Christine Choy
Historia
Christine Choy (born 1952) is a Chinese-born American documentary filmmaker. Choy was one of the first major Chinese American woman film makers. One of Choy's most acclaimed films, Who Killed Vincent Chin? (1988) is a multicultural film that was nominated for an Academy Award for best documentary.
Thanks
Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.
Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.
Executive Producer
An experimental documentary portrait of director Malcolm Quinn Silver-Van Meter's grandfather
Narrator
Academy Award–nominated filmmaker Christine Choy undergoes a wild adventure when she illegally—and accidentally—smuggles cigarettes across the Canadian border.
Writer
Academy Award–nominated filmmaker Christine Choy undergoes a wild adventure when she illegally—and accidentally—smuggles cigarettes across the Canadian border.
Director
A personal journey by Oscar nominee Christine Choy discovering the impact of Chinese Development in Africa.
Director
Academy Award-nominated director Christine Choy brings together interviews with actors and directors, archival footage of classic Korean films and accounts of defining historical events to give a fully rounded view of Korean film culture. Interviewees include Im Kwon-taek, Kim Ki-duk, Jang Dong-gun, Jeon Ji-hyun, Lee Byung-hun, Kwak Kyung-taek, Bang Eun-jin.
Producer
Tells the story of Larry and Trudie Long, a popular Asian American nightclub act of the '40s and '50s, told through the eyes of their daughter, actress Jodi Long.
Director
Tells the story of Larry and Trudie Long, a popular Asian American nightclub act of the '40s and '50s, told through the eyes of their daughter, actress Jodi Long.
Director
In a rural village of southwestern China a bevy of young girls yearn for an education. Their parents are poor and illiterate. It is difficult for them to scrape together the money to send their daughters to school in another village. The money for tuition, books, and room and board away from home is often more than parents can spare.We follow several as they make the weekly three-hour trek to the local school. Among the teachers there is only one female who is an inspiration to them all. She encourages them in their studies and challenges them to progress. But we also witness the pain of one family who simply cannot pay for their daughter's schooling. She must drop out and put off her dreams for a while. The son who is less talented is favored for schooling.Beautifully photographed in the lush mountain greenery, these fresh faced girls hold onto their hopes of becoming teachers and doctors against great odds.
Director
In 1992 the filmmaker Christine Choy returned to Shanghai for the first time in over thirty years: to track down the title of her family’s house that her mother abandoned on leaving China for the U.S. in the early 1960’s and to locate an old schoolmate. This is a documentary journal recorded over a period of eight years.
Producer
A matter-of-fact documentary of the massacre of over 300,000 Chinese civilians by the Japanese in the so-called 'Rape of Nanjing' in 1937. In the name of the Japanese emperor Hirohito, the desperate soldiers, enraged by intense Chinese resistance, stormed the then capitol of China and over a six week period systematically raped, tortured, and killed many of the inhabitants of that city. This is a matter-of-fact although polemical documentary, with many of the horrifyingly intense images taken from home movies made by an American missionary who was there.
Director
A matter-of-fact documentary of the massacre of over 300,000 Chinese civilians by the Japanese in the so-called 'Rape of Nanjing' in 1937. In the name of the Japanese emperor Hirohito, the desperate soldiers, enraged by intense Chinese resistance, stormed the then capitol of China and over a six week period systematically raped, tortured, and killed many of the inhabitants of that city. This is a matter-of-fact although polemical documentary, with many of the horrifyingly intense images taken from home movies made by an American missionary who was there.
Director of Photography
The film investigates the death of Japanese exchange student Yoshi Hattori, killed in Baton Rouge, Louisiana, on October 17, 1992.
Producer
The film investigates the death of Japanese exchange student Yoshi Hattori, killed in Baton Rouge, Louisiana, on October 17, 1992.
Writer
The film investigates the death of Japanese exchange student Yoshi Hattori, killed in Baton Rouge, Louisiana, on October 17, 1992.
Director
The film investigates the death of Japanese exchange student Yoshi Hattori, killed in Baton Rouge, Louisiana, on October 17, 1992.
Director of Photography
The career of iconic and influential poet and writer Audre Lorde is seen up until death.
Co-Producer
"Out in Silence" is one of a few films dealing with the HIV and Aids epidemic in the early 90's among the Asian American community. Filmed in New York, Guam and Hawaii, portrait of two people and how they are dealing with issues of homophobia the lack of support from the communities and family.
Cinematography
"Out in Silence" is one of a few films dealing with the HIV and Aids epidemic in the early 90's among the Asian American community. Filmed in New York, Guam and Hawaii, portrait of two people and how they are dealing with issues of homophobia the lack of support from the communities and family.
Director
"Out in Silence" is one of a few films dealing with the HIV and Aids epidemic in the early 90's among the Asian American community. Filmed in New York, Guam and Hawaii, portrait of two people and how they are dealing with issues of homophobia the lack of support from the communities and family.
Co-Director
Sa-I-Gu, literally translated in Korean as April 29, is the day of the 1992 Los Angeles riots or uprising. Three months after the events, the documentary explores the experience of several Korean American women who were caught in the events.
Director
This colorful production contrasts the rich heritage of Chinese opera with the day-to-day realities of its emigréperformers in New York's Chinatown. It depicts the efforts of three classically-trained opera artists to keep alive their revered art form for the generation of young Chinese-Americans who would otherwise not be exposed to their tradition.In the time-worn pattern of immigrant life, they spend their days grinding out a living. In their spare time each performs and teaches Chinese opera. Scenes from the classic work Monkey King Looks West stand as a metaphor for cultural survival.
Director
Documentary by Christine Choy
Director
They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.
Producer
They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.
Director
America Undercover goes to the Madison Hotel in the skid-row section of downtown Los Angeles and talks to some of the desperate people living there. It talks to a prostitute and heroin addict named Becky, a drug dealer and traveler names John, and an heavy drinking alcoholic named Jack Woodrow Wilson.
Camera Operator
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
Director
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
Director
A revolutionary political moment is captured firsthand by two independent women filmmakers shooting inside refugee settlements in Zambia and Angola in 1985. Depicting the significant role of women in this struggle for independence, this film explores the lives of exiled women workers attempting to free their country from illegal exploitation.
Producer
This is an intimate portrait of life in the Mississippi Delta, where Chinese, African Americans and Whites live in a complex world of cotton, work, and racial conflict. The history of the Chinese community is framed against the harsh realities of civil , religion, politics, and class in the South. Rare historical footage and interviews of Delta residents are combined to create this unprecedented document of inter-ethnic relations in the American South.
Cinematography
This is an intimate portrait of life in the Mississippi Delta, where Chinese, African Americans and Whites live in a complex world of cotton, work, and racial conflict. The history of the Chinese community is framed against the harsh realities of civil , religion, politics, and class in the South. Rare historical footage and interviews of Delta residents are combined to create this unprecedented document of inter-ethnic relations in the American South.
Director
This is an intimate portrait of life in the Mississippi Delta, where Chinese, African Americans and Whites live in a complex world of cotton, work, and racial conflict. The history of the Chinese community is framed against the harsh realities of civil , religion, politics, and class in the South. Rare historical footage and interviews of Delta residents are combined to create this unprecedented document of inter-ethnic relations in the American South.
Director
This documentary examines the re-settlement of South-East Asian refugees in the United States in the aftermath of the Vietnam War. The film begins with a montage of riveting footage depicting the devastating effects of the war. It then unveils the mixed reception given Vietnamese refugees in the United States, from battles with local fishermen in Monterey, California, to conflicts in Philadelphia where their arrival in the city's poorest neighborhoods kindled resentment in the Black community. The film also explores their struggle to cope with life in the U.S. and maintain their identity.
Director
This film explores the social, psychological and cultural factors that contribute to violence against women regardless of ethnicity or economic background. Survivors, safe house administrators, counselors, police officers, and male abusers in counseling explore the many factors that contribute to the pervasiveness of this tragic aspect of American family life. Shot in battered women's shelters, urban and suburban neighborhoods, counseling centers, and even in a county jail where a woman has been incarcerated for the murder of her abusive husband
Director
This film exposes the daily humiliation regularly faced by women in U.S. prisons using firsthand accounts of inmates at the North Carolina Correctional Center for Women and the Correctional Institute for Women at Riker's Island, New York.
Director
This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.
Producer
Documentary about the 1971 rebellion at Attica State Prison.
Cinematography
Documentary about the 1971 rebellion at Attica State Prison.
Director
Documentary about the 1971 rebellion at Attica State Prison.
Producer
Looking back over 20 years later at the Los Angeles riots in Koreatown as a result of the Rodney King verdict.
Director
Looking back over 20 years later at the Los Angeles riots in Koreatown as a result of the Rodney King verdict.