Pedro Pinho
Nacimiento : 1977-01-01, Lisbon, Portugal
Historia
Pedro Pinho has lived in and studied cinema in Lisbon, Paris, Barcelona, Maputo and Mindelo.
His first documentary, Bab Sebta (co-directed with Frederico Lobo), debuted at FID Marseille, 2008, where it won the Marseille Espérance Award. Bab Sebta also won prizes for Best Documentary Film at DocLisboa (Portugal) and at ForumDoc BH (Brazil).
Um Fim Do Mundo/The End of the World, a medium-length fiction film, debuted at the Berlin Festival in 2013, having won awards at the Coimbra Caminhos do Cinema Português, and was nominated for the Portuguese Golden Globe awards.
The documentary, As Cidades e as Trocas/Trading Cities (co-directed with Luisa Homem) debuted in 2014 at FID Marseille, and was shown at the Art of The Real in the Lincoln Center, NY and at DocLisboa.
In 2017, he debuted A Fábrica de Nada/The Nothing Factory, his first feature-length fiction film, at the Cannes Festival Directors’ Fortnight where he won the FIPRESCI International Critics award. Since then, A Fábrica de Nada has received around 20 awards at festivals all over the world. Not only was it chosen by the critics as the best film at Cannes in 2017, it was also considered the best film of the year by the Público newspaper, and the best film without commercial distribution in the USA by the American magazine, Film Comment. The German newspaper, Die Zeit considered it to be “one of the most important films of today”. A Fábrica de Nada was commercially distributed in Portugal, France, Spain, Germany, Brazil, Switzerland, the United Kingdom, Italy, China, Belgium, the former Yugoslavia and Argentina.
His films have been shown at festivals, showings and retrospectives in places such as: MoMA, the Lincoln Center, the Berlinale, BFI, the MALBA, the MACBA, Serralves, FIDMarseille, Toronto IFF, Rotterdam FF, CPH DOX, the Rio Festival, Mar del Plata, Festival de Popoli, Busan FF, FICUNAM, ND/NF, Cine Europeu de Sevilha. L’Alternativa de Barcelona, Festival de Munique, Festival de Taipé, Janela, Carbonia, Lussas, FIC Valdivia, Karlovy Vary, FoR, among others.
In 2009, with five fellow filmmakers, he founded Terratreme, a collective that in recent years has come to the forefront as one of the most active producers of Portuguese cinema. At Terratreme, he has had the chance to collaborate with other directors such as Luisa Homem, Leonor Noivo, Tiago Hespanha, Susana Nobre, João Salaviza, Filipa Reis and Miller Guerra, and Basil da Cunha.
Producer
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Producer
Somewhere in the mountains, a man lives alone in a disappearing village. Wandering through the misty nature, interpreting among the walls of his dark houses, on the very ground with his destiny to belong to a world that has been rejected.
Producer
This documentary portrait covers all the themes of Daveau’s rich life: from her field research and private life to feminism and the influence of the modern age on family relationships and science. Her passionate life is examined in detail in an inexhaustible series of stunning archival photos and home videos recorded by Daveau, and in voice-over she speaks openly, extensively and full of wonder about life and the world around her.
Producer
A journey through Lisbon’s suburbs through the lives of a handful of musicians establishing their place to exist in a city of complex identity struggles. Different generations and backgrounds meet, Angola to São Tome, Cabo Verde and Guine Bissau represented by old musicians and young producers.
Producer
Patricia encarna a Marta, una actriz que pasa sus días haciendo cuentas y anotando en un cuaderno las calorías que ingiere, los segundos que pasan o los pasos que la distancian desde su casa hasta el correo. Obsesiva y metódica, aquejada por un dolor existencial que se traduce en anorexia, su personaje busca una forma de llegar a su esencia interior con cada respiración, con cada uno de sus gestos y pensamientos.
Producer
They all say that you killed an Angel. Who says that ? They. It’s not an Angel. It isn’t ? No. It’s a rare bird, just like you and me.
Producer
Through a city that carries the weight of broken expectations and tough absencies, we follow the day of three young adults. César who got into a photoshoot by accident, Chloé who hopes to find a place to do her own work, and Helena who is back in her town for some days, only to find the living shadow of a loss.
Director of Photography
Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.
Writer
Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?
Producer
Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?
Producer
Una noche, un grupo de trabajadores se da cuenta de que la administración está robando maquinaria y materiales de su propia fábrica. Cuando se preparan para organizar el equipo y la producción, se les obliga a no hacer nada, como represalia, mientras las negociaciones para su despido están en marcha. La presión desencadena una revuelta entre los trabajadores, lo que afectará a todo lo que les rodea.
Screenplay
Una noche, un grupo de trabajadores se da cuenta de que la administración está robando maquinaria y materiales de su propia fábrica. Cuando se preparan para organizar el equipo y la producción, se les obliga a no hacer nada, como represalia, mientras las negociaciones para su despido están en marcha. La presión desencadena una revuelta entre los trabajadores, lo que afectará a todo lo que les rodea.
Director
Una noche, un grupo de trabajadores se da cuenta de que la administración está robando maquinaria y materiales de su propia fábrica. Cuando se preparan para organizar el equipo y la producción, se les obliga a no hacer nada, como represalia, mientras las negociaciones para su despido están en marcha. La presión desencadena una revuelta entre los trabajadores, lo que afectará a todo lo que les rodea.
Producer
End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".
Producer
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
Producer
(within the project URB) CIDADE is a TV series that takes place in the diverse, urbanistically chaotic and multicultural periphery of Lisbon. Each episode has for landscape and dramatic background the everyday-life in the social housing neighborhoods and shanty towns of Lisbon. It explores the infinite possibilities of narratives and characters generated by the daily confrontation of the normal life of the city with several layers of cultural heritages and lifestyles, brought by different waves of migration. A network of interconnected characters, families and ties makes the narrative to evolve and illustrates the cultural, artistic, social and economic explosion that we are about to live in here.
Director
(within the project URB) CIDADE is a TV series that takes place in the diverse, urbanistically chaotic and multicultural periphery of Lisbon. Each episode has for landscape and dramatic background the everyday-life in the social housing neighborhoods and shanty towns of Lisbon. It explores the infinite possibilities of narratives and characters generated by the daily confrontation of the normal life of the city with several layers of cultural heritages and lifestyles, brought by different waves of migration. A network of interconnected characters, families and ties makes the narrative to evolve and illustrates the cultural, artistic, social and economic explosion that we are about to live in here.
Producer
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Director of Photography
This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Editor
This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Director
This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Director of Photography
Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.
Screenplay
While observing others, Paula is also, herself, observed. ' Know the difference between an old maid and a spinster? The old maid does not have a choice. '
Director of Photography
A portrait of the daily lives of young people living in a new-built estate on the outskirts of Lisbon. School is a joke and there’s no work to be had anyway, so the girls try to have fun as best they can. New-girl Eva is very pretty but quiet. The others aren’t sure at first whether she’s arrogant or just shy. Iara and Eva head off to the beach with two boys. The lads turn a couple of abandoned shopping trolleys into racing chariots for them and the atmosphere begins to tingle. Later, they argue with the rest of the group. The other girls manage to get into a club that night but the boys don’t and must kick their heels outside. They’re bent on revenge. They meet up with Eva and go back to her place.
Director
A portrait of the daily lives of young people living in a new-built estate on the outskirts of Lisbon. School is a joke and there’s no work to be had anyway, so the girls try to have fun as best they can. New-girl Eva is very pretty but quiet. The others aren’t sure at first whether she’s arrogant or just shy. Iara and Eva head off to the beach with two boys. The lads turn a couple of abandoned shopping trolleys into racing chariots for them and the atmosphere begins to tingle. Later, they argue with the rest of the group. The other girls manage to get into a club that night but the boys don’t and must kick their heels outside. They’re bent on revenge. They meet up with Eva and go back to her place.
Screenplay
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
Director of Photography
A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.
Director of Photography
A nurse takes care of a patient in her house. Maria do Céu has been a nurse for more than forty years, working at an old Hospital in Lisbon. She was sixteen, when she arrived to Lisbon, coming from a small village in Alentejo. At the Hospital, she reads the file of an old patient who was also her friend. The file is then closed. Maria do Céu returns to her village, where she sings at the people’s house choir.
Director of Photography
Coming from every parts of Africa, runs a river of men and women prepared to cross entire continents, pursuing a life that is denied to those that live in the periphery.
Editor
Coming from every parts of Africa, runs a river of men and women prepared to cross entire continents, pursuing a life that is denied to those that live in the periphery.
Sound
Coming from every parts of Africa, runs a river of men and women prepared to cross entire continents, pursuing a life that is denied to those that live in the periphery.
Director
Coming from every parts of Africa, runs a river of men and women prepared to cross entire continents, pursuing a life that is denied to those that live in the periphery.
Cinematography
An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?
Producer
"I've been on this cliff for almost a year, here on the lookout. Always aware of the sea and the enemy, even though I've never seen him. The man riding a horse gave me a new order, to be even more on alert, waiting for a mirage, for a ghost that will not come."
