Don Powell

Películas

Slade at the BBC
Don your best platforms and sequinned hat and join Noddy, Jim, Dave and Don aka Slade for a trip down memory lane as we uncover some of Slade's finest appearances from the vaults of the BBC archive, introduced by none other than Noddy Holder himself.
Lorna Doone
Dapple Rose
En 1660, en Inglaterra, los protestantes se rebelan contra los católicos. Amor, guerra y luchas familiares se entremezclan en esta historia, mientras una aristocrática familia aterroriza a los habitantes de Devon.
Massimamente folle
Dick Papel
The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
Flame
Charlie
Light the Rock 'n Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame. Set in the hardships of North England's seventies working class society and music scene. This build-up from rags to riches is a parody of realism and grit, with double-dealings and harsh unforgiving dog eat dog mentalities, and the golden rule; if you play with matches then you're going to get burnt, in the flames of the music industry.
Right To Work March
Young Socialists from Glasgow, Liverpool and Swansea march to London and discuss their economic struggles en route. Supporting them are Ken Loach, Corin Redgrave, Arnold Wesker and other leading cultural figures of the left of British politics. The march is intercut with scenes dramatising parallel injustices in the English Civil War era and earlier - featuring Frances de la Tour in queenly mode as Elizabeth I. The film's unconventional structure also features frequent extracts of the rousing pop concert, with the band Slade, which culminated the epic march.