Zbigniew Koczanowicz

Polish adaptation of the J. Sheridan LeFanu vampire novella.

Detective thriller about a killer loose in the crowds. The film follows a sniper on his rounds looking for victims, while a police inspector, with few clues in hand, has to figure out the motive for the killings as well as who the psychopath is and where he might strike next. He uncovers that the mentally deranged sniper can't stand seeing people happy together in public places.

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect. Film based on real events - investigation and court trials of the most famous pre-war Polish murder case. Despite being historically accurate the movie is both involving and entertaining since the case was simple on the surface, but very complicated in details.

Young former partisan recalls his war experience during a trip to the sea.

Relata la vida de una familia de la burguesía rural polaca desde 1863 a 1914.

University student Anna and her boyfriend Tomek use a precious photograph to trace and unveil the complex wartime and post-war past of their parents.

A retired police captain, Siwy, tells a reporter about his latest action, carrying on his own investigation into the mysterious death of a Eve Salm, a.k.a. Princess. She was a witness in a case where the defendant pled guilty and was sentenced to eight years in prison. Siwy doubts the defendant's guilt and risks his life to apprehend the real killer.

In 1969’s WENUS Z ILLE (VENUS D’ILLE) Majewski returned to the work of Prosper Merimee, specifically his 1835 story “Venus d’Ille,” about an accursed statue (a story that was subsequently filmed by Mario and Lamberto Bava in 1979). Said statue, fashioned in the guise of an anguished woman, is seen in a remote inn, having been recently interred from the ground. The occasion is a wedding attended by the protagonist, an unassuming man who becomes caught up in a bizarre nightmare when the groom unthinkingly sticks his wedding ring on a finger of the statue--and can’t get it off!

On the night of August 31, 1939, Dolas, from a platoon reinforcing a train station on the German border, falls asleep in a train car and unknowingly crosses into Germany. The moment he shoots a German, who he thinks is a saboteur, the German invasion of Poland begins, and Dolas is convinced it was his fault. He is taken to Stalag POW camp, the first destination in his odyssey around Europe.

A friendship grows between two prisoners when they haul a cart with provisions during the evacuation of a concentration camp. However, their friendship ends tragically.

To secure their team's success, dedicated football fans (Boleslaw Plotnicki, Mieczyslaw Czechowicz) plot to kidnap their opponents' star player (Andrzej Kopiczynski).

Tres episodios separados, todos basados ​​en artículos de revistas, centrados en retratar la realidad de vivir en la Polonia de los sesenta.

After a violent quarrel, Nitka leaves her husband Andrzej. He meets a young girl with whom he is getting closer and closer.

The miners of one of the mines in Zagłębie Dąbrowskie receive news about the planned layoffs. The miners decide to organize a strike. One of the local MPs is trying to prevent this from happening. The French mine owner makes a dangerous decision - he orders the miners to work in an area at risk of fire. An explosion occurs unexpectedly. The miners lynch Coeur, and their demonstration, in which they carry the bodies of the victims of the crash, is brutally suppressed by the police.

1962’s SZPITAL (HOSPITAL) is set entirely in a claustrophobic hospital room where a male patient is confined. Throughout the film the room is invaded by a variety of strange people

The 1937 trial of communist journalists, working for the same student magazine in Vilnius, is shown through the tragic life of the paper's young collaborator Julek Szulc.

The film opposes the view that childhood is the happiest time of our lives. Childhood dramas are deeply etched in memory and leave a permanent imprint on our consciousness. The Carousel Part I. Little boys from a small town want to take a ride on the carousel but they have no money. They push the carousel for hours. They hope that the owner will eventually give them a free ride. In the evening, however, they are already too tired to take up his offer. They are allowed a ride, but they refuse. The Fall of a Millionaire Part II. A ten-year-old boy wants to impress his friends. He is feeble and shy, but he has a piggy bank, which becomes the object of desire for his peers. He tells the other boys that he will soon buy a bicycle from the accumulated savings. When the bank is broken into pieces, the myth of the millionaire is shattered. There are only banknotes painted by the little dreamer. Joanna Piątek, Leksykon polskich filmów fabularnych, Warszawa 1996