Erzsi Máthé

A divorced middle-aged woman takes home an ardent suitor, only to discover that he prefers her teenage son. The mother is an overworked coffee-shop attendant, the suitor turns out to be a plain-clothes policeman and the boy is a frustrated flautist.

The intellectual family Faragó lives a bit busy life, but ensures complete autonomy for its members in a tiny flat in Budapest, while the newly rich Belvizis in the neighbourhood have a luxury apartment and a conventional and purposeful life, sentencing their only daughter for solitude.

Feature film version of the 1971 series.

After World War II police forces increase the number of their permanent staff because of the corrupted general conditions. After a short instruction, recruits Sipos and Czöntör are also put into action against riotous groups, black-marketeers and burglars.

Végh Márta, the teacher is looking for her student Vadász Ica in the Buda villa, but she only finds the tenant, Mrs. Paár - dead. The investigation reveals that Mrs. Paár was murdered for an invaluable stamp, the "Fake Isabella".

Captain Kovács investigates the case of a taxi driver who was knocked down and later he disappeared without leaving a trace. Responding the call of the police six women present themselves: they all confess to be the fiancée of the driver.

Año 1863. Etienne Lantier, despedido de la compañía de ferrocarriles por estar implicado en actividades sindicales, consigue trabajo en una mina del norte de Francia. Encuentra alojamiento en casa de la familia Maheus, donde todos son mineros y cuya hija, Catalina, se rinde a sus encantos. El trabajo es duro, mal pagado y peligroso. Cuando se enteran los mineros de que se les va a rebajar el salario, liderados por Lantier, se rebelan. La compañía decide contratar a otros obreros en su lugar y las autoridades reprimen a los rebeldes sin miramiento alguno.

Three people – a returned prisoner of war, his beautiful second wife, and the possessive, hunchbacked spinster who is his sister-in-law by his first marriage – are isolated in a little house under an extinct volcano, where each strives for personal happiness but is suffocated by their dependence on the others.

Mrs. Fazekas and her three sons live in a tenement house in the outskirts. The eldest son, Fecó, is saving money in order to buy a washing machine for his mother, while her other two sons spend time by hanging around and playing tricks.

In the thirties, the poor living by the Romanian-Hungarian border, were forced to smuggling if they wanted to survive. Mihály, the Hungarian peasant, kills a border guard while fleeing. He is fed up with smuggling and wants to put an end to it, yet he needs money to get a job so he embarks on another turn.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

The poetic love story depicting everyday life from a micro-psychological aspect takes place in the 1910s. Sándor, editor of the local paper, serves as a foot soldier on Sundays, but spends weekdays playing billiard and courting women. One Sunday afternoon - in soldier's uniform - he meets Vilma, the beautiful maid, whose honesty and chastity turns the adventure to love.

Judge Csanádi András makes a confession to his boss one night: he fell in love with the pretty, modern driver woman, Zenthe Judit in a fencing room. The girl suddenly returned his feelings. One night she confessed to him crying: she hit someone. The case was assigned to Csanádi, who wanted to investigate the circumstances meticulously despite his feelings. Thus the so far hidden life of Judit, which is bound to the past former world and its values is now highlighted. He is confused, asks his boss to absolve him from the assignment, but refuses to do so. Csanádi realises in the court room: Judit kept on telling lies, she played the lover for her own interest. The judge passed his crisis, he will deliver a fair sentence.