Asrul Sani

Naga Bonar appointed himself as a commander of troops and fought against the Dutch. However, on the other hand, he fell in love with Kirana who sided with the Dutch.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.

Set in early 20th century Bali, the king of Tabanan is killed, but his daughter, Gusti Ayu Pandansari, survives. She is hidden and raised in a fishing village by loyal followers of the king, I Murda and I Kompyang. Sari is raised along with Murda’s sons, Jaya and Pageh.

Rhoma tries to pull Ratna out of her dark life. Ratna’s pimp opposes the attempt. In a fight, Ratna is stabbed with a knife. Rhoma is shaken and advised to go to the village to rest. There, he falls in love with Sumi, the village beauty. Misfortune also falls on her when she is attacked with sulphuric acid that ruins her face. Returning to the village, he is surprised to find a woman who is similar to both Ratna and Sumi.

Rhoma tries to pull Ratna out of her dark life. Ratna’s pimp opposes the attempt. In a fight, Ratna is stabbed with a knife. Rhoma is shaken and advised to go to the village to rest. There, he falls in love with Sumi, the village beauty. Misfortune also falls on her when she is attacked with sulphuric acid that ruins her face. Returning to the village, he is surprised to find a woman who is similar to both Ratna and Sumi.

Jamal and Kamil sell clothes on a street corner in Jakarta. The police often chase them. Over time, Jamal becomes angry and intends to change his luck by talking big and “selling” himself. He dresses up to look and act like a rich man, but tastelessly.

Jamal and Kamil sell clothes on a street corner in Jakarta. The police often chase them. Over time, Jamal becomes angry and intends to change his luck by talking big and “selling” himself. He dresses up to look and act like a rich man, but tastelessly.

All sorts of unlikely figures come to prominence in wartime, no matter what the country. Indonesia is no exception. In this comedy, Naga Bonar, a pickpocket who has seized the opportunity of the moment to declare himself a general in the Freedom Forces during the chaos of the Japanese occupying forces’ withdrawal in 1945, as the Dutch attempted to reassert their control over the area. However, soon a mask becomes his true self, and he becomes a true soldier and patriot.

Bagus Pribadi comes from Surabaya to conquer Jakarta with his strength. He meets Ratih, a widow who remains in the shadow of her ex-husband, Sujono. Sujono, cannot accept the fact that his ex-wife has fallen in love with another man. Hence Bagus must deal with one fight after another. Ratih’s brother, Sunarto, who owes Sujono a favour, also participates in blocking Bagus’ action. In the end, Bagus is forced to confront Sujono, and he succeeds.

A black comedy about love relationship between a photographer and a bank teller.

A black comedy about love relationship between a photographer and a bank teller.

The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

Bintang Kejora, an adventurer, is a drug seller who is boastful. He is blacklisted everywhere for being a fraud. One time he comes to a drought-stricken village, merely to see a girl he caught a glimpse of, sticking her head out of the window of a passing bus.

About a teacher who tries to bring change to a backward village and is resented for his efforts.

About a teacher who tries to bring change to a backward village and is resented for his efforts.

Directed by Asrul Sani.

After being pregnant for the third time, Shinta has to undergo another operation. After this, Shinta becomes frigid. Norman, her husband, then finds himself a girlfriend, Yulia, a colleague. Shinta divorces him and she leaves with her two children to brave Jakarta’s city life. Norman then comes to his senses and tries to look for his wife and children. He manages to find her in a very poor and weak condition before she dies.

After being pregnant for the third time, Shinta has to undergo another operation. After this, Shinta becomes frigid. Norman, her husband, then finds himself a girlfriend, Yulia, a colleague. Shinta divorces him and she leaves with her two children to brave Jakarta’s city life. Norman then comes to his senses and tries to look for his wife and children. He manages to find her in a very poor and weak condition before she dies.

As the time to retire comes, Abdurahman, a department employee who is honest, diligent and down-to-earth, has prepared himself. He manages to finish a university degree, with which he is sure that he can live his retirement period in peace with his six children. What happens is the opposite; he cannot get a new job. Susana, one of his daughters, becomes a prostitute. His wife, Ina in an effort to get money, is seduced by her own stepfather and is then caught in the act by her mother. On top of these troubles, his other daughter, Aminah, returns from abroad before finishing her studies because she is pregnant and is going through a mental breakdown. Corruption and the social depravity that it causes is the film’s theme.

As the time to retire comes, Abdurahman, a department employee who is honest, diligent and down-to-earth, has prepared himself. He manages to finish a university degree, with which he is sure that he can live his retirement period in peace with his six children. What happens is the opposite; he cannot get a new job. Susana, one of his daughters, becomes a prostitute. His wife, Ina in an effort to get money, is seduced by her own stepfather and is then caught in the act by her mother. On top of these troubles, his other daughter, Aminah, returns from abroad before finishing her studies because she is pregnant and is going through a mental breakdown. Corruption and the social depravity that it causes is the film’s theme.

An argument erupts within a well-known touring theater group that separates the three friends from their primadona, Ernie Djohan. Kris Biantoro, Ernie’s boyfriend, takes advantage of this chaos, to take over the group. So the three friends start a new group, and fortunately they successfully launch their careers in film.

An argument erupts within a well-known touring theater group that separates the three friends from their primadona, Ernie Djohan. Kris Biantoro, Ernie’s boyfriend, takes advantage of this chaos, to take over the group. So the three friends start a new group, and fortunately they successfully launch their careers in film.

Ateng and Iskak are two labourers. They meet Eddy Sud, a scholar-impostor and two eccentric men who carry a treasure map. They agree to look for the treasure. On their journey, the group meets two young girls. Ateng and Iskak start to flirt with the girls. Meanwhile, there is a group of criminals who wants to loot the treasure once they dig it up. However, the two eccentric men are just patients from the mental institution who are being trailed by the police.

Ateng and Iskak are two labourers. They meet Eddy Sud, a scholar-impostor and two eccentric men who carry a treasure map. They agree to look for the treasure. On their journey, the group meets two young girls. Ateng and Iskak start to flirt with the girls. Meanwhile, there is a group of criminals who wants to loot the treasure once they dig it up. However, the two eccentric men are just patients from the mental institution who are being trailed by the police.

Ateng and Iskak are two labourers. They meet Eddy Sud, a scholar-impostor and two eccentric men who carry a treasure map. They agree to look for the treasure. On their journey, the group meets two young girls. Ateng and Iskak start to flirt with the girls. Meanwhile, there is a group of criminals who wants to loot the treasure once they dig it up. However, the two eccentric men are just patients from the mental institution who are being trailed by the police.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Mbok Puspo’s cafe, at the edge of Kalimas, under Jembatan Merah or “Red Bridge”, is a meeting place for many. Mbok Puspo also sells rags for additional income while her adopted daughter, Sudiasih, runs the cafe and is the shining beauty of the place. The regulars are Ngawang, a small time thief who fails to make his wife happy; Kenanga, who becomes a prostitute to spite her husband; Siswanto, a student who does not have the courage to confess his love to Sudiasih; Pungguk the painter; a civil servant, and a postman. The love stories between Siswanto and Sudiasih; and Ngawang and Kenang are the central plots. Seeing Siswanto and Sudiasih’s love, Ngawang and Kenanga also find each other. Meanwhile, Mbok Puspo is in a dilemma when she receives a letter from her child, Sri Bidari, who was adopted by a rich family.

Mbok Puspo’s cafe, at the edge of Kalimas, under Jembatan Merah or “Red Bridge”, is a meeting place for many. Mbok Puspo also sells rags for additional income while her adopted daughter, Sudiasih, runs the cafe and is the shining beauty of the place. The regulars are Ngawang, a small time thief who fails to make his wife happy; Kenanga, who becomes a prostitute to spite her husband; Siswanto, a student who does not have the courage to confess his love to Sudiasih; Pungguk the painter; a civil servant, and a postman. The love stories between Siswanto and Sudiasih; and Ngawang and Kenang are the central plots. Seeing Siswanto and Sudiasih’s love, Ngawang and Kenanga also find each other. Meanwhile, Mbok Puspo is in a dilemma when she receives a letter from her child, Sri Bidari, who was adopted by a rich family.

The story revolves around the Minangkabau Hanafi and his friend, the half-French half-Minangkabau Corrie du Bussée. Although Hanafi is Minangkabau and a Muslim, he considers European culture to be superior and has many European friends.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

This war drama finds a group of rebels grappling with their imprisonment while in the custody of Dutch colonialists.With several of their comrades recently executed, the soldiers are left to contemplate their fates – and plan a possible escape – as the threat of their impending mortality closes in.

This war drama finds a group of rebels grappling with their imprisonment while in the custody of Dutch colonialists.With several of their comrades recently executed, the soldiers are left to contemplate their fates – and plan a possible escape – as the threat of their impending mortality closes in.

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.