"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.
Original Concept
A portrait of Italy in the 60's and 70's, based on films by Marco Bellocchio.
Self
A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.
sé stesso
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
Director
People of a volcanic island 'Stromboli' share their memory of beautiful actress Ingrid Bergman starred in Stromboli directed by Rossellini. Their testimonies describe relations around Stromboli . Movie scenes and the island's scenary are crossed, enriching life and art.
Director
A documentary on the Fellini movie "Clowns."
Director
In this visual essay, renowned film critic and historian Adriano Apra takes a closer look at Bernardo Bertolucci's work with Pier Paolo Pasolini on La Commare Secca and discusses its poetic qualities and visual style; Before the Revolution, which was inspired by the French Nouvelle Vague; Agony, a segment from the anthology film Love and Anger; the politically charged Partner, with Pierre Clémenti, which was filmed during the '68 student riots; and The Spider's Stratagem. Adriano Apra also discusses The Conformist and its unusual color scheme, the camera movement, the lensing, etc. Also included in the essay are clips from a very long interview with the Italian director in which he explains how The Conformist came to exist, and discusses its production history, its script and Alberto Moravia's novel, the casting process, the key conflicts in the film, etc.
La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film conceived, but never realized, by Rossellini took shape in his notes after a trip to Chile conducted in May of 1971, a trip made to conduct an interview-portrait of Salvador Allende, then actually carried out by the director of "Rome, Open City". October 28, 1971: Rossellini, back from Santiago, Chile, reads a newspaper reports of a beached whale on the Pacific coast near a poor village inhabited by fishermen. From this simple news comes a film script for a fable about wealth and poverty. A film whose shooting Rossellini would have been entrusted to the young student Claudio Bondì, just graduated from the Experimental Center of Cinematography.
medico di Alberto
Angelo, un joven que con gran esfuerzo ha logrado salir de la pobreza, y Alberto, un guionista de éxito, se hacen amigos en la sala de urgencias de un hospital después de sufrir un infarto y llegan a compenetrarse de un modo absolutamente inexplicable dadas sus diferencias. Cuando por fin les dan el alta, descubren que necesitan estar juntos. Alberto, solitario por naturaleza e incapaz de darle a su novia lo que necesita, decide mudarse a casa de Angelo.
Self
Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".
From Paolo Brunatto's series "Scheggie Di Utopia".
Director
Made up almost entirely of archival interviews with Italian film director Roberto Rossellini (with audio interviews playing over various behind-the-scene bits and archival footage) the director recalls his early life, how he got into film, his political beliefs and how they were formed.
Writer
A debauched nobleman offers himself to a beautiful woman, but she is repelled by his advances. He dons a mask and tries again, and this time is more successful. But the mask cannot conceal the evil in his soul.
The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi
Othon
Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.
Writer
Pisa, 1942. Marcella, Olimpia’s daughter, is suffering from meningioma. Her husband Pierluigi and her brother Daniel attempt to relieve Olympia’s grief from the imminent loss of the child.
Director
Pisa, 1942. Marcella, Olimpia’s daughter, is suffering from meningioma. Her husband Pierluigi and her brother Daniel attempt to relieve Olympia’s grief from the imminent loss of the child.
Clerk (segment "Agonia")
Cinco directores ofrecen sendas historias en las que se entremezclan el amor y la rabia.
Self
Artists and poets meet in a dreamlike space between walks and performances.
Cinema critic
Cuando Glauco regresa del trabajo, encuentra a su mujer enferma. Mientras se prepara la cena, descubre un revólver que pudo haber pertenecido al famoso delincuente Dillinger. Fantasía y realidad se confundirán entonces dramáticamente...
Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.
Una joven pareja discute sobre si deben tener o no un hijo en unos días en los cuales una gran plaga azota la Tierra y hace que la población descienda más y más. A la vez, también deberán buscar un lugar seguro dónde poder refugiarse de las catástrofes que no para de sucederse por todo el planeta.
