Charles Dekeukeleire
Nacimiento : 1905-02-27, Ixelles, Belgium
Muerte : 1971-06-02
Historia
Charles Dekeukeleire (27 February 1905 – 2 June 1971) was a Belgian film director. He pioneered modern Belgian film with Henri Storck. He was inspired by French avant-garde cinema, particularly the works of Germaine Dulac.
Description above from the Wikipedia article Charles Dekeukeleire, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Editor
A Belgian atomic cloud appears not to be deadly but instead instigates a climate of friendship and fraternity.
Director
A Belgian atomic cloud appears not to be deadly but instead instigates a climate of friendship and fraternity.
Director
A short government funded industrial documentary showing the hard work and craftsmanship of labourers in the leather industry that otherwise goes unnoticed, (deserving as much attention as the exploits of a famous boxer).
Director
Short documentary about the Gentse Floralien.
Director
Short documentary on the wool industry.
Director
Short documentary on the Antwerp Ford Motor Company plant.
Director
Documental acerca de los procesos de manipulación industrial de diamantes.
Director
Documental acerca del Flandes Occidental.
Director
A documentary about the first Belgian king, Leopold I.
Director
Documental que se detiene en el funcionamiento de un banco belga.
Director
A short film about the way that Brueghel and other Flemish painters depicted the lives of their countrymen. It won the first prize for documentary at the 1938 Venice Film Festival.
Director
Government ordered Industrial short documentary on the production of linen.
Director
Short documentary showing the chain of production in Belgium.
Editor
A vagabond arrives in a Flemish village. He's looking for his childhood love, but the villagers believe he has the evil eye.
Producer
A vagabond arrives in a Flemish village. He's looking for his childhood love, but the villagers believe he has the evil eye.
Director
Short documentary about the Belgian leather industry.
Director
A vagabond arrives in a Flemish village. He's looking for his childhood love, but the villagers believe he has the evil eye.
Director
A short documentary funded by the Belgian Ministry for foreign affairs showing the manufacturing and transportation of Belgian locomotives.
Director
A visual travel diary on the expedition led by Brondeel in 1934. This expedition to Belgian Congo, by truck, became a testimony to the social conditions of Africans during the colonial era.
Writer
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Director
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Director
The original screenplay told the story of a young man from the countryside with a city education: a boorish, violent character filled with a desperate, purely urban unease. Dekeukeleire transformed him into a butcher who commits an act of rebellion during a political demonstration at the foot of the Yser Tower (with authentic images of the 1930 meeting) which is being suppressed brutally by the authorities. White Flame secretes a drifting air of unreality straight out of Buñuel, born out of 'carnal' close-ups and an editing style which owes a great deal to Soviet films of that period.
Director
This story is built up with filmed documents in an experimental fashion.
Sound
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
Editor
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
Director of Photography
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
Producer
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
Idea
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
Director
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
Producer
An avant-garde montage of a boxing match, based on a poem by Paul Werrie.
Director
An avant-garde montage of a boxing match, based on a poem by Paul Werrie.
