Pasquale Mari

Películas

La Traviata
Director of Photography
Mario Martone signs direction and scenes of this new film-work of Verdi's masterpiece. On the podium of the Orchestra of the Teatro dell'opera in Rome its musical director, maestro Daniele Gatti. the new set-up of the opera to a libretto by Francesco Maria Piave is embellished with costumes by Anna Biagiotti and photography by Pasquale Mari.
Giordano: Andrea Chénier - Teatro alla Scala
Lighting Design
I'm (Endless Like the Space)
Director of Photography
The story of Jessica, a 17-year-old girl who lives in a strange world, a place that could be our world in the near future, perhaps, or in an alternate dimension. The point being that, whatever the nature of her world may be, Jessica's problems are the very same as they are in our world. Above all, the fear of a scary future haunts Jessica and seems to worry everybody around her as well, with the only escape appearing to be "like the other people". But Jessica's different: she has a dream and she has talent, yet her world rejects those who try to change the world and better their lives. All the isolation and bullying will have an unexpected impact on the situation, until a very shocking turning point of the story. All the way up to a shocking denouement.
Vita agli arresti di Aung San Suu Kyi
Cinematography
Neve
Director of Photography
Rossini - Matilde di Shabran
Lighting Design
Juan Diego Flórez takes on the lead role in this performance of Rossini's opera at the 2012 Pesaro Festival. Corradino (Flórez), a paranoid, misogynistic lord, is in the care of Aliprando (Nicola Alaimo), a doctor who is concerned that the poor spirits of his employer will damage his health. He duly attempts to make Corradino fall in love with the beautiful and self-willed Matilde (Olga Peretyatko). Will the plan succeed?
Gorbaciof
Director of Photography
Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.
Il prossimo tuo
Director of Photography
Rome, Paris and Helsinki right after the Madrid bombings. Three stories about people who, for different reasons, are afraid of others – the eponymous "thy neighbor." A humanity full of differences, but at the same time, with very similar feelings. So similar that their stories appear almost parallel and complementary.
Lezioni di volo
Director of Photography
A pair of teen friends – known as "Chicken & Curry" because they are virtually inseparable – fail their high school finals and try to cover it by claiming that Curry is in the midst of an identity crisis that can only be solved by a visit to his ancestral homeland, India. While the ruse works wonderfully on their parents, this impromptu journey of self-discovery takes an unexpected detour when Curry locates his biological sister and remains captivated by the country he first despised, and Chicken falls for an older doctor working for Médecins Sans Frontières.
Tre giorni di anarchia
Director of Photography
Saturday, Sunday & Monday
Director of Photography
Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.
Renzo e Lucia
Director of Photography
Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, includine the Plague.
Buenos días, noche
Director of Photography
Chiara es una joven apasionada, utópica y revolucionaria que esconde su verdadera identidad como miembro de las Brigadas Rojas italianas a finales de los setenta. A simple vista se trata de una chica normal que se muda con su novio a un nuevo piso, pero su amigo Enzo empieza a sospechar que no todo es lo que parece.
La vita come viene
Director of Photography
Seis personajes intercambian sus historias durante un fin de semana cualquiera.
La sonrisa de mi madre
Director of Photography
Ernesto es un famoso pintor e ilustrador de cuentos para niños. Separado de su mujer, mantiene con su hijo una estrecha relación. Un día se entera de que a su madre la quieren beatificar. La noticia lo deja pasmado, no sólo por el hecho de que su familia se lo haya ocultado, sino también porque se trata de algo incompatible con sus ideas de artista libre y ateo. Sus familiares lo presionan para que participe en el proceso de beatificación e, inevitablemente surgen conflictos. Sin embargo, inesperadamente, el recuerdo de su madre y de su sonrisa harán que Ernesto reviva su pasado y cambie radicalmente su forma de vida.
Placido Rizzotto
Director of Photography
As a child, Sicilian Placido Rizzotto saw his father imprisoned for a crime he didn't commit, and as a young man he fought in World War II, first as a soldier and then as an anti-fascist partisan. These events have left Placido with little taste for petty tyranny and with a desire to promote social justice. Upon his return home, he becomes increasingly aware that the Mafia has taken hold of his village, witnessing angry and frustrated as gangsters control local politics and take whatever they want from the people. Placido helps to form a trade union as a challenge to the Mafia's authority, and attempts to organize the villagers into a collective to grow crops in the fields taken by the Mafia.
Before the Sunset
Director of Photography
a young and charming immigrant, is about to marry the daughter of the underworld boss he works for. The ceremony is ready, but at the last moment Ali decides not to show up, and flees from Hesse, his countryman hopelessly in love with him. The two young lovers hide in a hotel waiting for the sunset to be able to reach the airport and escape forever. With Ninni Bruschetta.
Pugni nell'aria
Cinematography
Love Has No Bounds
Director of Photography
A camorrista follows a surreal path.
Rehearsals for War
Director of Photography
A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.
Hamam: el baño turco
Director of Photography
Un italiano recibe en herencia un viejo baño turco (un hamam), situado en Estambul. La propietaria era una tía suya que había emigrado a Turquía muchos años antes. El hombre se traslada a Estambul con la intención de arreglar los papeles y vender el inmueble lo antes posible. Allí se aloja en casa de los antiguos empleados de su tía, un matrimonio con un hijo y una hija. (FILMAFFINITY)
The Vesuvians
Director of Photography
Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.
El amor molesto
Camera Operator
Cuando una madre muere en extrañas circunstancias, su hija trata de averiguar cómo sucedieron los hechos y qué hizo su madre en las últimas horas de su vida. Todo ello conduce al análisis de la traumática relación que hubo siempre entre ellas, cuyo origen fue una una mentira infantil que marcó sus vidas.
Rasoi
Director of Photography
Mario Martone films the eponymous stage show by Enzo Moscato.
Death of a Neapolitan Mathematician
Assistant Director of Photography
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.
Neapolitan Diary
Himself
Prologo a Ritorno ad Alphaville
Assistant Director
Prologo a Ritorno ad Alphaville
Lighting Coordinator