Yang Lina
Historia
Yang Lina studied dance as a teenager, and has worked as a dancer, program host, and drama troupe actor. Started documentary work in 1996. She is one of the representatives of the new generation of folk documentaries in China.
Writer
Tells the family story of an 85-year-old mother taking care of her 65-year-old daughter with Alzheimer's disease, using a delicate female perspective to show the infinite power of love and family at the end of life.
Director
Tells the family story of an 85-year-old mother taking care of her 65-year-old daughter with Alzheimer's disease, using a delicate female perspective to show the infinite power of love and family at the end of life.
Screenplay
Journalist Guo lives together with her mother and daughter in the same residence. The relation of three generations looks placid but there is actually a fierce undercurrent of rebellion and resistance.
Director
Journalist Guo lives together with her mother and daughter in the same residence. The relation of three generations looks placid but there is actually a fierce undercurrent of rebellion and resistance.
Screenplay
Linking several genres in a surprising and successful way, Yang Lin’s fiction feature debut is an Asian ghost story in which documentary scenes show how incongruous today's reality can look in China. Protagonist Fang Lei lives in material wealth and only has to care for her daughter. One night, a young mysterious lover appears and makes passionate love to her.
Producer
Linking several genres in a surprising and successful way, Yang Lin’s fiction feature debut is an Asian ghost story in which documentary scenes show how incongruous today's reality can look in China. Protagonist Fang Lei lives in material wealth and only has to care for her daughter. One night, a young mysterious lover appears and makes passionate love to her.
Director
Linking several genres in a surprising and successful way, Yang Lin’s fiction feature debut is an Asian ghost story in which documentary scenes show how incongruous today's reality can look in China. Protagonist Fang Lei lives in material wealth and only has to care for her daughter. One night, a young mysterious lover appears and makes passionate love to her.
Writer
Kids in an orphanage grow up.
Director
Kids in an orphanage grow up.
Producer
Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.
Director of Photography
Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.
Sound
Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.
Cinematography
Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.
Editor
Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.
Director
Mr. An is almost 90 years old. He loves life, dance and the smiling young Xiao Wei, his daily life companion. His wife, secluded at home, is quite unhappy about this friendly and love relationship. Xiao Wei’s husband doesn’t seem to care. One morning Mr. An get sick and has to be hospitalized. Xiao Wei start to wonder if she shouldn’t end the relationship.
Producer
The elderly are interviewed on the memories they have on the Japanese soldiers who occupied China in the late ‘30s. Some remembered, some didn’t, but the result is an endearing chronicle of what we choose to live with in the old age.
Director
The elderly are interviewed on the memories they have on the Japanese soldiers who occupied China in the late ‘30s. Some remembered, some didn’t, but the result is an endearing chronicle of what we choose to live with in the old age.
Director
Yang Lina's second documentary. She films her family as a director; her father and mother divorced many years ago, when she was not present. In the film, she keeps asking her father, mother, and younger brother various questions — and there is a a gap in their memories. The second half of the film records each person's reaction when watching himself or others' onscreen.
Producer
In this documentary film, Lina Yang gives the viewer a look into the often sad and frustrating lives of the elderly in modern China. Their sense of uselessness, and loss of hope, is vividly portrayed.
Editor
In this documentary film, Lina Yang gives the viewer a look into the often sad and frustrating lives of the elderly in modern China. Their sense of uselessness, and loss of hope, is vividly portrayed.
Cinematography
In this documentary film, Lina Yang gives the viewer a look into the often sad and frustrating lives of the elderly in modern China. Their sense of uselessness, and loss of hope, is vividly portrayed.
Director
In this documentary film, Lina Yang gives the viewer a look into the often sad and frustrating lives of the elderly in modern China. Their sense of uselessness, and loss of hope, is vividly portrayed.