Serugalathur Sama
Nacimiento : 1904-06-26,
Historia
Serukulathur Sama was a Tamil film actor who was primarily known for playing the role of the Hindu god Krishna in mythological films of the 1930s and 1940s.
Born in the village Serukalathur in Thanjavur district to Mirasudar (Manager of own farm) Vaidyanadhaiyer, his birth name was Swaminathan. When he was 5 years old his mother died and the father re-married. So Swaminathan went to live with his uncle in Thanjavur. He learned Carnatic music along with academic studies. After passing the S. S. L. C. examination, he married and begot 3 children. He went to Madras in search of employment. There he worked as a clerk for 2 months in the office of the Indian National Congress Party and then for 10 years in the Cosmopolitan Club.
Lalithangi (Bhanumathi) is a queen who rules over her kingdom, showing the world that a woman could rule as effectively as a man. Another king, a kind-hearted man, has a son (Sivaji Ganesan), a talented sculptor and lover of fine arts. A scheming and ambitious chieftain (Veerappa), who has his eye on the prince's kingdom, plans to kill him in the course of a gypsy dance. He also deputes an attractive dancer (Rajasulochana) to ensnare him, but the prince escapes her wiles and begins to hate women. Lalithangi who wants to win over the hero disguises herself as a yogini and hands over a love letter to the prince. This enrages him and he throws her out. Determined to win his heart, she learns dancing. During an art festival at the palace, Lalithangi succeeds in dancing and changing the prince's mind! How she persuades the prince to fall in love with her and wins him as her life partner form the rest of the plot.
El duro y despiadado inspector de policía Javert (Javar Seetharaman) vuelve a capturar a un pequeño criminal Kandhan (Chittor V. Nagaiah) que ha escapado de la cárcel. Kandhan pasa página con la ayuda de un obispo cristiano (Serukulathur Sama). Cuando sale de la cárcel, funda una empresa de fabricación de vidrio. Cambia su identidad y se vuelve exitoso. Se convierte en el alcalde de su ciudad. El inspector Javert se entera de su nueva vida y amenaza con desenmascararlo.
King Rajendra Varman and Queen Mrinalini are reigning the Vyjayanti empire. Mahendra Varman is the rival and the neighbouring king. Kannika is the minister’s daughter, who is in love with King Rajendra Varman and aims to attain him at any cost. This convoluted tale of palace intrigue, suspicion, unreciprocated love, seduction, villainy and piety was interspersed with excellent music.
Rupa Goswami
Meera, a zealous devotee of Lord Krishna, considers him to be her husband. She gets married to Rana Bhojraj, but follows her own way of living which is not acceptable to her husband and the society.
Cheenakar
Sivakavi was a 1943 Indian Tamil-language film directed, initially, by P. K. Raja Sandow and later, S. M. Sriramulu Naidu. It starred M. K. Thyagaraja Bhagavathar, S. Jayalakshmi, Serukulathur Sama, Thripuramba, T. R. Rajakumari, N. S. Krishnan and T. A. Madhuram. The film's screenplay was written by Thiru Muruga Kirubanandha Variyar. The film was shot at Central Studios and released by Pakshiraja Films in Coimbatore.
Siva Yogi
Thiruneelakantar is a 1939 Tamil-language film directed by Raja Sandow and starring M. K. Thyagaraja Bhagavathar. The film was a big hit and was known for M.K. Thyagaraja Bhagavathar's acting apart from his songs. Famous nadaswaram artist T. N. Rajarathinam Pillai makes a guest appearanace in the movie.The film was based on the life history of Thiruneelakanta Nayanar, one of the 63 Nayanmars.
Kambar
The film is based on a story set in the Chola Empire in year 1083 AD. The titular character in the story is Ambikapathy (M K. Thyagaraja Bhagavathar), the son of the Tamil poet Kambar (Serugulathur Sama) who is in love with the Chola princess and daughter of Kulothunga Chola, Amaravati (played by M. R. Santhanalakshmi). The king objects to their love and insists on testing Ambikapathy's literary mettle before judging his worth. The test given to Ambikapathi is that he should write and sing a hundred poems in the field of Puram (dealing with war and politics). The poems should not have any reference to the field of Aram (dealing of love and romance). Ambikapathi begins the test in the King's court with a Kadavul Vaazhthu (invocation to God). Amaravathi who is keeping the count, mistakes the invocation as a poem and counts it as poem number one.
Dialogue
Chintamani (Tamil: சிந்தாமணி) is a 1937 Tamil-language film directed by Y. V. Rao starring M. K. Thyagaraja Bhagavathar, Serugulathur Sama and Aswathamma.[2] It was the first Tamil film to run for a year in a single theatre. Chintamani was based on the legendary story of a Sanskrit poet and devotee of Lord Krishna named Bilwamangal (M. K. Thyragaraja Bhagavathar). Bilwamangal, a resident of Varanasi, was a Sanskrit scholar, who gets infatuated towards a courtesan called Chintamani (Aswathamma), a woman of ill-fame. As a result, he deserts his wife. However, Chintamani is an ardent devotee of Lord Krishna (Serugalathur Sama) and spends most of her time singing bhajans in praise of Lord Krishna. His attraction towards Chintamani eventually draws Bilwamangal closer towards Lord Krishna and transforms his life forever. Bilwangal, himself, becomes a devotee of Lord Krishna and pens a monumental Sanskrit work Sri Krishna Karnamritam.
Lord Krishna
Chintamani (Tamil: சிந்தாமணி) is a 1937 Tamil-language film directed by Y. V. Rao starring M. K. Thyagaraja Bhagavathar, Serugulathur Sama and Aswathamma.[2] It was the first Tamil film to run for a year in a single theatre. Chintamani was based on the legendary story of a Sanskrit poet and devotee of Lord Krishna named Bilwamangal (M. K. Thyragaraja Bhagavathar). Bilwamangal, a resident of Varanasi, was a Sanskrit scholar, who gets infatuated towards a courtesan called Chintamani (Aswathamma), a woman of ill-fame. As a result, he deserts his wife. However, Chintamani is an ardent devotee of Lord Krishna (Serugalathur Sama) and spends most of her time singing bhajans in praise of Lord Krishna. His attraction towards Chintamani eventually draws Bilwamangal closer towards Lord Krishna and transforms his life forever. Bilwangal, himself, becomes a devotee of Lord Krishna and pens a monumental Sanskrit work Sri Krishna Karnamritam.
