Producer
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire.
Writer
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire.
Director
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire.
Adaptation
Un tipo adinerado se enamora de la artista de un club nocturno, que a su vez ama a un bailarín. Ante el dilema de casarse por dinero o por amor, ella opta por lo primero. Pero el millonario sufre un accidente, y sueña que se encuentra en la época de Luis XV, y que él es monarca que persigue a madame Du Barry, que, claro está, tiene el rostro de su amada. Simpática comedia musical rodada en technicolor, que combina la época actual con de la Francia cortesana. Cuenta con buenos trabajos de Lucille Ball y Gene Kelly, éste cantando los temas musicales "Do I Love You" y "Song of the Rebellion".
Theatre Play
An incognito Hollywood star (Carole Lombard) in Paris meets a penniless nobleman (Fernand Gravet) who follows her to London.
