Euzhan Palcy

Euzhan Palcy

Nacimiento : 1958-01-13, Martinique, French West Indies

Historia

Born January 13, 1958, in Martinique, French West Indies, Euzhan Palcy is a leader for black people, especially black women, in cinema. She is a screenwriter, producer and director. After studying the likes of Billy Wilder and Orson Welles and receiving a few degrees, including one from Louis Lumière College, she directed her first feature, Sugar Cane Alley (1983), in Paris for less than a million dollars. The film is about an impoverished black family making sacrifices for a young boy on a plantation in Martinique during the 1930s. It won numerous awards internationally, among them the César Award and the Venice Film Festival Silver Lion. Palcy's second feature, A Dry White Season (1989), explored the politics of South African apartheid, beckoning actor Marlon Brando to end his nine-year retirement to portray lawyer Ian McKenzie in it. With A Dry White Season, Palcy became the first black woman director produced by a major Hollywood studio. The film was banned in South Africa for a period of time. Brando's direction by Palcy earned him his final Academy Award nomination, for Best Supporting Actor. This made Palcy the first director who is black to direct an actor to such an honor. Palcy has continued to produce and make films all the way into the 2010s.

Perfil

Euzhan Palcy

Películas

Reel Herstory: The Real Story of Reel Women
Self
Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Parcours de Dissidents
Director
The forgotten history of "dissidents", the men and women of Martinique and Guadeloupe who left their islands between 1940 and 1943. The film features interviews with those in the resistance who tell their stories with passion, humility and humor.
Parcours de Dissidents
Writer
The forgotten history of "dissidents", the men and women of Martinique and Guadeloupe who left their islands between 1940 and 1943. The film features interviews with those in the resistance who tell their stories with passion, humility and humor.
Sisters in Cinema
Self
Explores the careers of twenty black women working as film directors.
The Killing Yard
Director
Lawyers must defend a prisoner accused of murdering two of his inmates during the Attica prison riots in 1971.
Ruby Bridges
Co-Producer
The true story of Ruby Bridges, an African-American girl who, in 1960 at age 6, helped to integrate the all-white schools of New Orleans. Although she was the only black girl to come to the school she was sent to, (and since all the white mothers pulled their children out of class, she was the only one there, period), and though she faced a crowd of angry white citizens every day, she emerged unscathed, physically or emotionally. Encouraged by her teacher, a white woman from the North named Barbara Henry, and her mother, Lucille, and with her own quiet strength, she eventually broke down a century-old barrier forever, a pivotal moment in the civil-rights movement
Ruby Bridges
Director
The true story of Ruby Bridges, an African-American girl who, in 1960 at age 6, helped to integrate the all-white schools of New Orleans. Although she was the only black girl to come to the school she was sent to, (and since all the white mothers pulled their children out of class, she was the only one there, period), and though she faced a crowd of angry white citizens every day, she emerged unscathed, physically or emotionally. Encouraged by her teacher, a white woman from the North named Barbara Henry, and her mother, Lucille, and with her own quiet strength, she eventually broke down a century-old barrier forever, a pivotal moment in the civil-rights movement
Aimé Césaire, Une voix pour l'histoire
Writer
A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".
Aimé Césaire, Une voix pour l'histoire
Director
A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".
In Darkest Hollywood: Cinema and Apartheid
Self
A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.
How Are The Kids
Director
A UNICEF-sponsored six-film anthology depicting childhood horrors around the world. "Hassane" - a malnourished child in Niger needs help from the doctors, but village traditions prohibit it. "Liouba" - a child escapes to the forest after a beating by his alcoholic mother, but the games he plays in the forest mirror his troubles at home. "Boy" - a child faces discrimination as the only white student at his school. "Carmelo" - in Bogota a child living on the streets fights to survive. "Oca" - when his twelve year old brother dies free-diving in the Philippines, seven year old Oca must take his place on the job. "L'enfance de l'art" - children living and playing in a war zone are touched by violence.
Siméon
Producer
The ghost of a music teacher pushes a young mechanic to start a career in music.
Siméon
Writer
The ghost of a music teacher pushes a young mechanic to start a career in music.
Siméon
Director
The ghost of a music teacher pushes a young mechanic to start a career in music.
Una árida estación blanca
Director
Sudáfrica, años setenta. El prestigioso profesor blanco Ben du Toit ha vivido toda su vida al margen de los horrores e injusticias del apartheid sudafricano. Nunca quiso tomar partido. Cuando el hijo de su jardinero negro es arrestado en Soweto durante una manifestación de protesta, Ben piensa que la policía tiene sus razones. Pero, cuando el chico es detenido otra vez por la policía y no regresa a casa. Ben le promete a su jardinero investigar el incidente. (FILMAFFINITY)
Calling the Shots
Self
Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.
Sugar Cane Alley
Writer
Martinique, in the early 1930s. Young José and his grandmother live in a small village. Nearly everyone works cutting cane and barely earning a living. The overseer can fine a worker for the smallest infraction. The way to advance is to do well in school. José studies hard and succeeds in an exam allowing him to attend school in the capital. With only a partial scholarship, the tuition is very costly. José and his grandmother move to Fort-de-France to make José's studies easier...
Sugar Cane Alley
Director
Martinique, in the early 1930s. Young José and his grandmother live in a small village. Nearly everyone works cutting cane and barely earning a living. The overseer can fine a worker for the smallest infraction. The way to advance is to do well in school. José studies hard and succeeds in an exam allowing him to attend school in the capital. With only a partial scholarship, the tuition is very costly. José and his grandmother move to Fort-de-France to make José's studies easier...
The Devil's Workshop
Director
In a small fishing village in the West Indies, the children believe they see, in a strange cabin located on the way to the school, a devil.
The Messenger
Story
Her first picture, La Messagère (The Messenger, 1975), made by Palcy before she left for Paris, allowed people from Martinique to see themselves for the first time on television as complex characters.
The Messenger
Editor
Her first picture, La Messagère (The Messenger, 1975), made by Palcy before she left for Paris, allowed people from Martinique to see themselves for the first time on television as complex characters.
The Messenger
Director
Her first picture, La Messagère (The Messenger, 1975), made by Palcy before she left for Paris, allowed people from Martinique to see themselves for the first time on television as complex characters.
The Messenger
Writer
Her first picture, La Messagère (The Messenger, 1975), made by Palcy before she left for Paris, allowed people from Martinique to see themselves for the first time on television as complex characters.
The Producer/Director Relationship
The Producer and the Director must function like two hands of the same heart.
Screenwriters on Screenwriting
This documentary premiered at the Kennedy Center in Washington, DC. Explore the challenging world of the screenwriter with renowned industry writers.