Ramon Zürcher
Nacimiento : 1982-06-20, Aarberg, Switzerland
Historia
Born in 1982 in Aarberg, Switzerland. 2002-05 Studied Art at the HKB (Hochschule der Künste Bern). 2006-13 Studied Film at the DFFB (Deutsche Film- und Fernsehakademie Berlin). The award-winning debut film THE STRANGE LITTLE CAT (2013) premiered at the Berlinale Forum and screened at festivals such as TIFF, Cannes, Viennale and New Directors / New Films New York. THE GIRL AND THE SPIDER (2021), codirected with his brother, premiered in the Encounters section of the Berlinale.
Producer
Lisa se va a mudar. Mara se queda. A medida que se cambian las cajas y se construyen los armarios, los abismos comienzan a abrirse y se pone en marcha una montaña rusa emocional. Una película de catástrofe tragicómica. Una balada poética sobre el cambio y la fugacidad.
Editor
Lisa se va a mudar. Mara se queda. A medida que se cambian las cajas y se construyen los armarios, los abismos comienzan a abrirse y se pone en marcha una montaña rusa emocional. Una película de catástrofe tragicómica. Una balada poética sobre el cambio y la fugacidad.
Writer
Lisa se va a mudar. Mara se queda. A medida que se cambian las cajas y se construyen los armarios, los abismos comienzan a abrirse y se pone en marcha una montaña rusa emocional. Una película de catástrofe tragicómica. Una balada poética sobre el cambio y la fugacidad.
Director
Lisa se va a mudar. Mara se queda. A medida que se cambian las cajas y se construyen los armarios, los abismos comienzan a abrirse y se pone en marcha una montaña rusa emocional. Una película de catástrofe tragicómica. Una balada poética sobre el cambio y la fugacidad.
Sound Designer
Las excentricidades domésticas de una familia en un piso de Berlín son coreografiadas en unas secuencias surrealistas aparentemente nada espectaculares para crear un mundo maravilloso y un ballet de lo cotidiano. La existencia absurda brilla detrás de acciones y conversaciones que parecen mundanas y de este modo desarrolla un drama familiar, un cuento de hadas y el estudio psicológico de una madre.
Writer
Las excentricidades domésticas de una familia en un piso de Berlín son coreografiadas en unas secuencias surrealistas aparentemente nada espectaculares para crear un mundo maravilloso y un ballet de lo cotidiano. La existencia absurda brilla detrás de acciones y conversaciones que parecen mundanas y de este modo desarrolla un drama familiar, un cuento de hadas y el estudio psicológico de una madre.
Director
Las excentricidades domésticas de una familia en un piso de Berlín son coreografiadas en unas secuencias surrealistas aparentemente nada espectaculares para crear un mundo maravilloso y un ballet de lo cotidiano. La existencia absurda brilla detrás de acciones y conversaciones que parecen mundanas y de este modo desarrolla un drama familiar, un cuento de hadas y el estudio psicológico de una madre.
Editor
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
Writer
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
Director
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
Editor
A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.
Writer
A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.
Director
A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.
Editor
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Writer
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Director
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Editor
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.
Writer
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.
Director
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.
