Amir Muhammad

Set in a dystopian Malaysia in which different races are forbidden to mix. A Chinese family movies into their new house to find a scared Malay girl still hiding in it. Should they get rid of her or try to smuggle her back to safety?

A documentary crew and a team of amateur ghost hunters go to investigate a haunted hotel. How many will be left alive?

A visual album by Nmesh featuring 회사AUTO & Loose Link

The laid-back, scenic and conservative Terengganu was the only one out of the 13 states of Malaysia that director Amir Muhammad had never been to. So he decided to go there for the first time in December 2015 and do a kind-of-travelogue about it. He quotes from "Voyage to Kelantan" (1838), a book by Munshi Abdullah (often referred to as the father of Malay journalism) which had some very scathing observations about the state and the men who live in it. These quotes are interspersed with conversations with some Terengganu men of today. Co-directed by Badrul Hisham Ismail who is a Terengganu native.

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.

Ikram brings home his classmates to feed Julia, his blood-sucking stepmum. When Julia starts flirting with a classmate Ikram has been secretly admiring, he flies into a rage of jealousy.

Documentary about political turmoil in Malaysia.

Documentary about political turmoil in Malaysia.

Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.

Susuk is a 2008 Malaysian horror film which was released on August 7, 2008 in Malaysia. The film is directed by Amir Muhammad and Naeim Ghalili. The story concerns about Soraya, who uses the forbidden practice of susuk in order to be famous.

A portrait of village life in South Thailand, home of retired Malay-Muslim members of the communist party of neighboring Malaysia. Recollections of the decades-long guerrilla war are interspersed with a Thai radio soap opera.

A travel documentary essay, interspersed with specially composed songs, about the early life and legacy of Chin Peng, exiled leader of the banned Communist Party of Malaya.

A travel documentary essay, interspersed with specially composed songs, about the early life and legacy of Chin Peng, exiled leader of the banned Communist Party of Malaya.

A travel documentary essay, interspersed with specially composed songs, about the early life and legacy of Chin Peng, exiled leader of the banned Communist Party of Malaya.

Politicains watch a film by Amir Muhammad.

Politicains watch a film by Amir Muhammad.

This split-screen documentary by a Malaysian director chronicles the shooting of the Indonesian film Gie (2005) in the middle of 2004, which is also when the country is undergoing its first direct presidential elections. Opinions from the cast, crew and extras of the film are sought on politics, filmmaking and the national myths of the past and present.

On the night of 18 October 1987, a soldier ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots. Why did he do it? Why were Malaysians so jittery at the time? And what happened next? "The Big Durian" speaks to 23 Malaysians (some real, some fictional) to find out.

On the night of 18 October 1987, a soldier ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots. Why did he do it? Why were Malaysians so jittery at the time? And what happened next? "The Big Durian" speaks to 23 Malaysians (some real, some fictional) to find out.

On the night of 18 October 1987, a soldier ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots. Why did he do it? Why were Malaysians so jittery at the time? And what happened next? "The Big Durian" speaks to 23 Malaysians (some real, some fictional) to find out.

Short about a prison.

Short about a prison.

Short film about a difficult journey.

Short film about a difficult journey.

Short film about a murderess.

Short film about a murderess.

In a mosque, shoes are stolen.

In a mosque, shoes are stolen.

Against the bustling backdrop of Kuala Lumpur’s Chinatown, a Malay-Muslim narrator reminisces about a teenage relationship between himself and an ethnic Chinese classmate. Pangyau , the Cantonese word for friend, is not just the story of a close friendship, but a prism through which the writer gets to examine his feelings about the the ways in which race and religion have been used in the national socio-political discourse.

Against the bustling backdrop of Kuala Lumpur’s Chinatown, a Malay-Muslim narrator reminisces about a teenage relationship between himself and an ethnic Chinese classmate. Pangyau , the Cantonese word for friend, is not just the story of a close friendship, but a prism through which the writer gets to examine his feelings about the the ways in which race and religion have been used in the national socio-political discourse.

A man loses his passport.

A man loses his passport.

Lips to Lips is an urban comedy featuring four intertwined stories about desire, all set during one day in Kuala Lumpur. A suicidal young man mourns the death of his stepmother who had come into fatal contact with an apple. A bubbly radio DJ catches her fiancé in an unexpected sexual encounter on the eve of their wedding night. A dapper restaurant owner falls for his doppelganger. A bookshop clerk resorts to black magic to get the attention of a girl with a fetish for cookbooks. Lips to Lips is Malaysian filmmaker Amir Muhammad’s directorial debut. It is Malaysia’s first independent digital feature film that marked the beginning of the Malaysian independent film movement. It paved the way for the Malaysian New Wave’s unique brand of DV (digital video) cinema, whose leading figures have developed a niche of dedicated film audiences.

Lips to Lips is an urban comedy featuring four intertwined stories about desire, all set during one day in Kuala Lumpur. A suicidal young man mourns the death of his stepmother who had come into fatal contact with an apple. A bubbly radio DJ catches her fiancé in an unexpected sexual encounter on the eve of their wedding night. A dapper restaurant owner falls for his doppelganger. A bookshop clerk resorts to black magic to get the attention of a girl with a fetish for cookbooks. Lips to Lips is Malaysian filmmaker Amir Muhammad’s directorial debut. It is Malaysia’s first independent digital feature film that marked the beginning of the Malaysian independent film movement. It paved the way for the Malaysian New Wave’s unique brand of DV (digital video) cinema, whose leading figures have developed a niche of dedicated film audiences.

An experimental romance between two men is narrated against digitally manipulated imagery of that city. The narration consists of passionate verses that form a heightened, chronological record of a love affair, arranged in distinct sections, which can be termed Meeting, Loving, Lusting, Parting and Remembering. One section, Magic. breaks away from the poetry-as-narration to present instead poison charms, exorcism chants and dream interpretations.

An experimental romance between two men is narrated against digitally manipulated imagery of that city. The narration consists of passionate verses that form a heightened, chronological record of a love affair, arranged in distinct sections, which can be termed Meeting, Loving, Lusting, Parting and Remembering. One section, Magic. breaks away from the poetry-as-narration to present instead poison charms, exorcism chants and dream interpretations.