Cosme dos Santos

A successful writer in a creative crisis lives with her characters and others who do not know what dimension they live in.

Documental que narra la última etapa de la vida del premiado cineasta sueco Arne Sucksdorff en su estancia en Brasil hasta el momento de su despedida final, con las imágenes donde sus cenizas son lanzadas desde un globo por su viuda.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

Following the clues of a map, a boy and some adventurers go into the forest in search of treasure from the pioneers, and end up going back two centuries in time, in search of the legendary Minas dos Martírios.

In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.

In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.

Sérgio Mallandro is chosen by an alien to be the one to receive special powers to do good. But before that he must prove his worth and kind heart by rescuing a girl's pet. Along the way, he is frequently hampered by an envious villain.

Galanga, king of Congo brought to Brazil as a slave, finds gold in Vila Rica, in the State of Minas Gerais, and buys his enfranchisement, the properties of his former owner, and his companions' freedom, becoming Chico Rei, the first black man to own lands in Brazil.

Young robber, son of a prostitute who had killed herself, gets involved with two police informers, who force him to share the loot he gets.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

The Robin Hood from the movie The Trapalhões and his pack ruin the plans of a farmer named João Climério. He wanted to take the lands of his deceased brother and leave his niece Catherine with nothing. During a showdown, Robin Hood is injured and needs to be replaced at the helm of the group. And then the funny confusions begin! As a substitute is chosen Zé Grilo, a modest and at the same time confused pawn, who in the end manages to unmask Climero and save the beautiful Catherine for which he has a passion. In this mission it is aided by the companion Willie and also by a magic wand and a protective pen, provided by an Indian sorcerer.

Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.