Writer
Sábado 1 de marzo de 2008. El comandante Raúl Reyes, número 2 de las FARC, murió en la selva bajo la tonelada de bombas lanzadas por la CIA y el ejército colombiano. Junto a su cadáver, los soldados recuperaron sus computadoras: diez años de correos electrónicos escritos por el hombre encargado de negociar la liberación de un centenar de rehenes (entre ellos Ingrid Betancourt), quien también se desempeñaba como jefe de relaciones exteriores de la guerrilla comunista más antigua. en el mundo. Un testimonio asombroso donde nos encontramos con políticos, periodistas, traficantes de armas, diplomáticos, sicarios, sus allegados y hasta sus hijos. “SELVA ROJA” ahonda en la mentalidad de este hombre que gobernaba a las FARC con mano de hierro, mientras la utopía revolucionaria se hundía lentamente en la pesadilla.
Director
Sábado 1 de marzo de 2008. El comandante Raúl Reyes, número 2 de las FARC, murió en la selva bajo la tonelada de bombas lanzadas por la CIA y el ejército colombiano. Junto a su cadáver, los soldados recuperaron sus computadoras: diez años de correos electrónicos escritos por el hombre encargado de negociar la liberación de un centenar de rehenes (entre ellos Ingrid Betancourt), quien también se desempeñaba como jefe de relaciones exteriores de la guerrilla comunista más antigua. en el mundo. Un testimonio asombroso donde nos encontramos con políticos, periodistas, traficantes de armas, diplomáticos, sicarios, sus allegados y hasta sus hijos. “SELVA ROJA” ahonda en la mentalidad de este hombre que gobernaba a las FARC con mano de hierro, mientras la utopía revolucionaria se hundía lentamente en la pesadilla.
Director
A thriller inspired by real cases, the fictional lawyer Fernando Sabogal fights for human rights in a corrupt Colombia where FARCS and paramilitary groups are blended with the government and military forces.
Writer
From their headquarters in Geneva, the lawyers of the Swiss NGO Trial (Track Impunity Always) unremittingly pursue any war criminal careless enough to pass through Swiss territory. These true contemporary crime hunters have in their crosshairs all those with the blood of victims of conflicts on their hands. Theirs is primarily painstaking legal work, but also the emotionally charged fieldwork of collecting shocking testimonies from victims forever haunted by the ghosts of violence past. This film tells the story of their daily struggle against injustice and impunity.
Director
From their headquarters in Geneva, the lawyers of the Swiss NGO Trial (Track Impunity Always) unremittingly pursue any war criminal careless enough to pass through Swiss territory. These true contemporary crime hunters have in their crosshairs all those with the blood of victims of conflicts on their hands. Theirs is primarily painstaking legal work, but also the emotionally charged fieldwork of collecting shocking testimonies from victims forever haunted by the ghosts of violence past. This film tells the story of their daily struggle against injustice and impunity.
Writer
Colombia, años 2.000: tras la desmovilización de más de 30 mil paramilitares acusados del asesinato de miles de colombianos se inicia un proceso judicial con algunos comandantes desmovilizados.
Director
Colombia, años 2.000: tras la desmovilización de más de 30 mil paramilitares acusados del asesinato de miles de colombianos se inicia un proceso judicial con algunos comandantes desmovilizados.
Screenplay
This documentary offers a complex portrait of Hollman Morris, the Colombian war journalist whose multiple award-winning news show Contravía is one of the few local current-affairs programs that refuses to pander to President Alvaro Uribe's staunchly authoritative government. While most television viewers in Columbia opt for variety shows and soap operas, citizens in search of suppressed truths tune in to Contravía to hear the latest news about forced disappearances, secret mass graves, and various other atrocities taking place all across the countryside. But when you live and work in the country that Reporters Without Borders claims is one of the most dangerous places in Latin America for a journalist to work, denouncing human rights abuses can be a dangerous game. Yet despite the danger to both himself and his family, Morris remains convinced that the situation in Columbia will never been improved if outspoken media figures like himself simply disappear into exile.
Director
This documentary offers a complex portrait of Hollman Morris, the Colombian war journalist whose multiple award-winning news show Contravía is one of the few local current-affairs programs that refuses to pander to President Alvaro Uribe's staunchly authoritative government. While most television viewers in Columbia opt for variety shows and soap operas, citizens in search of suppressed truths tune in to Contravía to hear the latest news about forced disappearances, secret mass graves, and various other atrocities taking place all across the countryside. But when you live and work in the country that Reporters Without Borders claims is one of the most dangerous places in Latin America for a journalist to work, denouncing human rights abuses can be a dangerous game. Yet despite the danger to both himself and his family, Morris remains convinced that the situation in Columbia will never been improved if outspoken media figures like himself simply disappear into exile.
