Royce Sharp

Filmmaker Sterlin Harjo follows Native artists for a year as they navigate their careers in the US and abroad. The film explores the immense complexities each artist faces concerning their own identity as Native artists, as well as pushing further Native art into a post-colonial world.

Mekko gets out of prison after 19 years. He has no home or family so he makes his way to Tulsa. He tries to connect with a cousin but she turns him away. With nowhere to go Mekko ends up sleeping on the streets. He is taken in by the homeless native community. At times jovial, there is a dark undercurrent to the community. He begins having issues with a man named Bill. Bill is pure evil. Convinced that this man is a witch, Mekko turns to the old teachings of his grandmother in order to rid the community of this 'witch'. It's a story of redemption, and hope. Mekko is in search of his home and the strength to forgive himself of his past.

En 1962, el abuelo del cineasta Sterlin Harjo , desapareció misteriosamente en Sasakwa, Oklahoma, Cuenta como la comunidad Seminole lo buscó, cantando canciones antiguas de la fe y la esperanza. Harjo vuelve al Festival de Cine de Sundance por cuarta vez con su primer largometraje documental, que explora la desaparición de su abuelo.

Sal and Mel are the best lawn mowers in town. That is, until Drake moves in. With his sexy assistants, Drake begins to dismantle Sal and Mel's company and dreams.