Mayana Neiva

When executive Ricardo is found shot dead in the seat of his car without suspicion, Inspector Espinosa and police officer Daia are in charge of the case and soon begin to investigate the people closest to the victim. But when everyone involved in the case mysteriously disappears, the situation takes on unexpected proportions.

Basado en su novela “El Muertito”, ambientado en la selva de la triple frontera entre Paraguay, Argentina y Brasil. Bajo esta atmósfera de exuberante naturaleza se vive un escenario de crímenes y tráfico de niños. Allí los índices de embarazo adolescente llegan al 25 % y el estado central no llega a esos confines, de hecho, la triple frontera funciona como otro Estado, con otras reglas y otra moral. Estos personajes nadan en el fango como puercos, y no podrán salir sin luchar contra todas las incomodidades y trampas que el ambiente, los hombres y las mujeres le ponen. Paradójicamente solo el muertito, podrá darles vida.

Following the projects of modernization of Brazil in the 70s, a busy road in the nearly-desert area of Brazil is detoured to a brand new highway, and a known roadside brothel called “Beiço de Estrada” (“Lower Lip of the Road”) faces its decadence. The owner of the brothel, Madame Lili (Darlene Glória) is abandoned by her 3 daughters who worked in the house, but they left 2 kids for her to take care of: Brás (Rique Messias) and Conceição (Luana Valentin). Brás spends his day digging holes in the road to break the few trucks that cross the road, so they can stop at their house. Conceição is kept hidden when a customer comes because her grandmother has big plans for her: to marry her with a good man, so the curse of prostitution can end in the family. Meanwhile, Meota (Jackson Antunes), an old truck driver, returns frequently to “Beiço de Estrada” to win the heart of little Conceição, while dodging her grandmother.

After his wife's death, Fernando becomes a quiet and introspective man who raises his son, Daniel by himself. Every night, while the boy is sleeping, Fernando "revives" his wife by touching her clothes and organizing her personal belongings. Paulo does not get along well with his mother-in-law, who judges him unprepared to raise the boy without help. Lonely, Paulo has to resist the advances of his recently divorced sister-in-law.

Vicente, que mantiene la firme convicción de que el pasado es todo aquello que recuerdas, imaginas que recuerdas y finges recordar, trabaja creando nuevos pasados por encargo por medio de documentos, fotos y vídeos. Su vida da un giro cuando una hermosa y misteriosa mujer aparece en su despacho para pedirle un nuevo pasado para ella sin facilitarle ningún dato de su vida personal y dándole como condición única que en ese pasado haya cometido un crimen. Un difícil desafío para Vicente, que nunca ha amado a nadie y que decide inventar a Clara, una mujer de la que podría enamorarse.

Even with the imminence of the end of the world, Jamila left home with one goal: to fix her fan.

The singer Dalva de Oliveira and the composer Herivelto Martins lived intensely on the stage and in life. The 13 years of marriage and the disagreements, which gained emphasis with the separation, contributed to an important artistic and cultural production.

After thirteen years of engagement, the boring sex life of Rui and Vani is limited to one intercourse every other week. They decide to seek excitement with a threesome and they decide to invite Vani's cousin Silvinha to participate late night, but an accident interrupts their game. Rui and Vani unsuccessfully spend the night searching for for companion of a bisexual woman.

After some time distant, Marcela goes to her parents’ house to tell them she’s gonna marry her girlfriend, Bianca.