Yolande Zauberman

M da voz a un hombre que fue víctima de abusos sexuales en su infancia, que denunció a los medios tras grabar la confesión de uno de sus agresores.

M da voz a un hombre que fue víctima de abusos sexuales en su infancia, que denunció a los medios tras grabar la confesión de uno de sus agresores.

M da voz a un hombre que fue víctima de abusos sexuales en su infancia, que denunció a los medios tras grabar la confesión de uno de sus agresores.

It's a question that surprises most people: “Would you have sex with an Arab?” Film-maker Yolande Zauberman doesn't just ask anyone this question, she asks people in the clubs and bars and streets of Tel Aviv. 20% of Israelis are of Arab origin, but for some the question is still incomprehensible, for others long since reality and yet others a political issue. One thing it is never is immaterial. The film manages to break down the Middle East conflict into individuals and to show what enormous influence it has, even into the most intimate of spheres.

It's a question that surprises most people: “Would you have sex with an Arab?” Film-maker Yolande Zauberman doesn't just ask anyone this question, she asks people in the clubs and bars and streets of Tel Aviv. 20% of Israelis are of Arab origin, but for some the question is still incomprehensible, for others long since reality and yet others a political issue. One thing it is never is immaterial. The film manages to break down the Middle East conflict into individuals and to show what enormous influence it has, even into the most intimate of spheres.

It's a question that surprises most people: “Would you have sex with an Arab?” Film-maker Yolande Zauberman doesn't just ask anyone this question, she asks people in the clubs and bars and streets of Tel Aviv. 20% of Israelis are of Arab origin, but for some the question is still incomprehensible, for others long since reality and yet others a political issue. One thing it is never is immaterial. The film manages to break down the Middle East conflict into individuals and to show what enormous influence it has, even into the most intimate of spheres.

In Paris, in 1943, Jules, a 19-year-old Jew, lived without an ideal, tossed about by circumstances. He becomes in turn a traitor then a hero. Thomas, his fifteen-year-old brother, wants to act and fight in resistance.

In Paris, in 1943, Jules, a 19-year-old Jew, lived without an ideal, tossed about by circumstances. He becomes in turn a traitor then a hero. Thomas, his fifteen-year-old brother, wants to act and fight in resistance.

Es verano, Lola tiene veinte años. Un día se queda dormida en un autobús, se pierde y aparece en un mundo extraño, invadido por la música. Salas de fiesta gigantes, bullicio, gente que viene y va. Emir vive allí, incapaz de amar, atado a su hermano Ismael, como siempre ha ocurrido desde la infancia. Para retardar la separación, Ismael está dispuesto a inventar juegos peligrosos, la droga, el boxeo. Saida es bailarina. Ama a Emir y vive con él y con su hermano desde el principio. Por generosidad, ella le ha seguido en todos sus avatares. No le tiene más que a él y todo le falta, incluso él. Es la historia de esas soledades que se frotan unas con otras en el placer, el baile, la saturación de la música. Y así hubiera podido continuar. Pero Lola ama a Emir. Debido al deseo que siente por él, ella expone su cuerpo, -y, sin quererlo, el de los demás- a un calor olvidado...

Es verano, Lola tiene veinte años. Un día se queda dormida en un autobús, se pierde y aparece en un mundo extraño, invadido por la música. Salas de fiesta gigantes, bullicio, gente que viene y va. Emir vive allí, incapaz de amar, atado a su hermano Ismael, como siempre ha ocurrido desde la infancia. Para retardar la separación, Ismael está dispuesto a inventar juegos peligrosos, la droga, el boxeo. Saida es bailarina. Ama a Emir y vive con él y con su hermano desde el principio. Por generosidad, ella le ha seguido en todos sus avatares. No le tiene más que a él y todo le falta, incluso él. Es la historia de esas soledades que se frotan unas con otras en el placer, el baile, la saturación de la música. Y así hubiera podido continuar. Pero Lola ama a Emir. Debido al deseo que siente por él, ella expone su cuerpo, -y, sin quererlo, el de los demás- a un calor olvidado...

In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability.

In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability.

The Indians that the British failed to subdue were called "born criminals" and were parked in camps. Yolande Zauberman's film tells the story of a family. The grandparents, Hira Bai and Serjian, grew up in the jungle. This is where their tribes lived, which the British were unable to subdue.

A documentary dealing with apartheid in South Africa