Lee Siu-Wah

PelĂ­culas

Dead Target
Director
An evil Caucasian jewel smuggler named Robertson (Conwyn Sperry) enlists a small army to steal a map leading to a rare Chinese treasure hidden in Thailand; however, a grandfather and his daughter (Chin Siu Ho, Sharon Louise Kwok) evade the villain's forces while passing through what looks like a paid advertisement for the country's scenic and cultural wonders. The movie's nearly dense as granite with fight and chase scenes, a few of them quite witty, as well as near deadly encounters with drag queens, alligators, river torrents, kung fu elephants, and hot flying vegetables
Crazy Blood
Director
Chen is a dedicated social worker who has allowed her job to dominate her personal life. Inadvertently, she neglects her devoted husband Lo-Wei and their young son. Although he dislikes his wife's patients ("they're just street trash"), Lo-Wei is tolerant of his wife's workaholic situation and he takes the opportunity to develop a strong unity with his son, Chia-Pu. Then, Lo-Wei's sister offers to babysit the child while the parents respond to an emergency case. While they're gone, one of Chen's "delinquents" breaks into the house and rapes the sister. During the assault, baby Chia-Pu climbs out of the window and falls to his death. Lo-Wei is over-the-edge with grief. His brain snaps. He withdraws into himself, except at night when he stalks the "street trash," gruesomly killing them...
The Brave Archer
Taoist Huang Chu-Yat
Guo Jing and Yang Kang are the sons of two rebels. The rebels are killed by imperial soldiers and the boys are rescued by six pugilists later. The pugilists agree to separate the two boys, tutor them separately in martial arts, and let them meet again when they have grown up, to determine whose abilities are better. Guo becomes the student of the "Seven Freaks of Jiangnan" while Yang Kang becomes the foster son of a Jurchen prince inadvertently.
The Goddess of Mercy
Dancing soldier
With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile. This humanistic tale will inspire and hearten even the most cynical viewer.