over a lifetime.

In this personal film, Julien Temple, who directed the definitive documentary history of the Glastonbury Festival, explores the alternative side of the festival away from the spotlight of the main stages with their global pop superstars. In fields known as Shangri La, Arcadia, the Unfair Ground, Strummerville, Block 9 and the Common, every year an unlikely attempt at utopia takes shape. Here, the festival reconnects with its radical, countercultural origins combining underground music, performance art and some of the funniest and most provocative sights of the festival with a dark, urgent 21st century spontaneity. Filmed at the 2011 festival, this 75 minute documentary features Michael Eavis, the creators of, and visitors to the true heart of the Glastonbury, and, fuelled by the music of tomorrow, explores the hopes, dreams and personal utopias of those who, for one weekend in June, come together as the tribes of 21st Century Albion.

A brief canter through the life and work of one of Britain's most unbelievable artists.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.

Don van Vliet, alias "Captain Beefheart", is one of the most influential, misunderstood, talked about, admired, copied, treasured, loved and quoted musicians and yet he is still an obscure and mysterious artist. His quite abrupt artistic transformation from working with a microphone to a paintbrush in 1982 and his consequent move from the desert to the ocean meant even less direct contact with the outside world than before. Subsequently there is very little information about Don from this time onwards and this short black-and-white film made in 1993 is an unique opportunity to see and hear this unique man