Gunvor Nelson
Nacimiento : 1931-01-01, Stockholm, Sweden
Historia
Gunvor Grundel Nelson was born in 1931 in Stockholm, Sweden, and now lives in Kristinehamn, Sweden. She has worked as an experimental filmmaker since the 1960s. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles of the 60s and to the present.
From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
Director
Fue rodado en Kristinehamn, donde ella creció y volverá a vivir más tarde.
Director
Shadows of people inhabit a wintry road, casting darkness over the tracks. What happens when this substance is washed away by fleeting reflections and blended into new matter, color and forms? And sound: feet tramping endlessly round, round like hands on a clock. This is happening now... - Sue Anne Moody
Director
Gunvor Nelson plays freely and naturally in a garden confronting the camera with nature, and nature with the camera to reveal a new life force and cycle. The camera climbs up a dark red stem, across the spiny frost hat outlines the walls of a budding flower. It rummages and rustles among the garden floor. The penetrating lens is heavy on the delicate leaves and on the viewer retina.
Director
Another feature of the new digital (and visually inferior) medium is that sound plays a much more prominent role than in most of her films. Trace Elements, Nelson’s latest work, is another “sound video”, despite the fact the camera is more active this time. It feels as though only now Nelson has totally come to grips with her new technique. She approaches the moving image again through highlighting the act of shooting. This way she continues the ever-present indexical tradition of her filmmaking despite the fact that the video is based on the idea that the camera never quite finds its target. I believe the active, searching camera in Trace Elements indicates Nelson will continue making movies for many years to come.
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Nelson's second work shot on digital video, after Tree-Line (1998).
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Gunvor Nelson's first video work.
Director
After doing Before Need, Gunvor Nelson and Dorothy Wiley embarked on a new creative process. They revisited the film, reworked it and reassembled it creating a shorter new version, called Before Need Redressed. A way to express how the passing time, reflection and accumulating experiences can affect the form and vision of a film. —Ulf Kjell Gür
Director
Gunvor Nelson's two-part film was recorded in Kristinehamn where she grew up and will return to live. KRISTINA'S HARBOR is an impressionistic depiction of daily life in this small Swedish city, suggesting how it has or has not changed in relation to its history.
Director
"OLD DIGS is an inner journey through the sights and sounds of Kristinehamn as reflected in its central river." - Steve Anker
Director
Gunvor Nelson stares intently at her mother Carin, a woman whose body has been devastated by the challenges of her last days on this earth. In three astute shots, Nelson looks with honesty rather than awe at a woman whose spirit has somehow flown away but whose body still demands a share of our time and our space.
Director
Muestra una crudeza que socava una belleza sensual que permanece oculta. Se observa a la cineasta golpeando una rosa en un intento de "poner la Naturaleza en su lugar". Secuencias de la película original se aíslan en marcos digitales de la pared y son repetidas a menor velocidad a medida que su proceso se revela. Vemos a Gunvor Nelson arreglar elementos improbables de manera lúdica y profunda.
Director
Light Years Expanding is a further elaboration of Light Years, Nelson’s journey into the Swedish landscape in which she is blending animation with live-action. Whereas movement was one of the prime characteristics of Light Years, Light Years Expanding revolves more around the image-work, thus foreshadowing her last and most complicated collage film Natural Features.
Director
Un animado y luminoso collage.
Editor
LIGHT YEARS is a collage film and a journey through the Swedish landscape, traversing stellar distances in units of 5878 trillion miles. It is a film acutely in the present reflecting our temporal existence ... continuous and imperfect
Cinematography
LIGHT YEARS is a collage film and a journey through the Swedish landscape, traversing stellar distances in units of 5878 trillion miles. It is a film acutely in the present reflecting our temporal existence ... continuous and imperfect
Writer
LIGHT YEARS is a collage film and a journey through the Swedish landscape, traversing stellar distances in units of 5878 trillion miles. It is a film acutely in the present reflecting our temporal existence ... continuous and imperfect
Director
LIGHT YEARS is a collage film and a journey through the Swedish landscape, traversing stellar distances in units of 5878 trillion miles. It is a film acutely in the present reflecting our temporal existence ... continuous and imperfect
Director
FRAME LINE is a collage film in black and white. Glimpses (both visual and audial) of Stockholm, people, gestures, flags and the Swedish national anthem appear through drawings, paintings and cut-outs. It is a film with an eerie flow between the ugly and the beautiful about returning, about roots and also about reshaping.
Her Daughter Maria
This magnus opus is a domestic symphony from a woman's point of view, the portait of a grandmother, monther and child and their home. The women and their personal objects are mostly seen alone or relating to one another (except for touching scenes of the grandmonther and grandfather together). A key aspect of RED SHIFT is the reading of selections from Calamity Jane's "Diaries", the most narrative apsect of the film. The Diaries are read against activities seen through a window, life passing by (people walking in winter, a river flowing). They tell how Jane lost her daughter and had to survive by using her talents to act like a tough and physically competitive man...
Director
This magnus opus is a domestic symphony from a woman's point of view, the portait of a grandmother, monther and child and their home. The women and their personal objects are mostly seen alone or relating to one another (except for touching scenes of the grandmonther and grandfather together). A key aspect of RED SHIFT is the reading of selections from Calamity Jane's "Diaries", the most narrative apsect of the film. The Diaries are read against activities seen through a window, life passing by (people walking in winter, a river flowing). They tell how Jane lost her daughter and had to survive by using her talents to act like a tough and physically competitive man...
Director
Un retrato de larga duración de la familia de Gunvor Nelson.
Director
"Moons Pool" is a masterful and lyrical use of the film medium to portray the search for identity and resolution of self. Photographed under water, live bodies are intercut with natural landscapes creating powerful mood changes and images surfaced from the unconscious." – Freude Bartlett
Director
A self-portrait by two women filmmakers in celebration of their friendship and filmmaking.
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Ellion Ness, a thoroughly professional stripper, goes through her paces, bares her body, and then, astonishingly and literally, transcends it. While the film makes a forceful political statement on the image of woman and the true meaning of stripping, the intergalactic transcendence of its ending locates it firmly within the mainstream of joyous humanism and stubborn optimism.
Herself
Alrededor de cinco de los artistas con sede en San Francisco y sus familias eran amigos íntimos cuyas carreras entrelazadas contribuyen a la rara intimidad de los retratos. Por orden de aparición, los perfiles son el pintor/escultor/cineasta William T. Wiley, el cineasta Robert Nelson, el pintor William George Allan, el pintor/escultor William Geis y el pintor/escultor Robert H. Hudson.
Director
Alrededor de cinco de los artistas con sede en San Francisco y sus familias eran amigos íntimos cuyas carreras entrelazadas contribuyen a la rara intimidad de los retratos. Por orden de aparición, los perfiles son el pintor/escultor/cineasta William T. Wiley, el cineasta Robert Nelson, el pintor William George Allan, el pintor/escultor William Geis y el pintor/escultor Robert H. Hudson.
Director
Kirsa Nicholina records the birth of a child at home by the Lamaze method. The father assists in the birth, while a physician guides him. At the moment of birth, the mother reaches down and grasps the hand of the emerging child and guides it out of her body and into her arms.
Director
Experimental film with Gunvor Nelson's daughter Oona.
Director
A lyrical, surreal film populated by an assortment of human beings, creatures, places and events.
Director
Schmeerguntz is one long raucous belch in the face of the American Home. A society which hides its animal functions beneath a shiny public surface deserves to have such films as SCHMEERGUNTZ shown everywhere - in every PTA, every Rotary Club, every club in the land. For it is brash enough, brazen enough and funny enough to purge the soul of every harried American married woman.
