Michio Koshikawa

Historia

Michio Koshikawa (越川 道夫, Koshikawa Michio, born 1965) is a Japanese film producer and director.

Películas

Senaka
Screenplay
Senaka
Director
Ararat
Writer
The third installment in the "Landscape of lovers who are not anyone" series directed by Michio Koshikawa, which depicts men and women passing each other and attracting each other. Sugi-chan, Saki's husband and painter, collapsed a few years ago and her left half of her body was stuck, and she is no longer painting at all. One day, Sugi-chan said she wanted to draw Saki's nude. While supporting her working life at her late-night family restaurant, Sugi-chan was delighted that she wanted Sugi-chan to draw again, but she couldn't live without relying on Sugi-chan. I was feeling annoyed. The bodies and minds of two people passing each other. On the day when a big crack was born between the two, Saki is connected with his family colleague Yukio. Aika Yukihira and Sugi-chan, who play the role of Saki in "Be My Slave, Chapter 2 Please Call Me Your Master," act as an actor on the stage while having paralysis on her left side. Tadatoshi Ogita plays each.
Ararat
Director
The third installment in the "Landscape of lovers who are not anyone" series directed by Michio Koshikawa, which depicts men and women passing each other and attracting each other. Sugi-chan, Saki's husband and painter, collapsed a few years ago and her left half of her body was stuck, and she is no longer painting at all. One day, Sugi-chan said she wanted to draw Saki's nude. While supporting her working life at her late-night family restaurant, Sugi-chan was delighted that she wanted Sugi-chan to draw again, but she couldn't live without relying on Sugi-chan. I was feeling annoyed. The bodies and minds of two people passing each other. On the day when a big crack was born between the two, Saki is connected with his family colleague Yukio. Aika Yukihira and Sugi-chan, who play the role of Saki in "Be My Slave, Chapter 2 Please Call Me Your Master," act as an actor on the stage while having paralysis on her left side. Tadatoshi Ogita plays each.
About Miss Azami
Writer
About Miss Azami
Director
After the Sunset
Director
Little Towa lives with his parents Satsuki and Yuichi in a coastal town on Nagashima. Yuichi is a fisherman, Satsuki runs a restaurant. What Towa doesn’t know is that he is adopted. As a baby, he was abandoned in an internet café, completely emaciated. While his new parents are secretly fighting for custody of him and want to protect him from his past, the family’s happiness begins to falter. Satsuki and Yuichi aren’t the only ones who are worried about Towa’s future.
A History of Love
Writer
A History of Love
Director
Waiting for the Moon
Director
Yumi is a victim when the triple disaster of an earthquake, tsunami and nuclear meltdown occur in Japan of 2011. She is a guest of her aunt now. She finds a job at a local bar and works under the owner Sugiya, a man who has amnesia and barely recalls anything except his recipes. The two begin to develop feelings for one another.
Tsukiko
Director
Taichi's father is the only family he has, but his father commits suicide by hanging. People suspect Taichi might have killed his father. Because of this, Taichi loses his job and he also loses his place. On the day his father is cremated, Taichi meets Tsukiko who is mentally handicapped. Tsukiko has run away from a facility.
Life and Death on the Shore
Director
Set in 1945 at the end of World War II. Saku arrives on Kakeromajima as the head of navy special forces. He is admired by the children on the island and he is interested in learning the island song as well as drinking with his men. Toe is an elementary school teacher on Kakeromajima and she has feelings for Saku.
Life and Death on the Shore
Writer
Set in 1945 at the end of World War II. Saku arrives on Kakeromajima as the head of navy special forces. He is admired by the children on the island and he is interested in learning the island song as well as drinking with his men. Toe is an elementary school teacher on Kakeromajima and she has feelings for Saku.
Areno
Screenplay
'We have to kill him', the wife and her lover thought. When three childhood friends reunite, it doesn't take long before two of them feel the woman's husband is in their way. They push him into a lake, but the boat capsizes and all three are thrown into the water. The lovers reach the shore, but the husband is nowhere. Has he drowned? They decide to wait at a lakeside hotel for his body to be found.
Areno
Director
'We have to kill him', the wife and her lover thought. When three childhood friends reunite, it doesn't take long before two of them feel the woman's husband is in their way. They push him into a lake, but the boat capsizes and all three are thrown into the water. The lovers reach the shore, but the husband is nowhere. Has he drowned? They decide to wait at a lakeside hotel for his body to be found.
Asleep
Development Producer
Terako (Sakura Ando) está en medio de una aventura amorosa con un hombre casado llamado Iwanaga (Arata Iura), mientras su esposa está en coma. El mejor amigo de Terako, Shiori, se gana la vida como "soineya" –alguien que vende el acto de dormir en la misma cama con la gente–. Cuando Shiori se suicida, Terako queda devastada y comienza a pasar más y más tiempo durmiendo a medida que se siente abrumada por la soledad.
Asleep
Producer
Terako (Sakura Ando) está en medio de una aventura amorosa con un hombre casado llamado Iwanaga (Arata Iura), mientras su esposa está en coma. El mejor amigo de Terako, Shiori, se gana la vida como "soineya" –alguien que vende el acto de dormir en la misma cama con la gente–. Cuando Shiori se suicida, Terako queda devastada y comienza a pasar más y más tiempo durmiendo a medida que se siente abrumada por la soledad.
The End of Summer
Producer
The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto and the new stud who comes into her life, Ryota Kinoshita. Tomoko is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.
Sketches of Kaitan City
Producer
The bittersweet events in the lives of people in Hakodate, a regional city connected by a streetcar network. A laid-off man and his younger sister go up a mountain to see the first sunrise of the year. Meanwhile, Haruo has inherited his family's gas business, but things aren't going well in his new endeavor and he becomes increasingly frustrated.
Torso
Producer
A seemingly "normal" office worker Hiroko has a secret. At home she lives with a prosthetic torso - no head, arms or feet, just body and penis. Hiroko bathes with the torso and she also makes love with the torso at night. Hiroko's secret life is interrupted when her outgoing sister Mina rings her doorbell. Mina is running away from her abusive boyfriend and wants to stay at Hiroko's home
I’m a Cat Stalker
Producer
Haru works at a part-time job for a bookstore. Her dream is to become an illustrator and she also loves cats. One day, after a cat named Chibutomu disappears from the bookstore Haru canvasses the neighbourhood in search of Chibutomu.
Sixteen
Producer
A story of a 16-year old girl who comes to Tokyo aspiring to be an actress.
Prisoner/Terrorist
Producer
During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.
A Blue Automobile
Producer
Un DJ a tiempo parcial y empleado de una tienda de discos llamado Richio (Arata). Con su cabello amarillo puntiagudo, gafas de sol envolventes y una máscara pálida de rostro, Richio parecería ser una luna helada que circunda el planeta distante de su propia mirada. Pero como nos muestra Okuhara desde la primera escena, Richio ha sido traumatizado por un horror de la infancia, y todavía tiene las cicatrices físicas en un ojo, las cicatrices emocionales en sueños y visiones de las que no puede escapar ni explicar. Las gafas de sol y la máscara están ahí por una razón, el dolor.
さいはて
Screenplay
さいはて
Director