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"What would the world be like without Beethoven?" That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven's innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.
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El legendario compositor de cine estadounidense John Williams dirige la Filarmónica de Viena por primera vez. "John Williams - Live in Vienna" documenta la interpretación histórica, "un honor muy especial" en la vida del compositor. ¡Sonidos sinfónicos de Hollywood en el escenario del Wiener Musikverein! La orquesta de fama mundial toca temas de culto de "Star Wars", "Harry Potter", "Indiana Jones", "Jurassic Park" y otros hitos en la historia del cine. La invitada estrella es Anne-Sophie Mutter, con adaptaciones para violín especialmente arregladas para ella por Williams.
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Enjoy Ravinia Festival’s production of Leonard Bernstein’s theater piece starring Tony Award-winning baritone Paulo Szot and featuring the Chicago Symphony Orchestra. Baltimore Symphony Orchestra artistic director Marin Alsop conducts.
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The Mexican Maestro Alondra de la Parra has taken the world's concert halls by storm. Born in 1980 in New York, she decided early on she wanted to become a conductor. Her great dream has taken her on a long journey - and it is not over yet, by any means. Alondra de la Parra'a roots are in Mexico - but her orchestras and her audiences are to be found all over the world. Alondra de la Parra is one of those trailblazers who has made history by being appointed the first conductor and music director of the Queensland Symphony Orchestra in 2017. She began playing the piano at age 7 and the cello at 13. After she studied in England and the United States - with mentors such Kurt Masur and Kenneth Kiesler, she founded the Philharmonic Orchestra of the Americas (POA) at age 23 in 2004.
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Para el concierto y la gala de la noche de apertura de 2014/15, la Filarmónica de Los Ángeles rindió un amoroso homenaje al compositor John Williams, que durante mucho tiempo fue campeón y amigo cercano de LA Phil. Gustavo Dudamel, un asombrado fanático del ícono musical, dirigió a la orquesta en una sección transversal del canon incomparable del maestro Williams. Con Itzhak Perlman con una actuación musical muy especial de piezas de la Lista de Schindler, así como la Cadenza y variaciones de Fiddler on the Roof. Los elementos de jazz llenarán el aire durante Escapadas de Atrápame si puedes, y que la fuerza te acompañe durante las canciones icónicas de Star Wars.
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Austrian classical conductor Carlos Kleiber (1930-2004) was as eccentric and reclusive as he was brilliant, persistently and obstreperously declining to participate in the international music community or business. This set him apart from his more public contemporaries, such as Herbert von Karajan. This biographical documentary attempts to resolve the ambiguities surrounding Kleiber. The product of exhaustive research, it features rare performance footage of Kleiber leading orchestras, and draws on interviews with individuals who knew and worked with the maestro, including Otto Schenk, Riccardo Muti, Michael Gielen and Ioan Holdender. Carlos Kleiber also turns up to conduct a series of illustrative musical excerpts.
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A world-class pairing, the Los Angeles Philharmonic and their charismatic new Music Director Gustavo Dudamel, mark the start of their partnership with this concert, filmed live at the Walt Disney Concert Hall. The program defines everything that is fresh and exciting about their collaboration: a John Adams world premiere, City Noir, music that steps back into the dark past of Los Angeles, and the allembracing First Symphony by Mahler, the composer who launched Dudamel's dazzling international career. "This was an exceptional and exciting concert by any standard." - The New York Times
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Adaptación operística de Las aventuras de Alicia en el país de las maravillas y A través del espejo .
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Una vez más podemos disfrutar de la pareja más de moda de la música clásica: Netrebko y Villazón, que aportan a sus papeles toda la pasión y la belleza de sus voces. La producción de Vincent Paterson, interpreta Manon como un cuento cinematográfico de Hollywood para el escenario operístico con la música colorista de Massenet como una especie de banda sonora. Musicalmente, la producción es igualmente extraordinaria. La Staatskapelle Berlin está dirigida por Daniel Barenboim. Se trata de una Manon que atraerá a personas muy diferentes: a los amantes de la ópera, las películas y Hollywood.
Producer
The most annoing things about this production is that the actors, Voyager I and II, spoke most of the recitatives as the singers on the most part were making hand jestures to go along with the spoken words, and the Voyagers' weird distracting seizure movements, jestures and bodyslamming themselves to the ground while the singers sang. It's amazing how the singers could focus on their arias and keep their composure.
Producer
The Pierre Audi production of Mozart's "Die Zauberflöte", recorded live at the Salzburger Festpiele in 2006. In honor of the 250th year of the composer's birth, all of Mozart's operas were staged and recorded at Salzburg that year. Christian Gerhaher is Papageno, Genia Kühmeier is Pamina, Paul Groves is Tamino, Diana Damrau is the Königin der Nacht, Irena Bespalovaite is Papagena, and René Pape is Sarastro. Riccardo Muti conducts the Wiener Philharmoniker.
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Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
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The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.
Producer
When a wealthy Turkish aristocrat arrives in a humble Italian town, the married women roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the subject of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on stage with figures such as the exotic lady-killer Selim, the young woman Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.
