Reha Özcan

“Tanpınar’s Ankara... An Ankara narrative in the light of Tanpınar, who looked at the Ankara plain from the castle under a sharp glass light and delicately summarized the past, those days and the future of a newly founded city and a country from a rare perspective. ... An Ankara spectacle in five acts that will enable you to encounter Evliya Çelebi in the castle and its surroundings, and to be in the company of Hacı Bayram, Akşemseddin and Tanpınar... A humble tribute from two directors on the 100th anniversary of the Republic and Ankara becoming the Capital, and the 61st anniversary of Tanpınar's death...

Ahmet is married to Sevgi who runs a hair salon in town and their marriage has not been on track for some time. Ahmet suspects his wife has been cheating on him. Ahmet’s in secure and anxious state reaches its peak when he notices a foreigner in town. One midnight, at an old gas station out of town… Mehmet’s phone rings. Ahmet is at the end of the line, panicked and in fear. Mehmet realizes that he has no choice to help his brother. In this long and dark night, the two siblings unexpectedly find themselves in the middle of a homicide they have committed.

Losing his father at a very young age, Bekir lives with his mother Rabia and grandfather İlyas, who jointly run a haberdashery store. When İlyas passes away, to spare him grief young Bekir is told that “his beloved grandfather has gone to the moon and become Grandpa Moon.”

The three-season series Poyraz Karayel will face fans of this film after the impressive finale. Osman Tasçi undertakes the directorship of the film "Poyraz Karayel: Global Capital", where Celil Nalçakan, Emel Çölgeçen, Musa Uzunlar and Cem Cücenoglu are among the most popular directors of the series.

Orhan, un editor afincado en Londres, regresa a Estambul tras veinte años fuera para ayudar a Deniz, director de cine, a terminar la redacción de su primer libro. Tras una fiesta de escritores, Deniz desaparece misteriosamente, por lo que Orhan debe quedarse en la ciudad más de lo que había previsto: el viaje de trabajo se transforma así en una ocasión para rendir cuentas con el propio pasado y sus fantasmas. Sofisticada, melancólica y enigmática, Rosso Istanbul es una vuelta a los orígenes de Ferzan Ozpetek.

In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film's audience with his own dark secret.

A room, an old couch, a dining table, a TV, an old heater and a mirror right next to it. In the room the woman prepares dinner for her husband. The camera enters the room gently and we witness the couple's troubled marriage.

While fathers usually guide their sons through life crises, things go the other way around in this independent comedy-drama from Turkey. Adnan (Reha Özcan) has been a widower for nearly five years, but he acts as if his wife passed only a few weeks ago; he's been trapped in a deep funk for years and has become emotionally unavailable to his teenage son Burak (Kamer Celenk). Adnan doesn't fare much better with the rest of the world, and a long series of screw-ups leads to him losing his job as a parking lot attendant and being named in a lawsuit. While Burak has already moved out of the house and is living with sympathetic relatives, he decides he needs his father back and sets out to free Adnan from his doldrums, though that's more easily said than done