Producer
Thandeka, a young Black journalist, lives in fear of Johannesburg's past. She's so troubled that she can't work, and her relationship with her 13-year-old deaf daughter Mangi goes from bad to worse. One day Me'Tau, an elderly woman, arrives at the newspaper's office. Ten years earlier, Thandeka witnessed the murder of the woman's daughter Dinéo by the secret police. Me'Tau wants Thandeka to find the murderers and Dinéo's body so that the girl can be buried in accordance with tradition. What Me'Tau couldn't know is that Thandeka has already paid for her knowledge, for having dared stand up to the apartheid system run by the whites. Meanwhile, Mangi secretly prepares a Zulu love letter: four embroidered images representing solitude, loss, hope, and love, as a final gesture towards her mother so that she won't give up the fight.
Writer
Thandeka, a young Black journalist, lives in fear of Johannesburg's past. She's so troubled that she can't work, and her relationship with her 13-year-old deaf daughter Mangi goes from bad to worse. One day Me'Tau, an elderly woman, arrives at the newspaper's office. Ten years earlier, Thandeka witnessed the murder of the woman's daughter Dinéo by the secret police. Me'Tau wants Thandeka to find the murderers and Dinéo's body so that the girl can be buried in accordance with tradition. What Me'Tau couldn't know is that Thandeka has already paid for her knowledge, for having dared stand up to the apartheid system run by the whites. Meanwhile, Mangi secretly prepares a Zulu love letter: four embroidered images representing solitude, loss, hope, and love, as a final gesture towards her mother so that she won't give up the fight.
Director
Thandeka, a young Black journalist, lives in fear of Johannesburg's past. She's so troubled that she can't work, and her relationship with her 13-year-old deaf daughter Mangi goes from bad to worse. One day Me'Tau, an elderly woman, arrives at the newspaper's office. Ten years earlier, Thandeka witnessed the murder of the woman's daughter Dinéo by the secret police. Me'Tau wants Thandeka to find the murderers and Dinéo's body so that the girl can be buried in accordance with tradition. What Me'Tau couldn't know is that Thandeka has already paid for her knowledge, for having dared stand up to the apartheid system run by the whites. Meanwhile, Mangi secretly prepares a Zulu love letter: four embroidered images representing solitude, loss, hope, and love, as a final gesture towards her mother so that she won't give up the fight.
Writer
Charterston Township 1990. Professor Zamani is respected in the township. To be sure, he once raped one of his students but the community turned a blind eye. Zamani used to rail against the apartheid system but those days are long gone. Now he teaches South African history in the Afrikaner language and grudgingly organizes the picnic for National Day, which commemorates the Boers' massacre of the Zulu nation... When Zani, the rape victim's brother, returns from Swaziland where he won a place in school, he is determined to change everything. In the small hours, in the waiting room at Johannesburg station, he runs into Prof. Zamani, who's spent the night on the town. They travel back together to the harsh reality of the township. In due course, Zamani regains some of his pride and Zani, inevitably, loses some of his...under the gaze of the women, who never renounced their dignity.
Director
Charterston Township 1990. Professor Zamani is respected in the township. To be sure, he once raped one of his students but the community turned a blind eye. Zamani used to rail against the apartheid system but those days are long gone. Now he teaches South African history in the Afrikaner language and grudgingly organizes the picnic for National Day, which commemorates the Boers' massacre of the Zulu nation... When Zani, the rape victim's brother, returns from Swaziland where he won a place in school, he is determined to change everything. In the small hours, in the waiting room at Johannesburg station, he runs into Prof. Zamani, who's spent the night on the town. They travel back together to the harsh reality of the township. In due course, Zamani regains some of his pride and Zani, inevitably, loses some of his...under the gaze of the women, who never renounced their dignity.
Director
The Action Centre is Johannesburg’s only black theatre. The accent here is put on the collective work of the members of the Centre to create and to keep this very different kind of cultural centre going.
