Yoko Ran

Películas

The Hunchback of Aomori
This is Shuji Terayama memorial performance of The Hunchback of Aomori from 1983 (featuring Akihiro Miwa). Terayama gathered dwarfs, circus freaks, itinerant magicians, acrobats and untrained youth for his burgeoning troupe, Tenjo Sajiki. The troupe's premiere offering, written and directed by Terayama, was Aomori-ken no Semushi Otoko (The Hunchback of Aomori, 1967).
The Lemmings
This is Shuji Terayama memorial performance from 1983.
Directions to Servants
Stage performance by the Tenjo Sajiki troupe.
Shintokumaru
Shuji Terayama and J.A.Seazer's phantasmagoric folk-psych-symph-prog-rock opera. Historical Tenjo Sajiki performance from 1978.
Boxer
Ina
In the midst of a match, a successful boxer - Hayato, has had enough of the sport. He lets himself get knocked, quits boxing, leaving his wife and start living alone with his mangy dog. One day a young mediocre boxer knocks at the door and wants to be Hayatos apprentice.
The Eraser
Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.
Les chants de Maldoror
A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.
The Trial
An experimental short featuring people and nails.
Smallpox Tale
The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.
Pastoral: To Die in the Country
Un chico decide escapar de su casa con la mujer de su vecino porque está enamorado de ella.
Butterfly
A dreamlike portrayal of a hangover after a decadent party.