Maria Kallimani

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

Olga, a domestic worker originally from Albania, finds herself in a house she works in downtown Athens, at the right time. Or at the wrong one?

One year after the death of her mother, Elena, a young French woman of Greek origin, returns to her holiday home on the island of Lesbos. She is accompanied by her friends Nassim and Sekou, two young suburbanites more used to the benches of the city than the paradisiac beaches.

An unlikely rapport develops between a damaged woman recovering in a hospital and a lonely little boy.

Renos is an old-time waiter with a meticulous routine. He is a loner and an avid collector of information. His repetitive daily routine liberates him from the agony of pursuing the unknown. The unexpected events that invade his life hide many surprises.

An urban legend of Athens says that in the 80s a girl was swept away by an ancient underground river that nobody has ever seen. Today a young anthropologist is researching the case, interviewing the girl’s three best friends and their former history teacher.

Tassos, a man just over 50 years old, with a career in the marketing and commercial direction of large corporations, has been unemployed for three years now. Too old for a new beginning, but also too young to resign. His relationships with his close people are being tested, and his psychological state is marginal. His goal is one: to get out of the 'freezer'.

A Kostis, médico solitario, le toca ejercer en una isla griega. Cuando llega el verano, los turistas y las noches locas, no cejará en sus cada vez más espeluznantes intentos de enchufarse a la pandilla de veinteañeros que acompaña a Anna, joven que le obsesiona, y que le da una de cal y otra de arena.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

It is a movie following the coming-of-age for a boy; the story begins in the mid-60s, continues all through the 70s, and finishes in 1981. He is a creative young man facing the troubles of the first pangs of love and we observe the way he tries to handle them within his social surroundings, his family, and environment.

For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.

At age 19, Stratos committed a crime of passion. He spent half his life in prison, where underground boss Leonidas took him under his wing. One day during a rival gang attack, Leonidas saved his life. Stratos never forgot this. A free man now, Stratos works the night shift at a bakery workshop, a far cry from the killing contracts he executes by day. He gives away all his money to spring Leonidas out of prison, funding an escape plan managed by Leo’s brother, Yorgos. The fulfillment of his debt is the only thing that matters to Stratos, everything else is indifferent and he lives detached, surrounded by ghosts and fallacies. The day of the escape, the most important day of his life, is near…

Antonis arrives at a hotel resort by the sea. It is wintertime, the hotel is closed and Antonis drifts around alone. He has a lot of time to kill. Until television announces the disappearance of the famous TV host Antonis Paraskevas…

A retiring man in rioting Athens faces ghosts and memories from the past to make choices about the present.

The trainee Orthopedic Doctor George Spyrou began his career in the fictional General Orthopedic Hospital "All Saints', somewhere on the outskirts of Athens. There you will discover that the hospital population, by physicians, administrators and nurses, to patients, they are all forced to confront dancing a grotesque dance routine. With humor and humanity within a social landscape so angry George Spyratos trying to balance between the warring parties these microcosms. The gradual evolution from inexperienced trainee to experienced editor will be done through the encounter with the absurd environment. Something that would transform from naive young man who initially stands speechless in front of modern Greek chaos, a mature man who will ultimately make a thoughtful account of choice, but persevere, continue to work on public health.

After his father death, Nikos moves from Ptolemaida to Athens. His uncle offers him food and shelter while he starts taking care of his dogs. Alone in an isolated suburb, he's wearing down into his misery routine, till the moment his relationship with his aunt changes everything.

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

The film captures the way Yorgos Zois worked with his actors during the shooting of the film Interuption, as well as the atmosphere that evoked on the filming set.