Maria Gladys

This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.

A countercultural movement that took place at Ipanema Pier marked the history of all participants. Painters, musicians, actors, surfers and others came together to change the system through peaceful demonstrations, including drugs, sex and new experiences. After decades of events, the main participants recall the events.

A film of the literary hallucinations and existential dreams of the character João, who is also José and Joyce, anthropophagically enchanted by cinema in his two hours of life.

Suellen (Thalita Carauta) is a cook who works hard to keep her little son, her younger sister and her mother alone. One day, your dreams come true: she splits in two. Her copy, identical physically, has different personality, being much more extroverted and courageous. The idea would be to divide the tasks with the other one, but soon Suellen realizes that the look-alike has plans of its own, and decides to betray the original.

An orphan, a blind virgin who seeks sexual pleasure, a young man who prostitutes himself as a transvestite and is sexually abused by his brother-in-law. What was God thinking of when he created each one of them?

They live, they act, they love. Today they remember, they relive, they live through cinema and life.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

Meu Nome é Dindi shows the movement of time over a young woman who owns a small marketplace near bankruptcy and fights for survival.

A documentary about actress brazilian Maria Gladys, a strong presence in films by Júlio Bressane, Rogério Sganzerla among others.

Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!

Cortos inusuales de portmanteau con 4 cuentos inspirados en el folklore brasileño

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

Apolônio Brasil was a pianist at a famous nightclub in Rio de Janeiro, from the 1950s until his untimely death. Quite a character, Apolônio was loved by women and idolized by his audience and friends. His contagious joy attracts the attention of American scientist Dr. Boris Lewitsky, who comes to Brazil in order to interview Apolônio's close friends and make them a most unusual offer concerning the remains of the late musician.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

In the 18th century in a forgotten town, young Benedicta is the executioner's daughter. Monk Ambrosius, newly arrived at the village, pities the girl but his interest in her unleashes the jealousy of Rochus and the conflict between passion and celibacy begins.

A fantastic tale in the brutal reality of a slum. The life of a boy with the rare gift of flying. Based on a Will Eisner's story

Adaptation of the series shown in 1992. A sequence of crimes in the same style intrigue: a man walks with a woman on the beach; she dresses as a bride and is brutally strangled in the middle of the act of love. To prove the authorship of the crimes is the great challenge of detective France. Written by: Dias Gomes, Ferreira Gullar and Marcílio Moraes.

Adaptación de la novela "El gran arte", de Rubem Fonseca.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.

Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro. Among its costumers, we find Ana, an actress, and her husband Zeca, a writer in crisis about his work.

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.

The artistic career and daily life of actress Maria Gladys.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

Experimental film, guided by the feeling of oppressive, paranoid, obsessive life of its characters. An essay on the oppression and dehumanization of the Brazilian people.

The daily life of a Brazilian escort.

El gerente exitoso es perseguido por un personaje siniestro que entra en sus sueños, el Dr. Moura Brasil.

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

A dysfunctional family, composed of a prostitute and two gays, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.

Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.

Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.

Two maids decide to rebel against the society that oppresses them and start murdering their own mistresses. “???????????? ???????????????????? ???????? ???????????? ???????????????????????? ???????? ???????????? ????????????????????????, ???????????? ???????????????????????????????????? ???????????? ???????????????????????????? ???????????????? ???????????????? ???????? ???????????? ???????????? ???????????????????????? ???????? ???????????????? ???????????? ???????? ???????????????????????? ???????????????? ???????????????? ???????? ????????????????????????????????. ???????? ???????????????? ???????????????? ???????????????????? ????????????????????????????. ???????????????? ???????????????? ???????????????????????????????????? ????????????, ???????????? ???????????????? ???????????????????? ???????? ????????????????????????????, ???????????????? ???????? ???????? ???????????????? ???????????????????? ???? ????????????????, ???????????? ???????????????? ???????? ???????? ????????????????????????????????.”

Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while.

Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man.

A man arrives in Tocantins river, looking for fortune.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

A young man must choose between two women. The one brings him the money, but the other he loves. Directed by Billy Davis (as J. P. de Carvalho).