Irén Bordán

El psicoterapeuta Ruben Brandt sufre pesadillas violentas inspiradas en 13 obras de arte famosas, incluidas "Retrato del cartero Joseph Roulin" de Van Gogh, la "Venus of Urbino" de Tiziano y "Mujer con libro" de Picasso. Cuatro de sus pacientes, que son ladrones expertos, se ofrecen para robar las obras, ya que creen que una vez que las posea desaparecerán las pesadillas. Él acepta el plan y ellos se cuelan en museos y galerías de arte de todo el mundo. Brandt se convierte en "El colector”, uno de los criminales más buscados. Gangsters y cazarrecompensas le buscan para ganar los 100 millones de dólares que se pagan por su captura. Un grupo de compañías de seguros contrata a Mike Kowalski, un detective privado y experto en robos de arte, para resolver el caso.

The story of three women - a famous prostitute, her housekeeper and their new maid - living in Budapest of 1910s, whose passionate, bizarre and complex relationship can only lead to one thing: murder.

An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.

Noah's Ark .

Después de participar en un trío, David Huxley (Johnathon Schaech), político con grandes perspectivas y su prometida (Lori Heuring), reciben en su correo electrónico fotos del encuentro sexual del que fueron protagonistas. Mientras son víctimas del chantaje de quien envió las fotos, ellos comienzan una búsqueda desesperada a través del mundo de la pornografía para encontrar y destruir la evidencia.

This Hungarian comedy depicts the exploits of 8 members of a travelling troupe of actors and musicians as they move about the country performing a series of one night stands.

Leaving his family behind after a conflict with his colleagues, a leading editor at Hungary's state television network travels alone to his country house in the Badacsony region, and reflects on his past, his guilt and the old compromises.

A Hungarian film about Emperor Joseph II

Un ambicioso actor de teatro (Brandauer) no duda en concentrar todos sus esfuerzos en adular el nazismo con tal de lograr el éxito en su profesión. Llega incluso a casarse con la hija de un importante prohombre del régimen para poder medrar.

László is a composer, and his second wife is an actress. The couple lives in love and cheerful, mutual understanding. Suddenly László feels unwell. The diagnosis is that he suffers from an incurable illness.

György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.

A ghost is haunting Lubló: Kaszparek Mihály, trader of wines, does not refrain from haunting his native town even in broad daylight. He rides his horse sitting backwards, pays with false gold and pays frequent visits to his widowed wife, who is far from being appalled by the caresses of her dead husband.

The film takes place at the end of 1946. Rumours are spread that the food supply will not arrive for it has been robbed. Workers of the metal factory go on strike.