Jennie Livingston

Jennie Livingston

Nacimiento : 1962-02-24, Dallas, Texas, USA

Historia

Jennie Livingston is a groundbreaking filmmaker, known for her lively storytelling, nuanced character portraits, and thoughtful explorations of identity, class, race, death, sex, and gender. She works in both fiction and nonfiction. Jennie's taught at Yale, Connecticut College, and Brooklyn College, lectured widely, written for national magazines, and appeared as a subject or speaker in a number of documentaries and cultural programs. Livingston has been a recipient of grants and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the German Academic Exchange, the MacDowell Colony, The Newhouse Foundation, the Rosenthal Family Foundation, The Getty Center, and others. Livingston was born in Texas, raised in Los Angeles, educated at Yale, and lives in New York City.

Perfil

Jennie Livingston
Jennie Livingston

Películas

Paris Is Burning: The Outtakes
Paris Is Burning: The Outtakes
Producer
A collection film of additional footage from Paris is Burning
Paris Is Burning: The Outtakes
Paris Is Burning: The Outtakes
Director
A collection film of additional footage from Paris is Burning
Fabulous! The Story of Queer Cinema
Fabulous! The Story of Queer Cinema
Self
Este documental repasa cronológicamente las películas norteamericanas de temática gay/lésbica, desde los precursores de mediados del siglo XX (como Fireworks, de Kenneth Anger) hasta documentales como Tarnation (Jonathan Caouette, 2004) o producciones “major” como Brokeback Mountain (2005). Entre los que opinan están directores como Todd Haynes (Velvet Goldmine), Gus Van Sant (Mi Mundo Privado), John Cameron Mitchell (Shortbus), Ang Lee (Brokeback) y John Waters (Pink Flamingos).
Who's the Top?
Who's the Top?
Editor
Is Alixe and Gwen's sexual disagreement the cause of their problems, or are their problems the cause of their sexual disagreement? And how should an artist nurture her vision: by seeking adventures on the edge or by staying home and writing poems? What's more real, our fantasies, or what we actually do? In Who's the Top? there are no right answers, just musical numbers.
Who's the Top?
Who's the Top?
Writer
Is Alixe and Gwen's sexual disagreement the cause of their problems, or are their problems the cause of their sexual disagreement? And how should an artist nurture her vision: by seeking adventures on the edge or by staying home and writing poems? What's more real, our fantasies, or what we actually do? In Who's the Top? there are no right answers, just musical numbers.
Who's the Top?
Who's the Top?
Director
Is Alixe and Gwen's sexual disagreement the cause of their problems, or are their problems the cause of their sexual disagreement? And how should an artist nurture her vision: by seeking adventures on the edge or by staying home and writing poems? What's more real, our fantasies, or what we actually do? In Who's the Top? there are no right answers, just musical numbers.
Lavender Limelight
Lavender Limelight
Self
From Go Fish to Paris is Burning to The Watermelon Woman, this festival favorite goes behind the scenes to reveal seven successful lesbian directors. These talented movie-makers enlighten and entertain as they explore their sexual identity, growing up gay, inspirations and techniques, Hollywood vs. Indie, and of course, love and sex, onscreen and off. The conversations are intimate, the topics unlimited, and the clips from their work enthralling! Featuring Cheryl Dunye, Rose Troche, Jennie Livingston, Monika Treut, Maria Maggenti, Su Friedrich and Heather MacDonald.
Hotheads
Hotheads
Director of Photography
Uplifting interviews with comedians Reno and Diana Massa, the creators of HotHead Paisan, about their defiant encounters with homophobia.
Hotheads
Hotheads
Editor
Uplifting interviews with comedians Reno and Diana Massa, the creators of HotHead Paisan, about their defiant encounters with homophobia.
Hotheads
Hotheads
Producer
Uplifting interviews with comedians Reno and Diana Massa, the creators of HotHead Paisan, about their defiant encounters with homophobia.
Hotheads
Hotheads
Director
Uplifting interviews with comedians Reno and Diana Massa, the creators of HotHead Paisan, about their defiant encounters with homophobia.
Paris Is Burning
Paris Is Burning
Director
La película explora las 'Houses' del barrio neoyorquino de Harlem de finales de los 80. Una 'House' es una sociedad de gays y drag queens (drag queen en el sentido neoyorquino del término que incluye a las travestis), que tiene forma de banda callejera. Las 'Houses' están formadas por una 'mother' o madre y los y las 'children', hijos e hijas, la función de la madre es la de presidir la sociedad y aconsejar y mirar por sus integrantes. Los 'Balls' son los bailes que organizan las 'Houses' en los 'Ballrooms' (literalmente salones de baile) que se convierten en una especie de club para reunirse y competir entre sí. "Paris is burning" refleja el fenómeno de los 'balls' desde 1987 hasta 1989 cuando ya ha llamado la atención de los medios de comunicación y las industrias culturales perciben beneficios de lo que súbitamente es la nueva moda.
Paris Is Burning
Paris Is Burning
Producer
La película explora las 'Houses' del barrio neoyorquino de Harlem de finales de los 80. Una 'House' es una sociedad de gays y drag queens (drag queen en el sentido neoyorquino del término que incluye a las travestis), que tiene forma de banda callejera. Las 'Houses' están formadas por una 'mother' o madre y los y las 'children', hijos e hijas, la función de la madre es la de presidir la sociedad y aconsejar y mirar por sus integrantes. Los 'Balls' son los bailes que organizan las 'Houses' en los 'Ballrooms' (literalmente salones de baile) que se convierten en una especie de club para reunirse y competir entre sí. "Paris is burning" refleja el fenómeno de los 'balls' desde 1987 hasta 1989 cuando ya ha llamado la atención de los medios de comunicación y las industrias culturales perciben beneficios de lo que súbitamente es la nueva moda.
Earth Camp One
Earth Camp One
Director
A first-person memoir, a family saga, and an essay about how American culture views loss and impermanence.