Norbert Bunge

Películas

Ernesto, presto!
Director of Photography
Documentary about the everyday life of a bicycle courier in Berlin in 1995.
Concision: No Time for New Ideas
Director of Photography
A Propaganda Model of the Media Plus Exploring Alternative Media
Director of Photography
A Case Study: Cambodia and East Timor
Director of Photography
Manufacturing Consent: Noam Chomsky and the Media
Director of Photography
A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
Schön ist’s im Labyrinth – George Grosz in Amerika
Director of Photography
George Grosz, born on July 26th in Berlin, vicious draftsman and painter of the face of the ruling class, enfant terrible of the 1920s, accused of pornography and blasphemy, was one of the most popular visual artists of the Weimar Republic. Little is known, however, that Grosz spent half of his artistically productive life in the USA before returning to Berlin in 1959.
Schön ist’s im Labyrinth – George Grosz in Amerika
Editor
George Grosz, born on July 26th in Berlin, vicious draftsman and painter of the face of the ruling class, enfant terrible of the 1920s, accused of pornography and blasphemy, was one of the most popular visual artists of the Weimar Republic. Little is known, however, that Grosz spent half of his artistically productive life in the USA before returning to Berlin in 1959.
Schön ist’s im Labyrinth – George Grosz in Amerika
Writer
George Grosz, born on July 26th in Berlin, vicious draftsman and painter of the face of the ruling class, enfant terrible of the 1920s, accused of pornography and blasphemy, was one of the most popular visual artists of the Weimar Republic. Little is known, however, that Grosz spent half of his artistically productive life in the USA before returning to Berlin in 1959.
Schön ist’s im Labyrinth – George Grosz in Amerika
Director
George Grosz, born on July 26th in Berlin, vicious draftsman and painter of the face of the ruling class, enfant terrible of the 1920s, accused of pornography and blasphemy, was one of the most popular visual artists of the Weimar Republic. Little is known, however, that Grosz spent half of his artistically productive life in the USA before returning to Berlin in 1959.