Jidaigeki de corte biográfico sobre Hokusai (1760-1849), pintor famoso por sus ukiyo-e (grabados a color japoneses que estuvieron de moda entre los siglos XVII y XIX). La película muestra la rivalidad de Hokusai con Utamaro, otro de los grandes artistas de la época, el esfuerzo de Hokusai para realizar las "36 visiones del monte Fuji", una de sus obras más conocidas, y su obsesión por pasar a la posteridad no por su obra paisajística, sino por ser capaz de plasmar en el papel la pasión femenina, para lo cual, y de la mano de su modelo favorita Onao, emprende la ejecución de su obra maestra: "El sueño de la mujer del pescador".
Kawada
An evil brain from outer space unleashes monsters with deadly diseases on Earth with trying to conquer the universe. Superhero Starman must battle them all to save his planet.
Three women are kidnapped by a sadistic lunatic and forced to "entertain" his co-workers and friends.
Osamu Suzumura
Japanese "kayo" film based on the song by Tsuzuko Sugawara.
A work with the motif of a legend that remains in the mountain villages of Shinshu and Hida. A white snake helped by a young man transfers to a girl's body, longing for him and burning in an endless passion.
Japanese action film.
Eisuke Toda
Kayoko (gay boy)
Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.
Rika, a manageress of a night club is about to be arrested on suspicion of smuggling. However, she escapes through the assistance rendered her by First Lieutenant Yokoyama of the Japanese Naval Commander's Office. After the end of war, Yokoyama plans to escape from riot-ridden Amoy and finally succeeds with the help of Rika to whom he gives a destroyer. Rika is actually the leader of a gang of pirates, and plans to rule the East China Sea by crushing Banryu, her rival.
The 7th Super Giant film. Super Giant battles a marauding alien brain-like creature created by a mad scientist and an alien army. (stand-alone episode)
Director Teruo Ishi's crime action follows the investigative adventures of an undercover cop working with a prostitution ring. It's done in an unique documentary style.
The 6th Super Giant film. Although he was believed to be destroyed by the Nazi-like army, Super Giant breaks into the satellite, and a long, riotous battle ensues. (Part 2 of 2)
The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)
Genpachi Niwa
Harada Kai, the Date clan's Chamberlain attempts to take power from the lord himself.
The 4th Super Giant film, in which he continues his fight against the Kapia Aliens (Part 2 of 2)
The 3rd Super Giant film, in which he saves Earth from the threat of the reptile-like Kapia Aliens.
Assistente del dottore
The 1st film in the Super Giant movie series, in which the title hero saves the world from foreign terrorsts threatening Japan with a nuclear attack (Part 1 of 2)
Admiral Isoroku Yamamoto leads the Combined Fleet of the Imperial Japanese Navy to defeat the American Fleet.
