Editor
Low-budget, tabloid-lurid story with high camp value of older man falling for much younger beauty who's busy figuring out how she can kill him now that they're married. Nasty verbal encounters and above all, Beverly Michaels, spike up this flick.
Editor
An innocent man accused of a murder hides out aboard a steam ship in South American.
Editor
A convent-raised woman (Martha Vickers) learns of her American Indian heritage through romance with an educated Navajo (Philip Reed) during the 1880s.
Editor
A golddigging femme fatale leaves a trail of men behind her, rich and poor, alive and dead.
Editor
The Prairie is set at the time of the Louisiana Purchase. Hoping to find their destiny in the new territory, the Bush Family heads southward in a covered wagon. Sharing the family's numerous dangers and hardships are Ellen Wade (Lenore Aubert), sole survivor of an Indian attack, and army mapmaker Paul Hover (Alan Baxter). Cousins Abiram (Russ Vincent) and Asa (Jack Mitchum) duke it out over Ellen's affections
Editor
After hearing that a famous actress is dying in a hospital after being hit by a car, a reporter goes to the hospital to interview the actress. She then tells the reporter that her wealthy fiance, who was killed in an accident several years before, was actually murdered. Before long the reporter finds herself in a web of corruption, mental illness and murder.
Editor
After hearing that a famous actress is dying in a hospital after being hit by a car, a reporter goes to the hospital to interview the actress. She then tells the reporter that her wealthy fiance, who was killed in an accident several years before, was actually murdered. Before long the reporter finds herself in a web of corruption, mental illness and murder.
Editor
In this sequel to the original story, Monte Cristo count Edmund Dantes (Martin Kosleck) returns to Paris to get revenge but soon finds himself pursued by a cruel policeman (John Loder). The count's brave wife Haydée (Lenore Aubert) throws the cop off her husband's scent by dressing up as the masked avenger herself and proving that she too is most competent with a sword.
Writer
This film was mainly shot in the Japanese skiing resort Hokkaido in 1937-38 and was intended to create support for the coming winter olympics of 1940 in Japan which however were cancelled because of the Japanese-Chinese war. A Japanese production, it was nevertheless made with German involvement in the form of skiing champion Sepp Rist and celebrated cinematographer Richard Angst (who also contributed to the script). Both had regularly worked with the inventor of the mountain film genre, Dr. Arnold Fanck, who had helmed the German-Japanese co-production "Die Tochter des Samurai", also shot by Angst, the year before. Angst apparently stayed in Japan until mid-1939 when he returned to Germany, carrying this film with him. Angst submitted it to the German censors later that year, but for reasons unknown to me it took three more years before the film was finally shown in Germany under the name "Das heilige Ziel" (The Holy Aim). (Karargara)
Assistant Director
European tourists on holiday in Morocco are threatened by a native sorcerer who predicts five of them will die, one by one, before the full moon.
Assistant Director
Story of a rendezvous in Paris which is prepared through telephone calls between a Berlin telephonist and his female colleague in Paris.
Sound Editor
In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed out of the army and sent to prison on Devil's Island.
Sound Editor
An engaged woman discovers her fiancé has a four year old son. Pretending to take a cure she travels to the boy's foster-parents to make his acquaintance.
Editor
An engaged woman discovers her fiancé has a four year old son. Pretending to take a cure she travels to the boy's foster-parents to make his acquaintance.
Editor
A finales de la I Guerra Mundial, en las trincheras alemanas atacadas por el ejército francés, cuatro soldados germanos luchan mientras en la retaguardia aumentan las dificultades por el hambre y la falta de perspectivas. (FILMAFFINITY)