Sopran
Ännchen
Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”
Frau von Krahl
Berlín, siglo XIX, Romanticismo. El joven poeta trágico Heinrich aspira a vencer el carácter ineluctable de la muerte gracias al amor. Por esta razón intenta convencer a su prima Marie de que si se suicidan juntos conseguirán eludir el destino. El escepticismo y la falta de sensibilidad de Marie deprime a Heinrich. Sin embargo, Henriette, una joven casada, cuando se entera de que padece una enfermedad incurable, se muestra dispuesta a aceptar la propuesta del poeta. Relato libremente inspirado en el suicidio de Heinrich von Kleist, en 1811.
Naiad
Christian Thielemann conducts this Staatskapelle Dresden production of Richard Strauss' chamber opera. The opera follows events at the home of the wealthiest man in Vienna, who has booked both a comedy burlesque act and a serious opera group for entertainment. When the dinner runs long he declares that both forms of entertainment must take place at the same time - much to the chagrin of the opera's proud young composer. Filmed live in Baden-Baden on Feb. 25 by the veteran director Brian Large, Renée Fleming makes her debut in the role of Ariadne together with fellow key Strauss interpreters Sophie Koch and Christian Thielemann, following on from their Rosenkavalier triumph. Thielemann conducts the Staatskapelle Dresden, the orchestra to whom Strauss dedicated his Alpine Symphony and which premiered Feuersnot, Salome, Elektra, Der Rosenkavalier and Daphne.
Soprano
The renowned St. Thomas Boys Choir of Leipzig, which boasts J. S. Bach as a former cantor, celebrates its 800th anniversary with an extraordinary interpretation of the St. Matthew Passion. The Guardian praised how “the harmonic lines interwove with a transcendence that can only be achieved through living, eating and working together”.
