Early 90's. The political and economic landscape of Poland, Russia and Germany is changing. Both good and bad sides of freedom are revealed. The mafia is becoming more and more bold, operating without obstacles across borders. One of the more lucrative "businesses" is the trade in luxury cars, stolen in Germany and transferred to Russia by Russia.
A Polish writer is arrested by the Nazis in 1942 and sent to the notorious Pawiak prison in Warsaw. He will spend the next 111 days fighting for survival.
A young architect is locked up in prison. He recalls his uncompromising youth and gradual sliding into the moral swamp of compromises. He was not alone. A group of his friends, dreamers and glass house builders, accompanied him.
Tadeusz Krzakoski (Krzysztof Kowalewski), the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.
Growing-up village boy Marcin Debik feels bored of existence in his native place and not interested in realizing his father's ideas for living there for ever and making business there. He dreams of living in a big town, making career there and, above all, having foreign automobile, preferably big one and of American make. His determination strengthens after he had accidentally attended some rich society's party for a while. Having finally decided to take his fate in his own hands, he takes leave of his family, his girl and departs for Lublin, the town where his uncle Lukasz runs own photographic studio.
