Chittor V. Nagaiah

Chittor V. Nagaiah

Nacimiento : 1904-03-28, Chittoor district, Andhra Pradesh

Muerte : 1973-12-30

Historia

Chittor V. Nagaiah (born Vuppaladadiyam Nagayya, Telugu: వుప్పలదడియం నాగయ్య) was a multilingual Indian filmactor, composer, director, producer, writer and playback singer from Andhra Pradesh, India. Indian film journalist and the editor of Film India, Baburao Patel, described Nagiah as ‘The Paul Muni of India’. [1] Nagaiah has acted in about 200 Telugu films, and 160 films in Tamil, Kannada, Malayalam and Hindi. He was one of the first south Indian actors, to be honoured with the Padma Shri by the Government of India in 1965.

Perfil

Chittor V. Nagaiah

Películas

Vaazhkai Alaigal
Ennai Pol Oruvan
Pattikattu Ponnaiya
Story about two brother who beat all odds and live happily ever after
Ganga Gauri
Needhi
Papam Pasivadu
Venugopal and Janaki realise that their son has tuberculosis and send him by plane to Europe for better treatment. However, the plane crashes, and the boy faces trouble reuniting with his parents.
MonagadOstunnadu Jagratha
MonagadOstunnadu Jagratha is a 1972 Telugu Eastman color action film, directed by K.V.S. Kutumba Rao and produced by Y.V. Rao. The film had musical score by Satyam. The action scenes were shot in the villages of Rajasthan.
Naa Thammudu
Movie starring Shoban Babu, Kongara Jaggaiah and directed by K S Prakash Rao.
Iru Thuruvam
Engirundho Vandhaal
At the request of a wealthy man, a courtesan agrees to help heal his mentally disturbed son by pretending to be his wife. Her efforts only earn her abuse and wrath at the hands of most family members.
Sorgam
Judge
Sankar is an ambitious man who wants to make it big through fair means. However, the friend he works under, Sampath, begins to use corrupt measures to make them rich.
Deiva Magan
Baba
A lawyer leads a happy life until his wife delivers twins and one of them has a scarred face just like him. Dejected, he deserts the child and lies to his wife that their baby was stillborn.
Mooga Nomu
Remake of Tamil film Kalathur Kannamma (1960) Director: Yoganand Writer: Narasa Raju D.V. (dialogue) Stars: Akkineni Nageshwara Rao, Jamuna, S.V. Ranga Rao
Aadarsa Kutumbam
Raghavendra Rao
Prasad is an ambitous and young medical student who lives with his extended family. His oldest brother, Pathabi, is a hard working farmer who provides for the entire family. Prasad's other brothers, Prakasam and Pratap, waste a lot of time and money on frivolous things in life which only makes it harder on Pathabi. He decides to teach his lethargic brothers, what their eldest brother, does to make a hard earned pay.
Annaiyum Pithavum
AVM Rajan the protagonist lives in a joint family is an easy going guy. Unfortunately AVM Rajan's father loses his eyesight in an accident and family struggles financially to run daily life. AVM Rajan joins for job and meets Vanishree.
Thillana Mohanambal
Sundaram's Nadaswaram teacher
A classical bharathanatyam dancer and a nathaswaram player fall in love against the wishes of her family.This movie is about how they try to work things out and that hardships that they have to endure. Dance and music are used as an integral part of the story rather than a pastime.
Ramu
A man faces many trials and tribulations while taking care of his son who has a hearing impairment. He goes through many hardships to emerge victorious for his son.
Punyavathi
Judge Lakshmana Rao
Professor Krishna Rao loves his wife and son, but is separated from them. He marries another woman and has children with her. Will the two families ever unite?
Iru Malargal
Private Master
Sridhar, who is appointed as a home tutor to teach a girl belonging to a rich family, falls in love with his student.
Thiruvarutchelvar
When a dancer makes a king realise the insignificance of the worldly pleasures, he decides to devote his life to the Almighty and starts reciting tales and songs of His greatness.
Bhama Vijayam
Saint
Bhama Vijayam is a 1967 Indian Telugu-language swashbuckler film, produced by Somasekhar and Radha Krishna, and directed by C.Pulliah. It stars N. T. Rama Rao and Devika, with music composed by T. V. Raju. The film is based on Gollabhama (1947) which itself is based on the stories of Kaasi Majililu written in Telugu by Madhira Subbanna Deekshitulu.
Aastiparulu
Diwanji
Zamindar Janardhan Rao, a paterfamilias, holds high esteem in society. One of his sons, Bachi, is a vagabond and malicious, his misdeeds increasing day by day. After Janardhan Rao cuts his allowance, Bachi tries to make a theft, and his father collapses with a heart attack after obstructs his way. Before dying, he reveals the existance of a hidden treasure of their family hierarchy.
Selvam
Saraswathi Sabatham
Vidyapati's father
Sage Narada instigates Goddesses Saraswati, Lakshmi and Parvathi against each other. The trio set out to answer what is paramount in a man's life, knowledge, wealth or strength.
Ramu
Raja returns from war only to learn that tragedy struck his family while he was away. He decides to help his son by leaving his village and seeking treatment for him.
Navaratri
Radha's father brings a marriage proposal for her, which she refuses and runs away from home. Later, she comes across nine people, each representing a specific human behaviour.
Motor Sundaram Pillai
A man runs a successful business and visits his large family only on weekends. When the marriages of his 2 children and his nephew are about to be fixed, a secret about his life threatens to ruin all.
Shanthi
Pandava Vanavasam
After the Pandavas are forcefully exiled by their enemies, they must get together and fight back in order to reclaim their land.
Andavan Kattalai
Doctor
Aandavan Kattalai (English: Deity's order) is a 1964 Tamil film directed by K. Shankar and produced by P. S. Veerappan under PSV Pictures. Music by Viswanathan-Ramamoorthy assets to the movie. The film staaring Sivaji Ganesan and Devika played lead role with J. P. Chandra Babu, K. Balaji, S. A. Ashokan, A. V. M. Rajan and Pushpalatha.
Kai Kodutha Deivam
Raghu befriends Ravi, a homeless man, and provides him with shelter and a job. However, when Ravi sees the photograph of the girl Raghu decides to marry, he asks him to stay away from her.
Pachai Vilakku
Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.
Karpagam
Subramanian
A rich farmer makes his married children and their spouses live in his house to take care of his business. Problems arise when one of them starts to squander his hard-earned money.
Bandipotu
Dharma Nayaka
Sathyasena (Gummadi), the king of Gandhara, suffering from paralytic legs leaves the rule to his vicious brother-in-law Soorasimha (Rajanala), the army commander. Dharma Nayaka (Chittoor V. Nagaiah) is one of the victims of Surasimha’s tyranny. Dharma’s brother Veera Nayaka (Mikkilineni) as a masked man rebels against Surasimha by leading a group of men. He robs the royal wealth and distributes it to the poor. While he is looting the wealth of princess Mandaramala (Krishnakumari), Dharma’s son Narasimha (N. T. Rama Rao) fights with the masked brigand and is surprised to find it is his uncle. He learns from Veera how Soorasimha has ruined their lives. Meanwhile, Surasimha plots to ascend the throne by marrying Mandaramala. In an act of deceit, he eliminates Dharma Nayaka and Veera Nayaka. Narasimha takes the place of Veera Nayaka as the masked rebel, annihilates Soorasimha and ascends the throne after marrying Mandaramala.
Aalayamani
Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.
Saradha
Saradha, a wealthy woman, marries an ordinary professor against the wishes of her father. Her dream of leading a happily married life is shattered when her husband meets with an accident.
Bhagya Lakshmi
Temple priest
Kamala, a shy child bride, who was widowed soon after marriage, is inseparable from Radha, a vivacious college-going young woman. When Radha meets dashing fellow student, Sundar, the trio's lives change drastically
Paalum Pazhamum
Paalum Pazhamum is a 1961 Tamil-language film directed by A. Bhimsingh and featuring Sivaji Ganesan, B. Saroja Devi, Sowcar Janaki and others. Sivaji is a doctor searching for a cancer cure. Saroja Devi is Sivaji's nurse assistant. Sivaji offers to marry her after her father's death. Saroja Devi assists him in his research. After putting in enormous efforts, Sivaji emerges successful in formulating a new drug but Saroja Devi is diagnosed with tuberculosis. Sivaji neglects his duties as a doctor and starts focusing more on Saroja Devi's health. Saroja Devi flees on a train as she does not wish to divert him from his research.
Paava Mannippu
Muslim doctor
The deeds of a dishonest man lead three children from a family to be raised by different foster parents. The children grow up in Muslim, Christian and Hindu households respectively.
Kappalottiya Thamizhan
Ulaganathan Pillai
Chidambaram Pillai, a revolutionary leader, starts the first shipping company in India. With the help of this company, he fights against the monopoly of the British over maritime trade out of India.
Maa Babu
Dr Anand, a respectable doctor, gives away his son to Ratna Devi, a widow. Soon, he marries a nurse and troubles between them ensue.
Sahodari
Pazhani, father of Chandiran and Meena
Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.
Banda Ramudu
A thief saves a beautiful princess from the clutches of an evil minister who has his eyes on her. After he saves her, they both fall in love but face many obstacles on their way.
Nalla Theerpu
Crafty Thief
Saint
The story about a Crafty Thief, wicked Minister Neelakalakantam out to rob the state's finances and is also after many women one of them Gowri, who is in love with thief character, takes him to a Saint to give up his thieving ways. The Plans works. However, in order to expose the Minister, he is forced to break his promise. While trying to open the palace's jewel safe contains four rare diamonds, he meets an Old - One eye beggar who is actually the king in disguise. The Villain finally get exposed, with the lovers uniting with the blessing of the King
Illarame Nallaram
Thirumanam
Sampoorna Ramayanam
Dasarathan
The story of the complete Ramayana, from the birth of Lord Rama to his Pattabhisheka after completing his exile.
Ambikapathy
Yaar Paiyyan
Poori's Grandfather
Poori (Daisy Irani) does not know who his parents are, and has been looking high and low to get back to them. Seated in a park bench beside Sundararajan (Gemini Ganesan), Poori asks his name and as soon as he replies, he proclaims that Sundararajan is his father. This creates complications in Sundararajan’s life and ruins his plans of marrying his lover Latha (Savithri). The president of a hospital for the mentally ill with a not-so-mentally-strong daughter creates more problems for the hero. After many interesting twists and turns, the truth emerges — Poori is the illegitimate child of a soldier (Mustafa) and the abandoned mother commits suicide, leaving the child behind. Sundararajan ro and Latha are so attracted to Poori that they decide to adopt him.
Vanangaamudi
Amara Deepam
Amara Deepam is a Tamil film is directed by T. Prakash Rao released in 1956. A educated unemployed person Ashok (Sivaji Ganesan) falls in love with athe daughter Aruna (Savitri) of an wealthy Industrialist.Aruna is taken hostage by her husband to be Sukumar (M.N. Nambiar), and while Ashok trails them to save Aruna, Ashok loses his memory in an accident. Ashok Meets Roopa (Padmini) and they begin to like each other. Sometime later Aruna comes back and as Ashok fails to recognize Aruna things look complicated.The rest of the film deals with how Ashok struggles with his memory and how both Aruna and Roopa try to win him over. The Udhavi Thayaripalar(Co-Producer)-- L.S.Mani
Tenali Raman
Mahamantri Thimmarusu
Asai
Pennin Perumai
Kanavane Kan Kanda Deivam
Edhir Paradhathu
Dhayabhathar
Ethirpaaraathathu narrates the story of star-crossed lovers Sundar (Sivaji Ganesan) and Sumathi (Padmini) in whose house Sundar, a college student, lodges. Both dream of a happy, married life, but that is not to be. Sundar is involved in an air crash and is believed to be dead. However, he survives the crash and loses his eyesight. Unwilling to face his father (Nagaiah), he tries to lead a life on his own. Destiny takes over their lives and the widowed father marries Sumathi and on the wedding night, the husband realises that his son and bride are sweethearts. Broken-hearted, he leaves home and wanders around visiting temples and holy places.
Penn
The action revolves around two friends played by Vyjayanthimala and Anjali Devi. In Tamil.
Panakkaari
Thaai Ullam
Sarvadhikari
Ezhai Padum Paadu
El duro y despiadado inspector de policía Javert (Javar Seetharaman) vuelve a capturar a un pequeño criminal Kandhan (Chittor V. Nagaiah) que ha escapado de la cárcel. Kandhan pasa página con la ayuda de un obispo cristiano (Serukulathur Sama). Cuando sale de la cárcel, funda una empresa de fabricación de vidrio. Cambia su identidad y se vuelve exitoso. Se convierte en el alcalde de su ciudad. El inspector Javert se entera de su nueva vida y amenaza con desenmascararlo.
Marudhanaattu Ilavarasi
Yogi Vemana
Vemana/ Vema Reddy
It chronicles the legend of the progressive Telugu poet-saint Vemana from his being a rebellious and hedonistic youth from a landed elite to a renunciate.
Thyagaiah
Music
Thyagaraja, a saint and a poet, overcomes many hurdles in his life, including grinding poverty to emerge as the greatest Carnatic music composers of all time.
Thyagaiah
Director
Thyagaraja, a saint and a poet, overcomes many hurdles in his life, including grinding poverty to emerge as the greatest Carnatic music composers of all time.
Thyagaiah
Thyagaraja, a saint and a poet, overcomes many hurdles in his life, including grinding poverty to emerge as the greatest Carnatic music composers of all time.
Meera
Rana, King of Mewar
Meera, a zealous devotee of Lord Krishna, considers him to be her husband. She gets married to Rana Bhojraj, but follows her own way of living which is not acceptable to her husband and the society.
Swargaseema
Murthy and Kalyani are happily married till Murthy watches a street play in his village and notices the beautiful Subbalaxmi in that troupe. He advises Subbalaxmi's father to take her to Madras, where she could possibly become a big theatre artiste. After traveling to Madras, Subbalaxmi is offered the lead role and changes her name to Sujatha. Murthy falls for Sujatha's charms and neglects his family.
Bhakta Potana
Potana
It is a biographical film based on the life of Potana, who translated Bhagavatam into the Telugu language.
Ashok Kumar
King Ashoka
Based on age-old Buddhist folklore connected with Mauryan Emperor Ashoka's son Kunal.
Devatha
Foreign-educated Venu falls for Lakshmi, his servant's daughter. However, he leaves for the city and forgets all about her only to discover that she is pregnant with his child.
Vande Mataram
An elaborate melodrama presenting the problems of uneven development through the separation of an innocent feudal rural wife from her well-educated, but unemployed urban husband.