Isidor Torkar

The year is 1925. Mölle is the fashionable tourist destination for people of a certain class. Ladies with shingled hair, men in straw hats and white suits. At the popular guest house Summer Lust the uptight but lovesick Beda rules with an iron fist. To help her she has a lot of very good personell... and Siri. Siri works as a bartender, is obsessed with movies and not very interested in helping the guests.

It's the 1960s and the local bandstand is in dire straits economically. Nancy the consultant shows up and attempts to get the business running smoothly again.

Raša, joven deslenguada y corpulenta, destila energía por los cuatro costados. Capaz de empaquetar más lechugas que nadie en tiempo récord en la fábrica en la que trabaja, aporta a su hogar (compuesto por ella y un padre con la espalda lesionada) su sueldo y su desvergonzada alegría. Cuando su padre parte a Noruega y los recortes la dejan en el paro, Raša no se queda mano sobre mano. Lo suyo es la acción y el movimiento constante. Aunque sueca, su nombre extranjero (de Montenegro, de donde vino al nacer) aleja a los empresarios en su políticamente correcto país. Pero Raša no se amilana. Con resistencia y empuje aplasta los obstáculos antes de que los obstáculos la aplasten a ella.

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

In 1930s Sweden the residents of a small town are upset with the morals of modern times and travel to Copenhagen to see for themselves what is going on with this new jazz music.

Frank leads a respectable yuppie life working at a noted Stockholm law firm. He has also been married for eight years to his beautiful wife Nenne, who runs an upscale boutique. Yet Frank is deeply bored with his life and is supremely randy. He even fantasizes about the marriage counselor that he and Nenne visit weekly. Eventually, Frank shacks up with a young fetching art student named Sofia, though the experience wracks Frank with guilt. Meanwhile, Nenne's friend and co-worker Rosie suspects that Frank is having an affair, though she does not have the nerve to tell her. Little does Rosie suspect, however, that her friend is sleeping with her lover Georg, an uptight journalist with an ego the size of Finland. Soon wires get crossed, and all hell breaks loose.

Based on director Lotte Svendsen's own memories of her childhood on the Baltic island of Bornholm, but though it is set in 1981 the conflicts portrayed do not seem far away. At the start of the film Lars Erik and his wife Sonja are doing well on the Baltic island of Bornholm. Lars Erik is a successful fisherman, Sonja is a traditional housewife, proud of their new house bulging with consumer goods. Their love for each other is the sturdy footing on which their home is founded. Lars Erik employs three men on his trawler, and spends as fast as he earns, so when fishing quotas are cut he faces a crisis. One by one his men leave the boat, but he refuses to give up. Being a fisherman is like being a farmer - you depend on the wealth of mother nature herself. However, mother nature is like romance, highly capricious!