Writer
A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out "Woman, you are worthless!" Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno's acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa's show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.
Director
A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out "Woman, you are worthless!" Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno's acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa's show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.
Screenplay
Director
Writer
Yuko Yajima works at a library. To her co-workers she appears as an extremely shy and introverted person who hardly lets anyone know her true feelings and never smiles. However her interest in a man living in room 202, Mamoru Kosino, leads Yuko into some risque behavior. The interest turns into obsession, as Yuko's jealousy turns into a thrilling game where she sneaks into apartments and scares tenants away, hoping to have Mamoru all to herself.
Director
Yuko Yajima works at a library. To her co-workers she appears as an extremely shy and introverted person who hardly lets anyone know her true feelings and never smiles. However her interest in a man living in room 202, Mamoru Kosino, leads Yuko into some risque behavior. The interest turns into obsession, as Yuko's jealousy turns into a thrilling game where she sneaks into apartments and scares tenants away, hoping to have Mamoru all to herself.
