A pandemic-era reunion special of Patrik-Ian Polk’s groundbreaking ’Noah’s Arc’ series.
Producer
An investigation of the life of experimental, gay, black SF based choreographer Ed Mock - and his death of AIDS in 1986.
Self
An investigation of the life of experimental, gay, black SF based choreographer Ed Mock - and his death of AIDS in 1986.
Director
An investigation of the life of experimental, gay, black SF based choreographer Ed Mock - and his death of AIDS in 1986.
Music
Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s.
Screenplay
Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s.
Director
Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s.
Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s.
Brontez
Tras una década viviendo en San Francisco, Jesse está obligado a mudarse porque no soporta más la ciudad. En su última noche en la ciudad, amigos, amantes y ex-novios asisten a su fiesta de despedida.
Junx
Get to know Chunx, Funx, Hunx & Junx up close and personal on stage and behind the scenes in the first-ever authorized bootleg of the world's raunchiest bubblegum dance troupe ever...
