Writer
The Orient Express, on its night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a young writer, an actress, and her daughter, an elderly dancer, five neo-nazi punks, and a strange man that seems to have some kind of influence over them through their dreams.
Art Direction
A West German man, mistaken by the police for a left wing terrorist, hides in Vienna with a prostitute and her incestuous teen daughter. They become both a threesome and a happy surrogate family, but nothing lasts forever.
Production Design
El film describe la atormentada vida del pintor austríaco Egon Schiele -uno de los fundadores del expresionismo-, su adicción al sexo y al alcohol y la sucesión de tragedias sentimentales y humillaciones públicas cuando es acusado y detenido por pornografía. Después de la Primera Guerra Mundial, sus pinturas serán testimonio de su furia, pero la vida le tiene reservadas aún más desventuras... Los últimos años de la corta vida de Egon Schiele, el pintor expresionista austríaco, están descritos en el contexto de los últimos años del gobierno de los Habsburgo. La historia comienza en torno a 1912 cuando Schiele (Mathieu Carriere) y su amante y musa artística Wally (Jane Birkin) se hicieron amigos de una adolescente obsesionada (Nina Fallenstein) que se ha escapado de su hogar para encontrarse con Schiele. Posteriormente Schiele es encarcelado por considerarse que se había comportado de una manera sexual inapropiada con mujeres menores.
Writer
El film describe la atormentada vida del pintor austríaco Egon Schiele -uno de los fundadores del expresionismo-, su adicción al sexo y al alcohol y la sucesión de tragedias sentimentales y humillaciones públicas cuando es acusado y detenido por pornografía. Después de la Primera Guerra Mundial, sus pinturas serán testimonio de su furia, pero la vida le tiene reservadas aún más desventuras... Los últimos años de la corta vida de Egon Schiele, el pintor expresionista austríaco, están descritos en el contexto de los últimos años del gobierno de los Habsburgo. La historia comienza en torno a 1912 cuando Schiele (Mathieu Carriere) y su amante y musa artística Wally (Jane Birkin) se hicieron amigos de una adolescente obsesionada (Nina Fallenstein) que se ha escapado de su hogar para encontrarse con Schiele. Posteriormente Schiele es encarcelado por considerarse que se había comportado de una manera sexual inapropiada con mujeres menores.
Costume Design
A young German man who has just arrived in America, hopes to get over the collapse of his marriage. However, he soon discovers that his ex-wife is pursuing him.
Production Design
A young German man who has just arrived in America, hopes to get over the collapse of his marriage. However, he soon discovers that his ex-wife is pursuing him.
Writer
Die Verwundbaren takes the behaviour patterns in a crowd of 20 to 35-year-olds in Vienna as its theme, broaching the issue of love between men at a time when homosexual acts where a punishable offence (until 1971) in Austria. Tichat can be described as one of the few Austrian directors whose work carries distinctive features of dealing with cinematic modernity, in particular with the nouvelle vague. Die Verwundbaren was to remain Tichat's only feature film.
Die Verwundbaren takes the behaviour patterns in a crowd of 20 to 35-year-olds in Vienna as its theme, broaching the issue of love between men at a time when homosexual acts where a punishable offence (until 1971) in Austria. Tichat can be described as one of the few Austrian directors whose work carries distinctive features of dealing with cinematic modernity, in particular with the nouvelle vague. Die Verwundbaren was to remain Tichat's only feature film.
Director
Die Verwundbaren takes the behaviour patterns in a crowd of 20 to 35-year-olds in Vienna as its theme, broaching the issue of love between men at a time when homosexual acts where a punishable offence (until 1971) in Austria. Tichat can be described as one of the few Austrian directors whose work carries distinctive features of dealing with cinematic modernity, in particular with the nouvelle vague. Die Verwundbaren was to remain Tichat's only feature film.
Music
