Pahadi Sanyal

A 1974 Byomkesh Bakshi film based on the novel of same name by Sharadindu Bandyopadhyay.

Prabir, a rich and selfish man who does not realise the value of love and relationships, ruins the life of Mallika, a beautiful woman who loves him.

The story revolves around Pratima who pledges to destroy the relationship between Neera and Binu, as she loves Binu.

A film directed by Chitta Basu. Mithu Mukherjee made her film debut in Sesh Parba.

Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.

Manju's mother keeps her very strictly disciplined. What happens when she falls in love with Nirmal?

Bharat (Rajendra Kumar) is a patriotic young man for whom patritism does not stop anywhere. He comes to know of the tyrancy of the present ruler's Diwan (Ajit) and he and his colleagues (Soodesh Kumar, Rajendra Nath) rebel. They kidnap Princess Chitralekha (Waheeda Rehman) unknowingly, and call her Jwala. Meanwhile, Bharat's dad (Balraj Sahni) who is the Inspector General, does not approve of Bharat's rebellious nature and decides to arrest him on sight. Bharat's mom (Kamini Kaushal) is torn between the love for her husband and her son. Bharat determination against the Diwan is so strong that he decides to bomb-blast a railway train transporting the Diwan, knowingly that his own dad is also travelling on that train. Will Bharat break his mom's heart by killing his dad and the Diwan? Good acting scores by the entire caste make this movie worth watching. Lyrics by Indivar.

Cuatro amigos, que viven en Calcuta, hacen una excursión en coche en dirección a los bosques de Palmau. Llegados a una aldea, buscan alojamiento en un albergue y, como no han hecho reserva, para ser admitidos tienen que sobornar al vigilante, que se arriesga a perder su trabajo, pero necesita el dinero, pues su esposa está enferma. Los jóvenes, muy seguros de sí mismos, muestran muy poco respeto por los aldeanos. El líder del grupo es Ashim (Soumitra Chatterjee), el más rico de todos. Sanjoy (Subhendu Chatterjee) es un joven tímido. Hari (Samit Bhanja) es un deportista que trata de olvidar a una chica que acaba de rechazarlo. Shekhar (Robi Ghosh) es el más gracioso y seguro de sí mismo.

Vandana and Arun fall in love the instant they meet. On a trip to a Shiv temple, they get married in an impromptu ceremony in front of God. A chance rainshower strands them at a remote hotel where Vandana gets pregnant. With their legal marriage just around the corner, they don't worry about the consequences of their actions, but unfortunately, Arun dies in a plane crash. Vandana chooses to have the child, Suraj, and as she promised to Arun, wants to raise him to be an Air Force pilot. Fate is cruel to Vandana, however, and the child is adopted by a wealthy family. Vandana becomes a nursemaid to stay close to Suraj. A family member tries to molest her, and in the ensuing fight, Suraj comes to protect her and kills the perpetrator. Vandana chooses a jail sentence to save Suraj, but in the course of her sentence, loses the family--and with it: Suraj.

Yashomati runs away from home in search of freedom and travels to Ahmedabad, Gujarat. When her bags get stolen, Shankar helps her. However, when he takes her home to her parents, she feels betrayed.

Suparna is distraught on seeing her sister getting close to her husband, Amitabha. Things take a turn for the worse when Amitabha's sister dies and the suspicion falls on Suparna.

Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.

The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.

The son of a wealthy family, Monish falls in love with Deviyani, a girl from a considerably less privileged background. When Monish leaves to study abroad, the lovers plan to reunite, but desperate financial straits force Deviyani into a marriage with a philandering drunk instead. Deeply unhappy, she flees, taking her infant daughter with her and vanishing into thin air. Does fate have more than misery in store for the unfortunate Deviyani?

Synopsis::: The movie narrates the tragic life story of Roshanbai and how she triumphs over the insensitive society. Roshanbai used to visit the bathing ghat every morning where she could hear the prayers of a brahmin. Roshan fell for him and decided to leave her profession. She wished to start a fresh life with the brahmin. She showered Sohanlal, the agent with money so that he would free her from the profession. One day Roshan pretending to be a destitute brahmin girl won the brahmin’s attention and he gave her shelter. She was content with her new life at the brahmin’s place.

A writer, to avoid the natural demands of domestic mundanes, almost deliberately pushes his wife towards adultery, would the lonely woman succumb? What would be the effect on their marriage?

Follows the fortunes of a young teacher, Prem, who isn't ready to take on the responsibilities of his arranged marriage.

Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.

Ghetu, a young woman with a dark complexion, is always compared to her beautiful sister (Sharmila Tagore). Her life changes for the worse after her lover dies and she has to face society's disdain.

A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.

Archana (Suchitra Sen) falls in love with Sukhendu (Soumitra Chatterjee), a serious University Lecturer, much to the chargin her snobbish and interfering mother (Chhaya Devi) for whom Sukhendu is just not good enough for her daughter or their family. Archana however, is adamant and with the approval of her father (Pahadi Sanyal) gets married to Sukhendu. The mother continues to interfere in the marriage constantly reminding her son-in-law of his poverty. Suffering from divided loyalties, Archana's problems are aggravated when Sukhendu insists she sever all ties with her mother. Archana separates from Sukhendu and stays independently completing her studies. When she finally accepts her wifely duties and returns home it is too late as Sukhendu has resigned and gone abroad.

The son of a wealthy industrialist aspires to be a singer against the wishes of his father.

A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?

Widower Sudhangsu is going to be married with Soma, daughter of Sir Haraprasad. Sudhangsu declares that his first wife Kalpana committed suicide on a railway track in Burma, stating that she was mentally challenged. At the time of the marriage rituals a local advocate, Suren Banerjee, comes with a lady who claims that she herself is Kalpana and that Sudhangshu is committing bigamy. Sudhangsu strongly denies and claims that she is an imposter. In the meantime a mysterious person name Samadder invaded Sudhangsu's house and stole some ornaments of the deceased Kalpana.

Heeru, Naren and Chandranath were friends. From his college days Chandranath had been aspiring and ambitious. He is also a man of strict principles in life. He decides to leave his brother and his sister-in-law and goes away to gain immense power and knowledge. In the meantime he marries and is blessed with a kid. However Chandranath's quest for learning more drives him to leave his new family as well as he sets off to achieve new goals in life. He not only fails to achieve his ultimatum but ends up losing his family too. On the other hand, Naren hails from a rich family and is a happy go lucky natured man. He appreciates the finer aspects of life. He falls in love with a courtesan and brings her home. Caught between the two friends who have opposite ambitions in life, Heeru wonders which path would bring contentment in one's life. However Heeru loses control of his life and slowly realizes that his life has become a mirror of Chandranath's life.

Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.

Una acaudalada familia de Calcuta está disfrutando su último día de vacaciones en Darjeeling, una colina a los pies del Monte Kanchenjungha, la segunda cumbre más alta de Himalaya. Los miembros de la familia están dominados por el padre, Indranath (Chhabi Biswas), un empresario. Èl quiere que su hija se case con un hombre que él mismo ha elegido; sólo espera que ese hombre tenga la oportunidad de quedarse a solas con su hija para declararle su amor.

A story about a young man, who had to quit his studies as a doctor due to difficult circumstances, coming back and saving a young lady by performing a very difficult surgery.

A film by Mrinal Sen.

A film by Mrinal Sen.

Sarbari and Saibal are both successful doctors and in love. However, Saibal comes from an affluent family, while Sarbari has to provide for her poverty stricken family, including her invalid father.

Running away from an early marriage Suresh elopes with his coy girlfriend Niru and stays away from his uncle Jagannath and lives in a rented house adding to it is a lot of chaos.

Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.

While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.

The plot revolves with series of flashbacks which reveals a judge's past and hidden secretes. Gyanendra, a judge lives with his wife Sarama. Being the Judge, every time of trial of similar cases he remembers his past, the truth about his questionable actions. Gyanendra always recalls when he was a popular lawyer, married to Sumoti, a suspicious and rude lady. But he had a weak feelings for his professor's daughter Sarama. One day Gyanendra's house was burnt and his first wife Sumoti dies. Gyanendra could not make any attempt to save her perhaps he was unable bear Sumati further. Thereafter he marries Sarama and becomes a judge but he realizes his crime and those past haunts him much.

A nurse at a psychiatric ward gets a bit too involved in the well being of a patient.

En Calcuta, un modesto y mal pagado dependiente descubre una piedra que convierte en oro cualquier pieza de metal con sólo tocarla. Cuando llega a casa se la muestra a su mujer, y en poco tiempo se convierten en uno de los matrimonios más ricos de la ciudad, llevando un lujoso tren de vida y acudiendo a reuniones sociales y políticas de la alta sociedad...

A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.

A philanderer only son of a millionaire is attracted to a poor orphan artist, whose god-brother is a hater of rich people, and would go to any extent to get money off them.What would happen when the roles reverse?

A 1957 Indian film about an aspiring singer and the son of a reputed businessman. His stepmother accuses him of indecency and throws him out of his house to inherit all the property of her husband. The female protagonist suffers a similar fate as her stepmother forces her to leave. They both decide to commit suicide and go to a riverbank where they meet and the cupid strikes.

An amnesiac after a train accident, Alok Mukherjee (Uttam Kumar) is rescued on escaping from the asylum where he is admitted by doctor Roma Banerjee (Suchitra Sen) who takes him to her father's (Pahadi Sanyal) country house in a village called Palaspur. There, while treating him she falls for him and he for her. They marry but a second accident makes him recall his life as a rich businessman in Calcutta and forget the memories spent with Roma. Roma follows him to Calcutta and meets him there but he doesn't recognise her. He hires her as governess to his niece instead. Roma keeps trying to simulate Alok's memory but is looked at suspiciously by Lata, Alok's fiancee in Calcutta who thinks Roma is snatching Alok away from her and who complains to Alok's mother. The latter has Roma kicked out. Alok realizing she is from Palaspur and that is where he got back his memory goes there and regains his memory of times spent with Roma there. All's well that end well.

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

Sarama develops a close bond with her sickly classmate, Abinash, but fate takes her to Bipin and they get married. However, things turn awry when Bipin commits suicide after an irrational suspicion.

Mahakavi Girish Chandra is a 1957 movie by Modhu Bose

This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.

The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.

The all-time favourite on-screen couple of the Bengali cinema not just created many memorable romantic moments but also shattered many taboos around romance, just like in the 1956 classic ‘Sagarika’. Made by the directorial group Agragami, its story follows a young talented lad Arun (Uttam Kumar) with a big dream of studying medicine abroad and the women he comes across. Arun, after being blind for a period, finally reunites with his love and life becomes all good.

Shankar was a young lawyer in pursuit of making it big in the professional world. However his world is turned upside down when he comes to know that his father, who knew went missing, was in real spending his lifetime in the jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate into the case and save his father. He goes to Kishnanagar in search of the people and the evidences which would help him to prove his father’s innocence. He meets Rita, an young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues most of them which were imposed by the actual murderer. However he solves the mystery in the end and his father is thus, released from prison.

Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh

With his hard-work and patience, a virtuous boy overcomes the harshness of the world.

Sadananda, a wanderer, brings about a positive change in the lives of everyone around him when he starts living in a renowned man's unoccupied mansion along with the family of a little girl, Runu.

The story of Shri Chaitanya Mahaprabhu .

Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.

A job in the jute mill drive Sitesh away from his brother Nitesh and sister-in-law and lands him into a stream of marriage proposals and attempts by colleagues to make him their son-in-law. What will happen when he falls in love and is not accepted by the father of the girl?

Maryada was a Bengali drama film directed by Digambar Chattopadhyay. This movie was released on 15 December 1950 in the banner of Bhabani Kalamandir Limited. This is the third and first movie of legendary Bengali actor Uttam Kumar and Bibhu Bhattacharya appeared respectively. In this movie Uttam Kumar leap on a song for the first time in his career.

This movie is based on the life of a famous Bengali philosopher, academic educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist named Ishwar Chandra Vidyasagar.

It was 1943. Burma was under Japanese control. In Pegu, a small place near Burma lived two Indian families. They were neighbors Kumar and Lata loved each other. Their parents were also willing to see them engaged. Suddenly one day, it came out in the news paper the Netaji Subhas Chandra Bose had called on the people to give him blood so that he could give them freedom. Kumar was reluctant but later on he decided to join the INA.

Jagannath, the Lord of Universe's journey towards home from his aunt's house.

A run-of-the-mill girl.

A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.

Ramayani is a 1945 Hindi mythological film directed by Sarvottam Badami for Purnima Productions. The music direction was by S. N. Tripathi with lyrics written by Bekal Several films were made in that era based on the Ramayana. Vijay Bhatt made his famous Ram Rajya (1943), and Purnima Productions made their version of the epic, titling it Ramayani The film starred Pahari Sanyal, Nargis, Chandra Mohan, Rose, Kanhaiyalal and Amirbai Karnataki [Wikipedia]

Anban is a 1944 Bollywood social film directed by Niren Lahiri.

A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.

The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...

Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.

Maya (Jamuna) is the poor cousin of rich socialite Shanta (Azoorie). Shanta is supposed to marry the equally rich Pratap (P. Sanyal), but he falls in love with Maya and fathers her child before going abroad. Shanta causes a seperation by intercepting Pratap's letters to Maya. When he returns, a successful lawyer, he us unable to trace her, while her efforts to meet him are foiled.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute.

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchability and the hypocrisy of society, as he falls in love with a washer woman.

The story of an unemployed graduate who falls in love with a woman who ran away from her cruel husband.