Eugène Scribe

This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!

Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg places these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.

Donizetti’s bubbly romantic comedy about a spunky landowner, a hapless peasant, and the dubious love potion that may or may not bring them together never fails to delight audiences. In this performance from the Met’s Live in HD series, South African soprano Pretty Yende stars as Adina, imbuing her character with lovable warmth while tossing off effortless coloratura passages from beginning to end. Tenor Matthew Polenzani is Nemorino, Adina’s love-struck admirer, who pours out his heart in the moving aria “Una furtiva lagrima.” The cast also includes baritone Davide Luciano as the swaggering Sergeant Belcore and Ildebrando D’Arcangelo as the wily Dr. Dulcamara, and Domingo Hindoyan conducts Bartlett’s Sher’s charming and colorful production.

Rolando Villazon's Baden Baden version of the Donizetti's opera set as an early Hollywood shoot of a western.

Marco Spada was created at the Paris Opera in 1857 with choreography from Joseph Mazilier and music adapted from Daniel Auber’s comic opera of Marco Spada. Soon forgotten, the ballet was revived in 1981 with a brand new choreography by Pierre Lacotte for the Rome Opera, with Rudolf Nureyev as the 18th-century Italian bandit pretending to be an aristocrat, and Ghislaine Thesmar as his daughter Angela. At the Bolshoi, Marco Spada was premiered on the historic stage on November 8, 2013. Leading roles were performed by David Hallberg (Marco Spada), Evgenia Obraztsova (Angela), Olga Smirnova (Marchesa Sampietri), Semyon Chudin (Prince Frederici), and Igor Tsvirko (Count Pepinelli). Pierre Lacotte designed sets and costumes.

Live performance from Teatro La Fenice, 29 Nov. 2013.

The French have occupied Sicily, and Hélène is held hostage by Montfort, the French governor, who has had her brother executed. She turns to the partisan Jean Procida and the rebellious patriot Henri in her bid for vengeance. Les Vêpres siciliennes is one of Verdi’s lesser-known mature operas, but was vital to his development as a composer. It was created for the Paris Opéra in 1855, providing Verdi with an opportunity to embrace the elaborate style and traditions of French grand opera. First seen at the Royal Opera House in 2013, this staging of Verdi's rarely-performed opera Les Vêpres siciliennes – directed by Stefan Herheim and conducted by The Royal Opera’s Music Director, Verdi specialist Sir Antonio Pappano – went on to win the prestigious Olivier Award for Best New Opera Production.

Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun” and reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini.

Recorded live at the Royal Opera House, December 2012. Daniel Oren conducting Royal Opera House Orchestra and Chorus. A grand opera that dominated the stages of Europe for most of the 19th century, Robert le diable is a masterpiece. Director Laurent Pelly breathes new life into Giacomo Meyerbeer's great spectacle and audaciously entertaining moral fable, in this colourful new staging for The Royal Opera.

David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.

Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.

Part of Tutto Verdi series - Un ballo in maschera (2011) Parma. Based on a Scribe libretto and begun as 'Gustavo III' set in Sweden, it became 'Una vendetta in dominò' set in Germany, and finally 'Un ballo', set not in Sweden but in Boston, Massachusetts during the colonial era. These changes were caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858.

Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.

Part of Tutto Verdi series 'I vespri siciliani' ('The Sicilian Vespers') is a five-act Italian opera originally written in French for the Paris Opéra and translated into Italian shortly after its premiere in June 1855. Under its original title, 'Les vêpres siciliennes', the libretto was prepared by Eugène Scribe and Charles Duveyrier from their work 'Le duc d'Albe', which was written in 1838 and offered to Halévy and Donizetti before Verdi agreed to set it to music in 1854. The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract 'Lu rebellamentu di Sichilia'.

Mark Elder leads the orchestra and chorus in a lavish performance . . . She certainly has the temperament to play Adriana, who can present herself as humble and sweet but, in a scene where she takes the stage, is nothing if not intense . . . this recording provides a reminder of how secure and uniquely attractive her singing can be. Her soprano glides effortlessly, its top still silvery, over the oft-excerpted arias "Io son l'umile ancella" and "Poveri fiori." There's a real core even in much of her soft singing, and the recording flatters her lower register. As Maurizio, Jonas Kaufmann has the ideal chiaroscuro sound to portray both poet and warrior. It's great to hear his robust tenor at full force . . . Olga Borodina makes for an imperious princess . . . Alessandro Corbelli employs luster and dignity.

Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.

Donizetti's L'Elisir d'amore in a colorful version signed Annabel Arden. A pastoral romance between Adina, the rich and gorgeous landowner, and Nemorino, a simple peasant, L'Elisir d'amore sets Tristan and Iseult's love potion at the center of the action. With Ekaterina Siurina, Peter Auty, Alfredo Daza, Luciano Di Pasquale and the London Philharmonic Orchestra under Maurizio Benini's baton. Revival of production first performed 12 October 2007. This recording is of performances 12/15 August 2009.

Live Paris 2006

Live performance from Wiener Staatsoper, 2003. Vjekoslav Šutej conducting Chor und Orchester der Wiener Staatsoper. Stage director Günter Krämer.

Conducted by Riccardo Muti, the master of the Scala in Milan for twenty years, the Verdian melodrama unfolds before our eyes. This Cavani's approach is ageless and excellence is pre-eminent: to start with, the role of Riccardo is played by the wonderful Salvatore Licitra. As for Maria Guleghina, she plays an exceptionally good Amelia. Riccardo Muti proves once again what a wonderful Verdian he is.

Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.

Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.

Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.

Live from La Scala Jan. 2 1990

Francesco Cilea's Adriana Lecouvreur concerns a doomed love based on a real story about an actress involved in a famous love triangle. Mirella Freni sings the title part in this production that was broadcast on television originally in 1989. Gianandrea Gavazzeni conducts the orchestra. Live from La Scala, 1989

This was a 1988 revival of a 1971 production that teamed Domingo (Vasco da Gama) and Verrett (Selika - both then very much in their prime) in Meyerbeer's discursive swan-song. Seventeen years on, they are more statuesque than sexy, but both give larger-than-life performances that contain moments of completely thrilling vocalism. The casting is very strong, with the exception of Justino Diaz's Nelusko, which has strong presence but not much vocal allure. As Inez, Vasco da Gama's fiancee and rival for Shirley Verrett, Ruth Ann Swneson sings with great beauty and has impressive stage presence, very much holding her own in the confrontation with Verrett in the last act. Domingo is refulgent of tone and dramatically convincing, and he and Verrett strike sparks. She really comes into her own in one of the most preposterous mad-scenes in all opera, where she is slowly poisoned by the scent of a giant tree, contriving to make this dramatically truthful and even moving.

I Vespri Siciliani must me Verdi's most underrated masterpiece. Most people are put off by the fact that it has 5 acts, therefore they conclude that it must be incredibly long. It is long but not as long as some people may fear as most of the acts are under half an hour each. The total length of the DVD in question is 171 minutes, just under 3 hours, including titles at the beginning, applauses and curtain calls between the acts and at the end. The opera contains Verdi's most powerful overture and a number of very elegant arias, duets and ensembles for the principals.

Live performance Met 1981.

Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.

When a small state is threatened with capture by a much stronger one, only one thing can save it: the emergence of a competitor comparable to the invader. In a graceful and witty play by Scribe, hostilities unfold around a young officer, in whom the modest saleswoman of a jewelry store, the omnipotent Duchess of Marlborough and the Queen of England herself fell in love at the same time.

This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.

Nemorino is hopelessly in love with Adina but she is attracted to a dashing captain.

Adrienne Lecouvreur is an acclaimed actress who falls in love with Polish prince Maurice de Saxe, only to be poisoned by a jealous rival while Maurice is away at war. The film was a co-production between the two countries, and was made at UFA's Berlin Studios. It was based on the 1849 play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé about the life of the eighteenth century actress Adrienne Lecouvreur.

A follower of Napoleon escapes the firing squad, flees to a woman's bedroom and winds up butler.

Adrienne, una niña gitana que actúa en un carnaval ambulante, es incapaz de encontrar el verdadero amor por sí misma hasta que conoce al príncipe Maurice. Se enamoran, pero deben separarse cuando, el príncipe debe iniciar una relación adultera con la esposa rica de un duque. Adrienne más tarde se convierte en una popular actriz de teatro y casualmente se encuentra con el príncipe nuevamente. Mientras Maurice está luchando por recuperar su trono a manos de un dictador usurpador. La película se considera perdida.

A Glass of Water (German: Ein Glas Wasser) is a 1923 German silent historical film directed by Ludwig Berger and starring Mady Christians, Lucie Höflich and Hans Brausewetter. It premiered at the UFA-Palast am Zoo on 1 February 1923. It was based on a play of the same title by Eugène Scribe, set in England during the reign of Queen Anne. The film was very well received both commercially and critically on its release. It is considered one of the milestones of Weimar cinema

Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.

A considered lost film from 1913