Alziro Barbosa

Películas

Bob Spit - We Do Not Like People
Director of Photography
Bob Spit, a comic book character, lives in a post-apocalyptic desert inside the mind of his creator, the legendary Brazilian cartoonist Angeli. When Angeli decides to kill off Bob, the old punk leaves this wasteland and faces his creator.
Mundo Deserto de Almas Negras
Director of Photography
In São Paulo, the black part of the elite, while whites take over the periphery. In this scenario, a lawyer has to deliver cell in a prison, but on the way he is robbed. Without the devices, the man begins to be threatened by the leaders of the prison, which still planning an attack in the city.
Colors
Director of Photography
São Paulo today. Brazil is in full economic upswing. This is a story of friendship and delusion between three young friends in a big city. Their life is marked by an ordinary routine where nothing much happens except the alienation impregnated by the consumer society and the lack of perspectives. An urgent film representing the historical moment of a generation.
Marighella
Director of Photography
This communist and parliamentarian leader was arrested and tortured, and became famous for having written the "Minimanual of the Urban Guerrilla". Greatest name of the left-wing militancy in Brazil in the 1960s, Carlos Marighella acted in the main political events of Brazil between the 1930s and 1969 and was considered enemy number one of the Brazilian military dictatorship. His life was a great act of resistance and courage.
Ivan - Back to the Past
Director of Photography
Mysteries
Director of Photography
There are those who sleep. There are those who don't. Tormented by insomnia, lack of air, incontinence, intestinal gases, rheumatic pains, nocturnal coughing fits, bronchitis, remorse, fright. Sleepless nights, easy victims for backyard demons, invisible from the street. Nobody sees it, but the backyard ghost is there, attentive. Nobody can free themselves of evil!
A Cauda do Dinossauro
Director of Photography
Nobody dares to break the rules, for fear of the persecution of the Christian Command, until a woman, born in this era of repression of pleasure, meets the last man who lived the period when hedonism was still could be a style of viable life.
No Meio da Rua
Director of Photography
Leonardo, an upper-middle class boy from the south of Rio de Janeiro, befriends Kiko, a boy who lives on the street and who juggles balls at a traffic light. The rich kid decides to lend Kiko his handheld video game – but it is stolen by hill boys. This is just the beginning of a great friendship between the two. They begin a great adventure that takes Leonardo to the favela, where he knows a reality entirely different from his own.
Terra Incógnita
Director of Photography
After the unexpected death of his wife, Diego (75) realizes that his life is also getting close to the end.
The Hills of Disorder
Director of Photography
Tras sobrevivir a una masacre que exterminó a su poblado, Carapirú, un indio Awa Guajá, huye y pasa diez años deambulando por las regiones más aisladas de Brasil. En noviembre de 1988, a 2.000 kilómetros de la selva de la que tuvo que escapar, un antropólogo experto en el mundo indígena lo descubre y lo arrastra a Brasilia, donde Carapirú se convierte en un fenómeno mediático. Disolviendo los límites entre realidad y ficción, y con un sentido del humor y una libertad cercana al libertinaje formal, Serras da desordem reconstruye el viaje inicial de Carapirú, y retrata a través de su historia la tragedia de una cultura violada en aras de un progreso inventado y brutal.
A Ira
Director of Photography
Two sisters living their lifes.