Maya Da-Rin

Maya Da-Rin

Nacimiento : 1979-01-01, Rio de Janeiro, Rio de Janeiro, Brazil

Historia

Maya Da-Rin is a director and screenwriter. She was born in Rio de Janeiro in 1979. She studied Design and Philosophy of Art at the Pontifical Catholic University as well as attended film workshops at the Cuban Film School. In 2010 she moved to France to take part in the Le Fresnoy, where she graduated with honors, and in 2013 she has been an artist in residence at the LABoral Art Center, in Spain. Her films and video installations have been shown and
awarded at film festivals
and art institutions such as Locarno, DokLeipzig, Toulouse, Guadalajara, São Paulo Art Biennial, MoMA and New Museum NY. She is currently preparing her first feature film, The Fever, selected at TorinoFilmLab’ Script&Pitch and FrameWork, the Cinéfondation residence, Cannes’ La Fabrique des Cinémas du Monde and awarded by the Hubert Bals Fund for script and development.

Perfil

Maya Da-Rin

Películas

The Fever
Casting
Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.
The Fever
Producer
Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.
The Fever
Screenplay
Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.
The Fever
Director
Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.
The Mutability of All Things and the Possibility of Changing Some
Editorial Manager
The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.
Version Française
Screenplay
Version Française
Director
Lands
Editor
On the triple frontier between Brazil, Colombia and Peru, the twin towns of Letícia and Tabatinga form an urban island surrounded by the Amazon rain-forest. Following the ordinary events and the constant come and go of people along the border, Terras portrays the presence and the influence of the frontier on the lives of its inhabitants.
Lands
Screenplay
On the triple frontier between Brazil, Colombia and Peru, the twin towns of Letícia and Tabatinga form an urban island surrounded by the Amazon rain-forest. Following the ordinary events and the constant come and go of people along the border, Terras portrays the presence and the influence of the frontier on the lives of its inhabitants.
Lands
Director
On the triple frontier between Brazil, Colombia and Peru, the twin towns of Letícia and Tabatinga form an urban island surrounded by the Amazon rain-forest. Following the ordinary events and the constant come and go of people along the border, Terras portrays the presence and the influence of the frontier on the lives of its inhabitants.
Maré, Our Love Story
Second Assistant Director
Free adaptation of Romeo and Juliet translated to the harsh life in Favela da Maré, one of largest and most violent slums in Rio de Janeiro. Living in a slum divided between two rival gangs of drug traffickers, Analídia is the daughter of one of the gangs' leaders and Jonathan is a childhood friend of the other gang leader. Both study in a dance group situated exactly in the middle of the two territories, looking for solace in art.
Margin
Screenplay
Large boats navigate the Amazon River daily, transporting people, animals and goods. This film portrays one of these trips.
Margin
Director
Large boats navigate the Amazon River daily, transporting people, animals and goods. This film portrays one of these trips.
Possible Loves
Writer
Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?